There is a popular theory that all of human history is cyclical; we are destined to repeat the same cycles over and over again. This idea is explored, somewhat, in Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan’s new play Building the Wall. Part post-apocalyptic warning and part prison conversation, Building the Wall tells the story of one potential future of America based on the rhetoric of President Trump and the successful implementation of his anti-immigration policies. Following a devastating terror attack in Times Square, martial law is enacted, giving Trump essentially unlimited power to round up and detain immigrants as he sees fit. One man, Rick, works at one of these detention facilities and his actions echo the actions of Nazi Germany, leading to the eventual impeachment of the president and arrest of Rick. The play tells Rick’s story through a conversation between Rick and historian Gloria. Note: this review is based solely on the script. I have not actually seen the play, and who knows if I ever will. Continue reading
Tag Archives: broadway
REVIEW: “Something Rotten!” Tour at DPAC
Something Rotten is an original musical by Wayne and Karey Kirkpatrick and John O’Farrell about two brothers, Nick (Rob McClure) and Nigel (Josh Grisetti), struggling to make a name for themselves in Renaissance England. But how can these two writers manage to compete with the Bard, himself, William Shakespeare (usually Adam Pascal, but his understudy, Daniel Beeman, played Shakespeare at my performance)? Naturally, the only thing that could compete with Shakespeare is a musical! The musical follows the Bottom brothers as they struggle to write a musical good enough to be better than William Shakespeare’s plays.
First things first: I love this musical. It was my favorite musical featured in the 2015 Tony Awards. I think it’s a funny, moving, well-written show with spectacular music. So this review won’t really be covering parts of the musical, rather it will deal with the performance I attended (April 8, 2017, matinee) and how that particular performance went.