After three decades and seven movies, the Chucky franchise has finally arrived on TV. Once again helmed by creator Don Mancini (this time acting as showrunner and director of some episodes), Chucky picks up where the previous film left off while introducing a whole new slew of characters for the killer doll to terrorize. Having seen the first four episodes, Chucky feels right at home on TV. These first episodes are heavy on the new elements, holding back many returning plotlines and characters until later in the season. But the new characters and stories introduced are more than enough to hook audiences. And the show lives up to its campy, gory reputation. Things get off to a slightly slow start, but as the show progresses, the tension only gets higher. And it’s so much fun. (4 out of 5 wands.)
Chucky Created by Don Mancini An idyllic American town is thrown into chaos after a vintage ‘Good Guy’ doll turns up at a suburban yard sale. Soon, everyone must grapple with a series of horrifying murders that begin to expose the town’s deep hypocrisies and hidden secrets. Meanwhile, friends and foes from Chucky’s past creep back into his world and threaten to expose the truth behind his mysterious origins as a seemingly ordinary child who somehow became this notorious monster.
And now, we reach the end of the Chucky franchise—until this fall’s TV continuation, of course. If 2013’s Curse of Chucky was a soft reboot, then 2017’s Cult of Chucky is a celebration of the franchise. Combining elements from all three eras of the Chucky franchise, Cult of Chucky takes the best parts of the series and turns them into something new. Acting as less of a finale and more of a prelude to future stories, Cult of Chucky is a promising look into the future of the Chucky franchise. Once again led by a captivating performance from Fiona Dourif, a bonkers-yet-entertaining storyline, an atmosphere to die for, and many creative kills, Cult of Chucky is a deeply enjoyable watch. (4 out of 5 wands.)
NOTE: This review contains spoilers.
Cult of Chucky (written and directed by Don Mancini) Chucky returns to terrorize his human victim, Nica, who is confined to an asylum for the criminally insane. Meanwhile, the killer doll has some scores to settle with his old enemies, with the help of his former wife.
At this point, I think the Chucky franchise’s greatest strength is its ability to reinvent itself any time its formula gets too stale. The first three films were pretty standard 1980s slashers. But Bride of Chucky successfully reinvented the franchise as more of a horror-comedy—a trend that was continued with more mixed results in Seed of Chucky. And 2013’s Curse of Chucky successfully reinvents the franchise once again, this time as a return to the realm of scarier horror films—now with a bit of a gothic flare. Curse of Chucky is a compulsively watchable film, led by a thrilling performance from Fiona Dourif, a solid story, some super fun kills, and a surprising amount of restraint. (4 out of 5 wands.)
NOTE: This review contains spoilers.
Curse of Chucky Written and directed by Don Mancini Out for revenge, Chucky (Brad Dourif) the killer doll infiltrates the family of a woman, her sister and her young niece.
Look, Seed of Chucky isn’t my least favorite Chucky movie. (That honor is still held by Child’s Play 3.) But it is an absolute mess of a film. Half of it works as a sort of horror/comedy satire of early 2000s Hollywood. But the other half feels like a mixture of misguided ideas and extremely questionable jokes that straddle the line between good and bad taste. For the first time in the franchise, the dolls—Chucky (Brad Dourif), Tiffany (Jennifer Tilly), and their child, Glen/Glenda (Billy Boyd)—are my least favorite characters. And that’s a bad sign for a franchise about killer dolls. (2.5 out of 5 wands.)
Seed of Chucky Written and Directed by Don Mancini Gentle Glen (Billy Boyd) is a ventriloquist’s dummy, the offspring of evil doll Chucky (Brad Dourif) and his doll bride (Jennifer Tilly), both of whom are now deceased. When the orphaned Glen hears that a film is being made about his parents, he goes to Hollywood and resurrects them in an attempt to get to know them better. He is horrified when Chucky and his lover embark on a new killing spree, and Chucky is equally horrified that his son has no taste for evil.
I get why horror fans don’t like Bride of Chucky. It’s more of a melodramatic comedy with horror elements than a true, traditional horror film. I can see how that might be divisive. However, I loved this movie. Yes, it’s over the top. And yes, the plot makes no sense. But man, is it fun. Everything about Bride of Frankenstein is deeply enjoyable—from the self-referential humor, to the almost soap opera-esque plot, to the over-the-top kills. This movie just oozes creativity, and it’s exactly the breath of fresh air the Chucky franchise needed.
Well, as I predicted, the Child’s Play formula overstayed its welcome. Child’s Play 3 is easily my least favorite of the trilogy. Everything about this film feels tired. It’s the same old basic plot. Chucky (Brad Dourif) finds Andy (Justin Whalin)—this time, at a military academy. Chucky tries to either kill him or take someone’s body—this time, Chucky goes after Tyler (Jeremy Sylvers), one of the other boys at the academy. Nobody believes Andy when he warns them of Chucky’s danger. People slowly start dying, with Andy looking like the most logical culprit. Eventually, things hit a climax as Chucky reveals himself and tries to transfer his soul to another body. Yawn.
This might be controversial, but I enjoyed Child’s Play 2 more than I enjoyed the first film. Yes, it’s an obvious rehash of Child’s Play, but without the need for tons of exposition, the movie simply gets right to all of the good stuff, resulting in a more dynamic, fast-paced film. This time around, it’s two years after the Chucky doll’s first murder spree, and Andy’s been bouncing around the foster system after his mother was institutionalized for standing by Andy and his stories about Chucky. As the film begins, Andy is taken in by a foster family, only for a re-awakened Chucky to quickly find him and resume his reign of terror. The rest of the film plays out similarly to the original Child’s Play: Chucky terrorizes Andy and his (foster) family, nobody believes Andy about Chucky, and a trail of carnage leads to an explosive climax.
Believe it or not, I’ve never seen a Chucky movie. I know a lot about the franchise thanks to culture osmosis, but I’ve never sat down to watch any of the films. With SyFy working on a TV continuation of the franchise, I figured now was the perfect time to give the movies a watch. And what better place to start than at the beginning, with 1988 Child’s Play. It’s weird watching this movie and knowing that Chucky is going to be a cultural icon because while this is a great horror film it doesn’t have a lot of the trademarks associated with a Chucky film. The kills aren’t particularly gnarly, Chucky’s not cracking a bunch of jokes, and Chucky’s not even in the movie much. It’s more of a thriller than a horror movie, but that doesn’t make it any less fun.
The Chucky/Child’s Play franchise is a really interesting one. It started off with a pretty standard horror film about a creepy doll before it devolved into a series of sequels that grew more and more comedic, eventually coming back around to more serious horror once again with the latest few sequels. But with so many sequels, the continuity of the series has become a bit difficult to follow. So, perhaps it was about time for a reboot to happen. Could new life be breathed into this old franchise by some new creatives? Or would it just end up being another in a long list of subpar remakes of classic horror films? With this new Child’s Play, it’s a bit of both. (Mild spoilers follow!)
Child’s Play (written by Tyler Burton Smith, directed by Lars Klevberg) A contemporary re-imagining of the 1988 horror classic, Child’s Play follows Karen (Aubrey Plaza), a single mother who gifts her son Andy (Gabriel Bateman) a Buddi doll (voiced by Mark Hamill), unaware of its more sinister nature.