I tend to enjoy superhero movies that are a bit darker. I like to actually get inside a hero’s head, especially those whose chief motivation to be heroic is borne out of some kind of PTSD. It’s one of the main reasons I adore Batman as much as I do. And it’s why I love some of the darker DC movies – even if, objectively, they’re not exactly well-written movies (Batman v Superman, Watchmen, etc.). So, naturally, Brightburn should be right up my alley. It takes one of my least favorite superheroes – Superman, disliked by me due to his eternal blandness – and puts a similar character in a scenario where he becomes evil as he learns of his superpowers instead of becoming a good guy. Brightburn is not a Superman movie, but it’s clearly inspired by the Superman story (alien baby crashes to earth, is adopted by parents who live on a farm, discovers his powers as he hits puberty, etc). Unfortunately, Brightburn is every bit as bland as most Superman stories are. (Spoilers ahead!)
Brightburn (Written by Brian Gunn and Mark Gunn and directed by David Yarovesky)
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
In a world where puppets co-exist with humans as second class citizens, Phil Phillips (Bill Barretta), puppet private eye and disgraced ex-cop, is hot on the trail of the serial killer who murdered his brother and is now targeting the cast members of the 1980s television series The Happytime Gang. As the killings continue, Jenny (Elizabeth Banks), Phil’s former flame, is next on the list. It’s up to Phil and Detective Edwards (Melissa McCarthy), his ex-partner, to find the culprit, but as bad blood and old resentments resurface, the clues start pointing to the only viable suspect: Phil himself. Now he’s on the run with only his wits and hard-headed determination as he and his partner attempt to solve the Happytime Murders.
Thoroughly Modern Reviewer 