I really wish Doomsday Clock was better than it is. I love Alan Moore and Dave Gibbons’ Watchmen and I really enjoy the DC Universe; I even thought much of the lead up to this series was very good – or, at least, intriguing. But then the actual series came out and it was plagued by so many delays in its publication that it genuinely became difficult to follow the story as it went on. Unfortunately, rereading the whole series upon its completion didn’t really make it much easier to follow. But, I suppose, that’s in line with the original Watchmen graphic novel. (This review covers all twelve issues of Doomsday Clock and may contain mild spoilers.)
Doomsday Clock (written by Geoff Johns, illustrated by Gary Frank)
Seven years after the events of Watchmen, Adrian Veidt has been exposed as the murderer of millions. Now a fugitive, he has come up with a new plan to redeem himself in the eyes of the world. The first step? Finding Dr. Manhattan. Alongside a new Rorschach and the never-before-seen Mime and Marionette, he follows Manhattan’s trail to the DC Universe, which is on the brink of collapse as international tensions push the “doomsday clock” ever closer to midnight. Is this all Dr. Manhattan’s doing?
Spinning out of Watchmen, DC Universe: Rebirth, and Batman/The Flash: The Button, Doomsday Clock rewrites the past, present, and future of the DC Universe.
I tend to enjoy superhero movies that are a bit darker. I like to actually get inside a hero’s head, especially those whose chief motivation to be heroic is borne out of some kind of PTSD. It’s one of the main reasons I adore Batman as much as I do. And it’s why I love some of the darker DC movies – even if, objectively, they’re not exactly well-written movies (Batman v Superman, Watchmen, etc.). So, naturally, Brightburn should be right up my alley. It takes one of my least favorite superheroes – Superman, disliked by me due to his eternal blandness – and puts a similar character in a scenario where he becomes evil as he learns of his superpowers instead of becoming a good guy. Brightburn is not a Superman movie, but it’s clearly inspired by the Superman story (alien baby crashes to earth, is adopted by parents who live on a farm, discovers his powers as he hits puberty, etc). Unfortunately, Brightburn is every bit as bland as most Superman stories are. (Spoilers ahead!)
Brightburn (Written by Brian Gunn and Mark Gunn and directed by David Yarovesky)
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
Man, I desperately wanted to like this. I will go to my grave defending Batman v Superman (particularly the Ultimate Edition, where the story actually made sense), but Justice League is, unfortunately, a bit of a mess. A fairly enjoyable – at times – mess, but a mess, nonetheless, and I’m not sure whose fault it is. Directed by Zack Snyder (with substantial reshoots and editing supervised by Joss Whedon) and written by Chris Terrio and Joss Whedon, Justice League is the DCEU’s equivalent of 2012’s The Avengers (also directed by Whedon). It brings the mightiest DC superheroes – Batman (Ben Affleck), Wonder Woman (Gal Gadot), The Flash (Ezra Miller), Aquaman (Jason Momoa), Cyborg (Ray Fisher), and Superman (Henry Cavill) – together for the first time as they team up to defend the earth from an intergalactic – and multi-dimensional? – threat: Steppenwolf (Ciarán Hinds). (Mild spoilers ahead)(more…)