indie

REVIEW: “Auxiliary: London 2039” by Jon Richter

I’m always game to try an indie sci-fi book. Independently published books are always a bit of a gamble; sometimes they’re great; other times they’re not so great. But often you can find a great diamond in the rough by reading an independently published sci-fi novel. So, when the publishers of Auxiliary: London 2039 reached out to me and asked if I would like to review the book, I thought it was worth a read. It sounded reminiscent of Blade Runner and Altered Carbon, two stories I’ve enjoyed to a reasonable extent, so I thought it was worth a shot. And, having read the book, it’s not a bad read but it’s not a great read either. It’s perfectly fine, with a suitable mystery, well-written prose, and solid pacing, but it’s also not particularly original, and it feels like something you’ve read before. (3.5 out of 5 wands.)

(NOTE: A copy of the novel was provided by the publisher in exchange for a fair review. All thoughts are my own. Additionally, there may be spoilers ahead.) 

Auxiliary: London 2039 by Jon Richter
In a time where AI drives every car, cooks every meal, and plans every second of human life in London, a police detective named Carl Dremmler catches a murder suspect red-handed. The investigation seems open and shut, but the tech-wary detective can’t help but believe the accused’s bizarre story: that his robotic arm committed the grisly crime, not him. As Dremmler pursues the truth, he must question everyone he thinks he knows and face down every terror 2039 has to offer.

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REVIEW: “The Intergalactic Interloper” by Delas Heras

I love a weird, quirky sci-fi book. There’s just something so inherently fun about weird sci-fi  – it often doesn’t take itself very seriously, freeing the author to let their imaginations run wild. It’s usually a lot of fun and I frequently find myself drawn to these kinds of stories – which is exactly why I ended up reading The Intergalactic Interloper. With a summary promising missing cats and two-headed alien turtles, I was immediately on board. And, having finished the book, it was well worth the read. While light on plot, The Intergalactic interloper is packed with fun and weird ideas and is immensely enjoyable. (4.5 out of 5 wands.)

(NOTE: An advanced copy of the book was provided in exchange for a fair review. Additionally, mild spoilers for The Intergalactic Interloper may follow.)

Ollie, a young East Village musician, woke up on the proverbial wrong side of the bed: His cat is missing, he is in trouble with his boss, and his friends all think he has lost his mind. This last one may have something to do with the story he tells them about spying a giant two-headed turtle from outer space on a nearby rooftop. But he swears it’s the truth. Ollie’s bandmate Zara is skeptical, but she still signs on to help him track down his vanished pet. Together they follow a trail of clues that lead them to a bird-watching neighbor, who—spurred on by the ghost of a Civil War colonel—may be out for blood.

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REVIEW: “Headshots” (2019 Film)

HEADSHOTS2019AmzPoster3to4You never know what you’re gonna get with an indie/low-budget horror movie. You could get a movie that’s super charming and works really well within the constraints forced upon it (by budget/time/available talent/etc) or you could get something that’s truly appalling and devoid of any entertainment value whatsoever. Or you could get something somewhere in between, where it’s clear that a lot of love went into the creation of the film but some element of its making went catastrophically wrong. That’s the joy of looking into a low-budget horror movie. For every gem (like Rubber), there’s an enjoyable-yet-bad film (like Attack of the Killer Tomatoes), and at least three films that are too awful to watch (like Thankskilling, half the Troma catalog, or Birdemic). So, where does Headshots fall in this breakdown? Well, much to my surprise and enjoyment, it falls within the first camp. Headshots is a charming film that makes the most of its constraints and brings an interesting twist to its premise. (Mild spoilers follow!)

Headshots (written and directed by Chris O’Neill)
HEADSHOTS follows a young British actress who goes to LA to be a movie star- only to cross paths with a serial killer in her acting class.

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