I love a good sci-fi comedy. The melding of sci-fi concepts and comedy is often endlessly entertaining. However, there seems to be a general lack of sci-fi comedies on TV – especially in America. There are the occasional horror comedies and fantasy comedies but you don’t see many sci-fi comedies. This is where Peacock’s newest show, CODE 404 enters. A blend of traditional buddy cop comedies and entertaining sci-fi concepts, CODE 404 is an enjoyable, dryly funny show. Plus there’s a pretty fun mystery at the heart of the series. (4 out of 5 wands.)
(NOTE: There may be mild spoilers for Code 404 ahead. You have been warned.)
CODE 404 (created by Daniel Peak, Tom Miller, and Sam Myer) DI John Major (Daniel Mays) and DI Roy Carver (Stephen Graham) are the best of the best at an elite undercover police team. When Major’s cover is blown and he is met with his untimely death, he is brought back to life with some glitchy AI technology. Now, he’s better than ever – or so he thinks.
I never read The Inheritance Cycle as a kid. I tried reading Eragon a few times and I made it partway through the film, but it was never something I could get into. I’m very picky about what kinds of fantasy books I like – the higher the fantasy and the more complex the world, the less likely I am to like it. Which is exactly what happened with Christopher Paolini’s beloved books. It was a classic case of it’s me not them. In that context, I was unsure what to expect when approaching To Sleep in a Sea of Stars, Paolini’s first book for adults, and his first foray into science fiction. While I love a lot of sci-fi, would I like this? Would this novel connect with me in the way I wanted his others to? In short: yes. To Sleep in a Sea of Stars is a masterclass in genre storytelling. Intricately plotted, stuffed with multidimensional and endearing characters, and filled with enough action to make Hollywood jealous, it is a thrill from start to finish. (4.5 out of 5 wands.)
(NOTE: I won an advance copy of this book from BookishFirst. All reactions are my own. Additionally, there may be mild spoilers.)
To Sleep in a Sea of Stars by Christopher Paolini During a routine survey mission on an uncolonized planet, Kira finds an alien relic. At first she’s delighted, but elation turns to terror when the ancient dust around her begins to move.
As war erupts among the stars, Kira is launched into a galaxy-spanning odyssey of discovery and transformation. First contact isn’t at all what she imagined, and events push her to the very limits of what it means to be human.
While Kira faces her own horrors, Earth and its colonies stand upon the brink of annihilation. Now, Kira might be humanity’s greatest and final hope . . .
I’m always game to try an indie sci-fi book. Independently published books are always a bit of a gamble; sometimes they’re great; other times they’re not so great. But often you can find a great diamond in the rough by reading an independently published sci-fi novel. So, when the publishers of Auxiliary: London 2039 reached out to me and asked if I would like to review the book, I thought it was worth a read. It sounded reminiscent of Blade Runner and Altered Carbon, two stories I’ve enjoyed to a reasonable extent, so I thought it was worth a shot. And, having read the book, it’s not a bad read but it’s not a great read either. It’s perfectly fine, with a suitable mystery, well-written prose, and solid pacing, but it’s also not particularly original, and it feels like something you’ve read before. (3.5 out of 5 wands.)
(NOTE: A copy of the novel was provided by the publisher in exchange for a fair review. All thoughts are my own. Additionally, there may be spoilers ahead.)
Auxiliary: London 2039by Jon Richter In a time where AI drives every car, cooks every meal, and plans every second of human life in London, a police detective named Carl Dremmler catches a murder suspect red-handed. The investigation seems open and shut, but the tech-wary detective can’t help but believe the accused’s bizarre story: that his robotic arm committed the grisly crime, not him. As Dremmler pursues the truth, he must question everyone he thinks he knows and face down every terror 2039 has to offer.
Better late than never, eh? There’s something about alien stories set during the 1940s-1960s that appeals to me. Maybe it’s that whole “things were simpler back then” trope or the fun that comes with watching or reading an alien story set during the height of the nation’s obsession with UFOs. Whatever it is, I often enjoy stories set during this period. And I also enjoy stories that focus on old-timey radio/TV production. In this context, it should be no surprise that The Vast of Night immediately appealed to me. I hadn’t heard much about it, but the moment Amazon Prime suggested it to me, I was eager to watch it. In theory, it touched on a lot of things I love and it looked pretty darn good. Having seen it, it is pretty darn good. The Vast of Night is easily one of my favorite films of the year. It’s both modern and retro and is filled with charm, great performances, great direction, and a solid story. (4.5 out of 5 wands.)
(NOTE: Mild spoilers for The Vast of Night may follow.)
The Vast of Night (written by Andrew Patterson and Craig W. Sanger, directed by Andrew Patterson) In the twilight of the 1950s, on one fateful night in New Mexico, a young, winsome switchboard operator Fay (Sierra McCormick) and charismatic radio DJ Everett (Jake Horowitz) discover a strange audio frequency that could change their small town and the future forever. Dropped phone calls, AM radio signals, secret reels of tape forgotten in a library, switchboards, crossed patchlines, and an anonymous phone call lead Fay and Everett on a scavenger hunt toward the unknown.
I don’t normally watch video essays on YouTube. It takes a very specific kind of personality to get me interested enough to watch anything on YouTube for more than 10 minutes – especially something that’s just analyzing something else. But Lindsay Ellis is one of those YouTubers who can get me to watch an hour-long video and enjoy it. So, when I heard about her debut novel, Axiom’s End, I was excited to give it a read. And I was even more excited about it when I heard it was a science fiction/alternate history novel about humanity’s first contact with an alien species. That kind of story is one of my favorite kinds of science fiction stories and I was eager to see what kind of a take Ellis would have on it. Having now read the book, I can say that it wasn’t really what I expected at all. Ellis certainly puts her own spin on the first-contact genre, weaving a pretty interesting tale and delivering a book that, while a bit difficult to initially get into, makes for a compelling and enjoyable read. (4 out of 5 wands)
(Note: I received an ARC of this novel from NetGalley in exchange for a fair and honest review. All opinions are my own and have not been influenced. Additionally, mild spoilers may follow.)
Axiom’s End by Lindsay Ellis
It’s fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government―and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him―until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades.
Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human―and could unleash a force more sinister than she ever imagined.
I really enjoyed An Absolutely Remarkable Thing, the first novel in Hank Green’s The Carls duology. It was one of those books that ticked off so many items on a theoretical checklist of what I like in science fiction. But, of course, it ended on a pretty killer cliffhanger. So, when the sequel, A Beautifully Foolish Endeavor, was announced, I was utterly excited to give it a read. Was it even possible for the sequel to be as good as the first book? Could Green bring the whole story to a satisfying conclusion? In short: yes. Yes to all of that. A Beautifully Foolish Endeavor is about as good as any sequel could hope to be. And I loved every second of it. (4.5 out of 5 wands.)
NOTE: There may be mild spoilers for A Beautifully Foolish Endeavor. You have been warned.
The Carls disappeared the same way they appeared, in an instant. While the robots were on Earth, they caused confusion and destruction with only their presence. Part of their maelstrom was the sudden viral fame and untimely death of April May: a young woman who stumbled into Carl’s path, giving them their name, becoming their advocate, and putting herself in the middle of an avalanche of conspiracy theories. Months later, April’s friends are trying to find their footing in a post-Carl world. Andy has picked up April’s mantle of fame, speaking at conferences and online; Maya, ravaged by grief, begins to follow a string of mysteries that she is convinced will lead her to April; and Miranda is contemplating defying her friends’ advice and pursuing a new scientific operation…one that might have repercussions beyond anyone’s comprehension. Just as it is starting to seem like the gang may never learn the real story behind the events that changed their lives forever, a series of clues arrive—mysterious books that seem to predict the future and control the actions of their readers—all of which seems to suggest that April could be very much alive. In the midst of the search for the truth and the search for April is a growing force, something that wants to capture our consciousness and even control our reality.
When I was a kid, I was scared of Bigfoot-like, properly scared. I can’t remember how old I was when I first encountered a Bigfoot thing, but I can remember having seen some pseudo-documentary on Animal Planet, or something, and being ever so frightened of looking out my bedroom window and seeing Bigfoot staring back at me. It became a recurring nightmare of mine for a while until I eventually grew out of that fear and moved on. But there is something kind of frightening about a giant ape-like monster with borderline-human intelligence whose existence nobody can seem to prove or disprove. And that’s where Devolution, Max Brooks’ newest book comes in. Resting closer to something like Frankenstein than Brooks’ World War Z oral history riff, Devolution is another epistolary novel (or, as I jokingly refer to it, “found literature”) from Max Brooks. But unlike World War Z, I really enjoyed Devolution. It’s a gripping read, filled with a lot of tension, some immediately captivating characters, and a lot of genuine chills. (Mild spoilers follow!)
Devolution by Max Brooks
Offering a glorious back-to-nature experience with all the comforts of high-speed Internet, solar smart houses, and the assurance of being mere hours from Seattle by highway, Greenloop was indeed a paradise—until Mount Rainier erupted, leaving its residents truly cut off from the world, and utterly unprepared for the consequences. With no weapons and their food supplies dwindling, Greenloop’s residents slowly realized that they were in a fight for survival. And as the ash swirled and finally settled, they found themselves facing a specter none of them could have predicted—or even thought possible…
In these pages, Max Brooks brings to light the journals of resident Kate Holland, recovered from the town’s bloody wreckage, faithfully reproducing her words alongside his own investigations into the massacre that followed and the legendary beasts behind it. If what Kate saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity.
I love a good sci-fi book, that much is well known. But what about a sci-fi book that puts forth the idea that all the mythological creatures from Earth’s history (fairies, pixies, werewolves, vampires, etc) are actually alien species exiled to our planet as punishment for crimes made on their own planets? Well, a book like that would be right up my wheelhouse. That’s exactly the kind of book that Dennis Meredith’s Mythicals is. It’s also a very good one, too.
Drunken journalist Jack March can’t believe his bleary eyes when he stumbles onto a winged fairy! She vaults away into the night sky, and his unbelievable—and unbelieved—encounter leads to a stunning revelation that all the creatures of myth and legend are real!
Fairies, pixies, trolls, werewolves, ogres, vampires, angels, elves, bigfoot—all are alien exiles to the planet. For their crimes, these “mythicals” are serving out banishment disguised in flesh-suits enabling them to live among the planet’s natives.
Jack reveals their secret to the world, along with a horrendous discovery: they have decided that the native “terminal species” must be eradicated before it ruins its home planet’s ecology.
In this riveting scifi/fairy tale, Jack joins with sympathetic fairies, pixies, and ogres to attempt to save the planet from the mythicals, as well as the mysterious alien cabal known as the Pilgrims.