If you’re a fan of weird, creative, deeply original science fiction, then Paul Cornell’s new novella, Rosebud, is worth checking out. A quick, dense read, Rosebud is unlike anything I’ve read in ages. Featuring a group of immediately captivating characters and an absolutely mind-blowing plot, Rosebud isn’t always an easy read and it could benefit from being expanded into a full-length novel. But when it works, it works very well.
NOTE: I received a review copy of Rosebud from Macmillan/Tor and NetGalley. All thoughts are my own.
Rosebud Written by Paul Cornell When five sentient digital beings―condemned for over three hundred years to crew the small survey ship by the all-powerful Company―encounter a mysterious black sphere, their course of action is clear: obtain the object, inform the Company, earn lots of praise. But the ship malfunctions, and the crew has no choice but to approach the sphere and survey it themselves. They have no idea that this object―and the transcendent truth hidden within―will change the fate of all existence, the Company, and themselves.
I think it’s safe to say that nobody’s been watching the most recent Godzilla movies for their stunning human characters. No, we’re all just there for the cool world-building and the big Kaiju vs Kaiju action scenes. But imagine a book that combines cool world-building, bombastic action scenes, and compelling characters, and you might end up with something like John Scalzi’s The Kaiju Preservation Society. Featuring a breezy plot, well-rounded characters, and blockbuster-worthy thrills, The Kaiju Preservation Society is as good as the best Kaiju movies. A fun read from start to finish, The Kaiju Preservation Society might just be the pick-me-up we all need right now.
NOTE: I received a review copy of The Kaiju Preservation Society from Macmillan/Tor and NetGalley. All thoughts are my own.
If you’ve ever wanted a book that combines elements of time travel, murder mysteries, and ghost stories all into one, then Rob Hart’s The Paradox Hotel is the book for you. Genre-defying to a fault, The Paradox Hotel crams so much story into its 300-odd pages that it’s kind of a miracle everything works as well as it does. But overall, The Paradox Hotel is a genuinely impressive book. The mystery’s satisfying and well-plotted. The emotional stakes are clear and well-developed. And the book is just so much fun to read – a shining example of a compulsive page-turner.
(NOTE: I received a review copy of The Paradox Hotel from Random House Publishing Group/Ballantine Books and NetGalley. All thoughts are my own.)
Alien first contact stories are a dime a dozen. They always focus on the immediate impact of extraterrestrial contact – how does humanity survive that first encounter? But what about the aftermath? What happens months later when the dust has settled and the shock dissipates? What are the long-term impacts of knowing humanity isn’t alone in the universe? This is the question at the heart of Lindsay Ellis’s Truth of the Divine. Picking up where the first book, Axiom’s End, left off, Truth of the Divine simultaneously expands the world introduced in that first book while delving even deeper into the psyches of its characters – human and alien alike. Truth of the Divine takes everything that worked in Axiom’s End and makes them even better. And it’s a thrilling, thought-provoking read that stays with you long after the first page. (4.5 out of 5 wands.)
(Note: I received an ARC of this novel from NetGalley and the publisher in exchange for a fair and honest review. All opinions are my own. Additionally, mild spoilers for both Axiom’s End and Truth of the Divine follow.)
Truth of the Divine Written by Lindsay Ellis The human race is at a crossroads; we know that we are not alone, but details about the alien presence on Earth are still being withheld from the public. As the political climate grows more unstable, the world is forced to consider the ramifications of granting human rights to nonhuman persons. How do you define “person” in the first place?
Have you ever read one of those books that immediately envelops your interest? One that just grabs your attention and holds it like a vice, daring you to put the book down? There’s nothing quite like reading a book like that. It’s a high that all readers chase as often as they can. Reading Dan Frey’s newest sci-fi techno-thriller, The Future is Yours, created just that experience for me. The Future is Yours is an epistolary novel and tells its story through writing found within the novel’s world (like emails, text messages, blog posts, transcripts of congressional hearings). As a result, it creates a reading experience unlike those found in prose-based novels. The Future is Yours is a face-paced, thrilling read that asks what might happen if humans could access information from the future and then thoroughly unpacks all the reasons why humans shouldn’t be allowed to do that. It’s a nuanced page-turner with fully-fleshed characters and a well-executed premise that’s well worth a read for all sci-fi fans. (4.5 out of 5 wands.)
NOTE: I received an ARC of this novel from NetGalley. All thoughts are my own. Additionally, this review is spoiler free.
For Ben Boyce and Adhi Chaudry, the answer is unequivocally yes. And they’re betting everything that you’ll say yes, too. Welcome to The Future: a computer that connects to the internet one year from now, so you can see who you’ll be dating, where you’ll be working, even whether or not you’ll be alive in the year to come. By forming a startup to deliver this revolutionary technology to the world, Ben and Adhi have made their wildest, most impossible dream a reality. Once Silicon Valley outsiders, they’re now its hottest commodity.
The device can predict everything perfectly—from stock market spikes and sports scores to political scandals and corporate takeovers—allowing them to chase down success and fame while staying one step ahead of the competition. But the future their device foretells is not the bright one they imagined. Ambition. Greed. Jealousy. And, perhaps, an apocalypse. The question is . . . can they stop it?
Told through emails, texts, transcripts, and blog posts, this bleeding-edge tech thriller chronicles the costs of innovation and asks how far you’d go to protect the ones you love—even from themselves.
Who doesn’t love a good fish out of water comedy? There’s just so much joy to be mined out of watching a character from one environment have to navigate the ins and the outs of a totally new and alien environment. This trope is especially successful in sci-fi settings, where either a human has to adapt to an alien culture or vice versa. It’s this trope that first attracted me to SyFy’s Resident Alien, a TV adaptation of the Dark Horse Comics series of the same name. Here, Alan Tudyk plays an alien who’s crash-landed in a small Colorado town and is forced to blend in with the local townsfolk as a quirky doctor, Harry Vanderspeigle, while searching for the remnants of his ship and the device he intends to use to destroy the world. It’s one of those premises that seems destined to become a classic sci-fi fish out of water story. Unfortunately, Resident Alien never quite manages to take off in its first seven episodes. It’s not a bad show, just a wildly uneven one. Its plot is unfocused, it struggles to balance its comedy with its drama, and many of the characters feel underdeveloped, at best, and paper thin and annoying, at worst. There’s plenty of potential here, but there’s a lot of work to be done before this show is as good as its premise is. (3 out of 5 wands.)
NOTE: This review is based off of the first seven episodes. It will be as spoiler free as possible.
Resident Alien (created by Chris Sheridan) Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”
I love a good sci-fi comedy. The melding of sci-fi concepts and comedy is often endlessly entertaining. However, there seems to be a general lack of sci-fi comedies on TV – especially in America. There are the occasional horror comedies and fantasy comedies but you don’t see many sci-fi comedies. This is where Peacock’s newest show, CODE 404 enters. A blend of traditional buddy cop comedies and entertaining sci-fi concepts, CODE 404 is an enjoyable, dryly funny show. Plus there’s a pretty fun mystery at the heart of the series. (4 out of 5 wands.)
(NOTE: There may be mild spoilers for Code 404 ahead. You have been warned.)
CODE 404 (created by Daniel Peak, Tom Miller, and Sam Myer) DI John Major (Daniel Mays) and DI Roy Carver (Stephen Graham) are the best of the best at an elite undercover police team. When Major’s cover is blown and he is met with his untimely death, he is brought back to life with some glitchy AI technology. Now, he’s better than ever – or so he thinks.
I never read The Inheritance Cycle as a kid. I tried reading Eragon a few times and I made it partway through the film, but it was never something I could get into. I’m very picky about what kinds of fantasy books I like – the higher the fantasy and the more complex the world, the less likely I am to like it. Which is exactly what happened with Christopher Paolini’s beloved books. It was a classic case of it’s me not them. In that context, I was unsure what to expect when approaching To Sleep in a Sea of Stars, Paolini’s first book for adults, and his first foray into science fiction. While I love a lot of sci-fi, would I like this? Would this novel connect with me in the way I wanted his others to? In short: yes. To Sleep in a Sea of Stars is a masterclass in genre storytelling. Intricately plotted, stuffed with multidimensional and endearing characters, and filled with enough action to make Hollywood jealous, it is a thrill from start to finish. (4.5 out of 5 wands.)
(NOTE: I won an advance copy of this book from BookishFirst. All reactions are my own. Additionally, there may be mild spoilers.)
To Sleep in a Sea of Stars by Christopher Paolini During a routine survey mission on an uncolonized planet, Kira finds an alien relic. At first she’s delighted, but elation turns to terror when the ancient dust around her begins to move.
As war erupts among the stars, Kira is launched into a galaxy-spanning odyssey of discovery and transformation. First contact isn’t at all what she imagined, and events push her to the very limits of what it means to be human.
While Kira faces her own horrors, Earth and its colonies stand upon the brink of annihilation. Now, Kira might be humanity’s greatest and final hope . . .
I’m always game to try an indie sci-fi book. Independently published books are always a bit of a gamble; sometimes they’re great; other times they’re not so great. But often you can find a great diamond in the rough by reading an independently published sci-fi novel. So, when the publishers of Auxiliary: London 2039 reached out to me and asked if I would like to review the book, I thought it was worth a read. It sounded reminiscent of Blade Runner and Altered Carbon, two stories I’ve enjoyed to a reasonable extent, so I thought it was worth a shot. And, having read the book, it’s not a bad read but it’s not a great read either. It’s perfectly fine, with a suitable mystery, well-written prose, and solid pacing, but it’s also not particularly original, and it feels like something you’ve read before. (3.5 out of 5 wands.)
(NOTE: A copy of the novel was provided by the publisher in exchange for a fair review. All thoughts are my own. Additionally, there may be spoilers ahead.)
Auxiliary: London 2039by Jon Richter In a time where AI drives every car, cooks every meal, and plans every second of human life in London, a police detective named Carl Dremmler catches a murder suspect red-handed. The investigation seems open and shut, but the tech-wary detective can’t help but believe the accused’s bizarre story: that his robotic arm committed the grisly crime, not him. As Dremmler pursues the truth, he must question everyone he thinks he knows and face down every terror 2039 has to offer.
Better late than never, eh? There’s something about alien stories set during the 1940s-1960s that appeals to me. Maybe it’s that whole “things were simpler back then” trope or the fun that comes with watching or reading an alien story set during the height of the nation’s obsession with UFOs. Whatever it is, I often enjoy stories set during this period. And I also enjoy stories that focus on old-timey radio/TV production. In this context, it should be no surprise that The Vast of Night immediately appealed to me. I hadn’t heard much about it, but the moment Amazon Prime suggested it to me, I was eager to watch it. In theory, it touched on a lot of things I love and it looked pretty darn good. Having seen it, it is pretty darn good. The Vast of Night is easily one of my favorite films of the year. It’s both modern and retro and is filled with charm, great performances, great direction, and a solid story. (4.5 out of 5 wands.)
(NOTE: Mild spoilers for The Vast of Night may follow.)
The Vast of Night (written by Andrew Patterson and Craig W. Sanger, directed by Andrew Patterson) In the twilight of the 1950s, on one fateful night in New Mexico, a young, winsome switchboard operator Fay (Sierra McCormick) and charismatic radio DJ Everett (Jake Horowitz) discover a strange audio frequency that could change their small town and the future forever. Dropped phone calls, AM radio signals, secret reels of tape forgotten in a library, switchboards, crossed patchlines, and an anonymous phone call lead Fay and Everett on a scavenger hunt toward the unknown.