It’s great that Disney is finally starting to expand the Star Wars universe past the confines of TheSkywalker Saga and the time frame it’s set in. I’ve always believed the Star Wars universe was one rife for exploration, and what better way of exploring new aspects of it than with a big, multimedia event? That’s exactly what Disney and Lucasfilm are doing with The High Republic, a multi-media publishing event spanning novels and comics. Set some 200 years before The Phantom Menace, The High Republic looks to explore a new corner of the galaxy’s history—and that’s exhilarating. While the first few titles of this event came out last month, I haven’t read any of them. Instead, I wanted to start my High Republic journey with Claudia Gray’s entry—the YA novel, Into the Dark. Gray is one of my favorite Star Wars authors and the book’s synopsis had a very claustrophobic Alien vibe. So, I was pretty excited to read it. And, having read it, it lives up to my expectations. Star Wars: Into the Dark is an exhilarating, character-driven story that deftly explores this new era. It’s a quick-paced, satisfying read, and I’m eager for more. (4.5 out of 5 wands.)
NOTE: I received an ARC from NetGalley in exchange for an honest review. All opinions are mine. Additionally, this review will be as spoiler free as possible.
Star Wars: Into the Dark (The High Republic) by Claudia Gray Padawan Reath Silas is being sent from the cosmopolitan galactic capital of Coruscant to the undeveloped frontier—and he couldn’t be less happy about it. He’d rather stay at the Jedi Temple, studying the archives. But when the ship he’s traveling on is knocked out of hyperspace in a galactic-wide disaster, Reath finds himself at the center of the action. The Jedi and their traveling companions find refuge on what appears to be an abandoned space station. But then strange things start happening, leading the Jedi to investigate the truth behind the mysterious station, a truth that could end in tragedy…
I don’t normally review YA novels for the sheer fact that they so rarely appeal to me. I’m not a huge fan of a lot of the typical fare they cover (teenage drama, lots of romance, etc) so I tend to stay away from them. But I’ve read some of Daniel Kraus’ previous work, the most recent being his adaptation of The Shape of Water, and really enjoyed it. So, when I saw that he had a new book coming out and read the book’s synopsis, I was definitely intrigued. It sounded like the kind of thing that might be right up my alley (being an avid lover of Science Fiction and Horror), so it seemed like a fun book to look into. Having now finished it, I can say that it was a good decision on my part. It’s a really well-written story that does its damndest to defy the normal constraints of its genre. I really enjoyed it and I think it’ll be a good read for a number of different audiences – including, but not limited to, the YA crowd. (Mild spoilers may follow.)
Bent Heavens by Daniel Kraus
Liv Fleming’s father went missing more than two years ago, not long after he claimed to have been abducted by aliens. Liv has long accepted that he’s dead, though that doesn’t mean she has given up their traditions. Every Sunday, she and her lifelong friend Doug Monk trudge through the woods to check the traps Lee left behind, traps he set to catch the aliens he so desperately believed were after him.
But Liv is done with childhood fantasies. Done pretending she believes her father’s absurd theories. Done going through the motions for Doug’s sake. However, on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she’s faced with a painful realization: her dad was telling the truth. And no one believed him.
Now, she and Doug have a choice to make. They can turn the alien over to the authorities…or they can take matters into their own hands.
I’m on the record as not being a particularly big fan of the musical Dear Evan Hansen. I always found Evan to be a super unlikable character (what with the whole lying to a grieving family for the entirety of the musical thing) and so that made it a bit hard to fully connect with the, admittedly interesting, plot. But my bigger problem with the musical was the songs. I just didn’t like them. They didn’t work for me. They didn’t feel like they were serving the story and they just sorta brought everything down. So, when I saw that Hachette Book Group was publishing a novelization of the musical, I figured I’d give it a shot. I did like the plot of the musical, and novels often make even the most unlikable character sympathetic in ways that more visual mediums aren’t able to. I’m happy to report that while Val Emmich’s novelization of the musical still has that one pretty big flaw in relation to Evan as a character, the novel is far more enjoyable than the musical is.
From the show’s creators comes the groundbreaking novel inspired by the hit Broadway show Dear Evan Hansen.
Dear Evan Hansen, Today’s going to be an amazing day and here’s why…
When a letter that was never meant to be seen by anyone draws high school senior Evan Hansen into a family’s griefover the loss of their son, he is given the chance of a lifetime: to belong. He just has to stick to a lie he never meant to tell, that the notoriously troubled Connor Murphy was his secret best friend.
Suddenly, Evan isn’t invisible anymore–even to the girl of his dreams. And Connor Murphy’s parents, with their beautiful home on the other side of town, have taken him in like he was their own, desperate to know more about their enigmatic son from his closest friend.As Evan gets pulled deeper into their swirl of anger, regret, and confusion, he knows that what he’s doing can’t be right, but if he’s helping people, how wrong can it be?
No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose. And a website. He’s confident. He’s a viral phenomenon. Every day is amazing. Until everything is in danger of unraveling and he comes face to face with his greatest obstacle: himself.
A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.