It’s not exactly a secret that I’m not the biggest fan of the MCU. It’s not that I have anything against the series as a whole, and I’ve quite liked a number of the movies, but a much larger number of them tend to be exceedingly mediocre movies. There’s nothing wrong with a movie that’s just “okay” – but when it’s film after film after film that all feel the same and don’t aspire to be much better than simply “fine”, it can get really exhausting very quickly. There’s really only one or two MCU movies that I thought were actually bad (Civil War and Endgame), but both of them were huge team-up movies. I tend to have nicer thoughts for the solo films. As for this iteration of Spider-Man, well… I didn’t love his appearance in Civil War and Homecoming‘s tone felt a bit too ’80s-teen-movie at times for my tastes, but he’s a solid character and Tom Holland is doing a very good job with his portrayal and the character has some of the best villains in the entire Marvel universe (and Homecoming’s usage of The Vulture was very good), so I have more positive thoughts about Spider-Man than I do for some other MCU movies. So, with the upcoming release of the newest Spider-Man movie, Far From Home, it’s time to see what’s next for Spider-Man in the aftermath of Avengers: Endgame. Is this movie better than Endgame was? Answer: Yes, but that’s not exactly a high hurdle to clear – and Far From Home barely clears it. (This review will be as spoiler-free as possible, but if you don’t want to know anything about the movie, this is your warning.)
Spider-Man: Far From Home (written by Chris McKenna and Erik Sommers, directed by Jon Watts)
Peter Parker (Tom Holland) returns in Spider-Man: Far From Home, the next chapter of the Spider-Man: Homecoming series! Our friendly neighborhood Super Hero decides to join his best friends Ned (Jacob Batalon), MJ (Zendaya), and the rest of the gang on a European vacation. However, Peter’s plan to leave super heroics behind for a few weeks are quickly scrapped when he begrudgingly agrees to help Nick Fury (Samuel L. Jackson) uncover the mystery of several elemental creature attacks, creating havoc across the continent!
This was the first Toy Story film I wasn’t excited to see. When Toy Story 3 came out in 2010, it felt like the perfect ending to the Toy Story series. It was a beautiful close to a trilogy of films that had, quite literally, spanned an entire generation of children. So, naturally, when it was announced that Disney/Pixar was going to release another film in the series, potentially ruining that perfect ending, I wasn’t exactly thrilled. Disney had made some TV specials set in the aftermath of Toy Story 3, but that was about as far as I wanted it to go. I’m happy to say, however, that this fourth film largely acts as an epilogue to the previous three, respecting that beautiful ending while giving the characters – notably Woody – some extra closure. It’s largely unnecessary but fairly enjoyable. (Mild spoilers ahead.)
Toy Story 4 (written by Andrew Stanton and Stephany Folsom, directed by Josh Cooley) Woody (voice of Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s beloved new craft-project-turned-toy, Forky (voice of Tony Hale), declares himself as “trash” and not a toy, Woody takes it upon himself to show Forky why he should embrace being a toy. But when Bonnie takes the whole gang on her family’s road trip excursion, Woody ends up on an unexpected detour that includes a reunion with his long-lost friend Bo Peep (voice of Annie Potts). After years of being on her own, Bo’s adventurous spirit and life on the road belie her delicate porcelain exterior. As Woody and Bo realize they’re worlds apart when it comes to life as a toy, they soon come to find that’s the least of their worries.
I love Aladdin. It’s probably my favorite of the “Disney Renaissance films” and so, naturally, I’d be pretty hesitant about any new adaptation of it. The Broadway version mostly ended up working out, though I haven’t actually managed to see it – just heard the soundtrack and seem some of the officially released footage. It seems fun enough, but, for obvious reasons, it could never match the sheer energy found within the original animated tale. The same, it turns out, rings true for this live-action remake of Aladdin. The energy of the original isn’t there, nor is the creativity – of the Broadway version or of the original version. It’s not a terrible movie, but it’s not a good one either. Mostly, it’s just a boring rehash of a beloved classic with a few new twists thrown in in a lame attempt to make it seem more distinct. (Some spoilers ahead!)
Aladdin (written by John August and Guy Ritchie and directed by Guy Ritchie)
Aladdin (Mena Massoud), street rat, frees a genie (Will Smith) from a lamp, granting all of his wishes and transforming himself into a charming prince in order to marry a beautiful princess, Jasmin (Naomi Scott). But soon, Jafar (Marwan Kenzari), an evil sorcerer, becomes hell-bent on securing the lamp for his own sinister purposes.
After what feels like ages of anticipation, the title of Star Wars: Episode IX has been revealed as The Rise of Skywalker. Today was the first day of panels at this year’s Star Wars: Celebration and, naturally, the whole shindig kicked off with a panel for Episode IX, complete with J.J. Abrams, Kathleen Kennedy, Anthony Daniels, Billy Dee Williams, Oscar Isaac, Daisy Ridley, John Boyega, Joonas Suotamo, and Naomi Ackie, where Stephen Colbert asked the cast and crew a bunch of questions about the film that none of them could really answer. The closest thing to any real information we got is that 1) some time passes between the ending of The Last Jedi and the beginning of The Rise of Skywalker, 2) Naomi Ackie plays a character named Jannah, and 3) The whole gang would be going on an adventure together. The really good reveals didn’t come until the last few minutes of the panel when the teaser trailer was finally shown, revealing the title of the film at the end of the trailer.
Mary Poppins is one of Disney’s best live-action musicals. It jump-started the film career of Julie Andrews and provided audiences with some of the best known Disney songs. With that in mind, how does one make a sequel to such a classic, beloved film? According to Rob Marshall (director of Mary Poppins Returns) and David Magee (writer of Mary Poppins Returns), the best way to make a sequel is to essentially remake the original film, using a similar (but less interesting) plot and far less memorable songs.
In Depression-era London, a now-grown Jane and Michael Banks, along with Michael’s three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives.
When I heard that Disney was gonna make a live-action version of Winnie-the-Pooh with a grown-up Christopher Robin, I was a bit skeptical. Was that something anybody wanted to see? Didn’t it sound a bit too much like Hook? Would it be good? Then Ewan McGregor was cast as Christopher Robin and I was intrigued. Then the first teaser trailer came out and it looked somewhat generic, but still really cute. Then the second trailer came out and I was totally sold. Every piece of promotional material since then has just made me more and more interested in and excited about the movie. The big question is: is the movie actually good? The short answer is: yeah, it’s alright. Written by Alex Ross Perry, Tom McCarthy, and Allison Schroeder (from a story by Greg Brooker and Mark Steven Johnson) and directed by Marc Foster, Christopher Robin tells the story of a grown-up Christopher Robin (played by Ewan McGregor) as he deals with work and familial problems.
In the heatwarming live action adventure “Disney’s Christopher Robin,” the young boy who loved embarking on adventures in the Hundred Acre Wood with a band of spirited and loveable stuffed animals, has grown up and lost his way. Now it is up to his childhood friends to venture into our world and help Christopher Robin remember the loving and playful boy who is still inside.
It only took fourteen years, but Disney and Pixar have finally released the sequel to 2004’s The Incredibles! Was it worth the wait? Yes and no. Written and directed by Brad Bird, Incredibles 2 picks up exactly where the first movie ends, with the Parrs suiting up to defeat the latest supervillain to threaten their city: The Underminer.
Everyone’s favorite family of superheroes is back in “Incredibles 2”–but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again–which is easier said than done, even when they’re all Incredible.
Solo: A Star Wars Story is not a particularly good movie. On the bright side, however, it’s not a total trainwreck either. It’s just…fine. It would be a much better movie if it didn’t have to focus on Han Solo at all. Directed by Ron Howard and written by Lawrence and Jonathan Kasdan, Solo: A Star Wars Story is the latest stand-alone anthology film in the Star Wars franchise. Starring Alden Ehrenreich as Han Solo, Solo is a prequel to the original Star Wars trilogy that reveals the backstory of Han Solo.
Board the Millennium Falcon and journey to a galaxy far, far away in ‘Solo: A Star Wars Story,’ an adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga’s most unlikely heroes.
Disney and Lucasfilm have released the first trailer for Solo: A Star Wars Story and it doesn’t look all that good. It’s kind of a mess, to be honest. Alden Ehrenreich doesn’t feel remotely like Han Solo in this trailer and it’s easily apparent why Disney reportedly had to hire an acting coach for him for this film. The visuals are nice, and Donald Glover as Lando looks like a lot of fun, but otherwise, it just looks kinda meh. Star Wars has gotten great at producing great trailers and mediocre movies and nothing in this trailer gives me the impression that Solo: A Star Wars Story is about to change that. I’m not sure if the film is setting out to be a comedy or an action movie (or both), but if it’s a comedy, it seems even stranger that Lucasfilm fired the original directors of the movie, Phil Lord and Christopher Miller, given their comedic background. I dunno really what to make of this trailer or the movie. The movie utterly failed at piquing my interest or making me excited for the movie. Unless the quality of future trailers increases dramatically, I won’t be seeing this film in theaters.
A more in-depth review of the trailer can be found on my YouTube channel or in the video below:
I mean, it’s not the worst Star Wars film ever made nor is it the best. It’s better than Rogue One was, at least, though I didn’t much care for Rogue One, to be honest. It’s on the same level as The Force Awakens was, for me. Written and directed by Rian Johnson, Star Wars: The Last Jedi is the eighth entry in the main series of Star Wars films. Picking up from where The Force Awakens left off, Star Wars: The Last Jedi follows the fledgling Resistance, led by General Leia Organa (Carrie Fisher), as they continue to wage war against the evil First Order, led by Supreme Leader Snoke (Andy Serkis) and his apprentice, Kylo Ren (Adam Driver). Scavenger Rey (Daisy Ridley) seeks help from Jedi Master (and hermit) Luke Skywalker (Mark Hamill) while First Order defector Finn (John Boyega) and low-level Resistance fighter Rose Tico (Kelly Marie Tran) embark on a secret mission to aid the Resistance. (Mild spoilers follow)(more…)