After what feels like ages of anticipation, the title of Star Wars: Episode IX has been revealed as The Rise of Skywalker. Today was the first day of panels at this year’s Star Wars: Celebration and, naturally, the whole shindig kicked off with a panel for Episode IX, complete with J.J. Abrams, Kathleen Kennedy, Anthony Daniels, Billy Dee Williams, Oscar Isaac, Daisy Ridley, John Boyega, Joonas Suotamo, and Naomi Ackie, where Stephen Colbert asked the cast and crew a bunch of questions about the film that none of them could really answer. The closest thing to any real information we got is that 1) some time passes between the ending of The Last Jedi and the beginning of The Rise of Skywalker, 2) Naomi Ackie plays a character named Jannah, and 3) The whole gang would be going on an adventure together. The really good reveals didn’t come until the last few minutes of the panel when the teaser trailer was finally shown, revealing the title of the film at the end of the trailer.
Mary Poppins is one of Disney’s best live-action musicals. It jump-started the film career of Julie Andrews and provided audiences with some of the best known Disney songs. With that in mind, how does one make a sequel to such a classic, beloved film? According to Rob Marshall (director of Mary Poppins Returns) and David Magee (writer of Mary Poppins Returns), the best way to make a sequel is to essentially remake the original film, using a similar (but less interesting) plot and far less memorable songs.
In Depression-era London, a now-grown Jane and Michael Banks, along with Michael’s three children, are visited by the enigmatic Mary Poppins following a personal loss. Through her unique magical skills, and with the aid of her friend Jack, she helps the family rediscover the joy and wonder missing in their lives.
When I heard that Disney was gonna make a live-action version of Winnie-the-Pooh with a grown-up Christopher Robin, I was a bit skeptical. Was that something anybody wanted to see? Didn’t it sound a bit too much like Hook? Would it be good? Then Ewan McGregor was cast as Christopher Robin and I was intrigued. Then the first teaser trailer came out and it looked somewhat generic, but still really cute. Then the second trailer came out and I was totally sold. Every piece of promotional material since then has just made me more and more interested in and excited about the movie. The big question is: is the movie actually good? The short answer is: yeah, it’s alright. Written by Alex Ross Perry, Tom McCarthy, and Allison Schroeder (from a story by Greg Brooker and Mark Steven Johnson) and directed by Marc Foster, Christopher Robin tells the story of a grown-up Christopher Robin (played by Ewan McGregor) as he deals with work and familial problems.
In the heatwarming live action adventure “Disney’s Christopher Robin,” the young boy who loved embarking on adventures in the Hundred Acre Wood with a band of spirited and loveable stuffed animals, has grown up and lost his way. Now it is up to his childhood friends to venture into our world and help Christopher Robin remember the loving and playful boy who is still inside.
It only took fourteen years, but Disney and Pixar have finally released the sequel to 2004’s The Incredibles! Was it worth the wait? Yes and no. Written and directed by Brad Bird, Incredibles 2 picks up exactly where the first movie ends, with the Parrs suiting up to defeat the latest supervillain to threaten their city: The Underminer.
Everyone’s favorite family of superheroes is back in “Incredibles 2”–but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again–which is easier said than done, even when they’re all Incredible.
Solo: A Star Wars Story is not a particularly good movie. On the bright side, however, it’s not a total trainwreck either. It’s just…fine. It would be a much better movie if it didn’t have to focus on Han Solo at all. Directed by Ron Howard and written by Lawrence and Jonathan Kasdan, Solo: A Star Wars Story is the latest stand-alone anthology film in the Star Wars franchise. Starring Alden Ehrenreich as Han Solo, Solo is a prequel to the original Star Wars trilogy that reveals the backstory of Han Solo.
Board the Millennium Falcon and journey to a galaxy far, far away in ‘Solo: A Star Wars Story,’ an adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga’s most unlikely heroes.
Disney and Lucasfilm have released the first trailer for Solo: A Star Wars Story and it doesn’t look all that good. It’s kind of a mess, to be honest. Alden Ehrenreich doesn’t feel remotely like Han Solo in this trailer and it’s easily apparent why Disney reportedly had to hire an acting coach for him for this film. The visuals are nice, and Donald Glover as Lando looks like a lot of fun, but otherwise, it just looks kinda meh. Star Wars has gotten great at producing great trailers and mediocre movies and nothing in this trailer gives me the impression that Solo: A Star Wars Story is about to change that. I’m not sure if the film is setting out to be a comedy or an action movie (or both), but if it’s a comedy, it seems even stranger that Lucasfilm fired the original directors of the movie, Phil Lord and Christopher Miller, given their comedic background. I dunno really what to make of this trailer or the movie. The movie utterly failed at piquing my interest or making me excited for the movie. Unless the quality of future trailers increases dramatically, I won’t be seeing this film in theaters.
A more in-depth review of the trailer can be found on my YouTube channel or in the video below:
I mean, it’s not the worst Star Wars film ever made nor is it the best. It’s better than Rogue One was, at least, though I didn’t much care for Rogue One, to be honest. It’s on the same level as The Force Awakens was, for me. Written and directed by Rian Johnson, Star Wars: The Last Jedi is the eighth entry in the main series of Star Wars films. Picking up from where The Force Awakens left off, Star Wars: The Last Jedi follows the fledgling Resistance, led by General Leia Organa (Carrie Fisher), as they continue to wage war against the evil First Order, led by Supreme Leader Snoke (Andy Serkis) and his apprentice, Kylo Ren (Adam Driver). Scavenger Rey (Daisy Ridley) seeks help from Jedi Master (and hermit) Luke Skywalker (Mark Hamill) while First Order defector Finn (John Boyega) and low-level Resistance fighter Rose Tico (Kelly Marie Tran) embark on a secret mission to aid the Resistance. (Mild spoilers follow)(more…)
Sigh. In case anybody really had hopes that Disney wouldn’t turn Star Wars into an oversaturated MCU-style franchise of movies and TV series, consider those hopes dashed.
Today, Disney announced an all-new trilogy of Star Wars films from Rian Johnson. This new trilogy will be complete unconnected to the Skywalker Saga films (aka the main “Episodes”) and will be in addition to the seemingly endless onslaught of stand-alone Star Wars films (which really didn’t get off to a great start with the utterly mediocre Rogue One and doesn’t look to be getting any better with the utter catastrophe that was the production of Solo, what with the firing of Phil Lord and Christopher Miller as the directors of the film and the reshooting of essentially the entire movie).
Disney’s Newsies: The Broadway Musical is a recording of the hit Broadway musical Newsies filmed live at the Pantages Theatre in Hollywood, CA during the last leg of the musical’s national tour. This filmed version features the return of many of the original Broadway cast – including Jeremy Jordan, Kara Lindsay, Ben Fankhauser, Andrew Keenan-Bolger, Kevin Carolan, Mark Aldrich, Tommy Bracco, and John E. Brady – as well as the final national tour cast – including Steve Blanchard, Aisha de Haas, Ethan Steiner, Iain Young, Michael Gorman, Michael Rios, Devin Lewis, and Anthony Norman, among others – combined into one large cast to permanently capture this award-winning musical. As per Fathom Events: Newsies Jack Kelly, a charismatic newsboy, and leader of a ragged band of teenaged ‘newsies,’ who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys’ expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what’s right. (more…)
Kingdom Hearts: Chain of Memories (the Novel) is an adaptation of the video game of the same name, written by Tomoco Kanemaki with illustrations by Shiro Amano. In Chain of Memories, Sora and the gang must make their way through Castle Oblivion, a mysterious castle under the control of Organization XIII, in order to find those he’s looking for and recover the memories he’s lost.
Like the previous Kingdom Hearts novel, Chain of Memories condenses much of the game into a format that works better as a novel. The video game itself was always a bit weak; its story was good, but much of it felt like a rehash of the first Kingdom Hearts game. This adaptation suffers a bit from that, especially in the first part of Sora’s story. But once the second part of Sora’s story starts, and all throughout Riku’s story, Chain of Memories starts to find its own story and ends up being more of an engaging story than the first game’s adaptation was. Especially in the department of character development. (more…)