I imagine a lot of people are going to be reading zombie books during this COVID-19 crisis. Just like the Contagion film has seen a spike in popularity, so too, I feel, will many zombie stories. I can’t blame people for turning to fiction during this time of crisis; it can be cathartic to view a disaster movie in a time of disaster. But that’s not why I finally picked up World War Z. World War Z is one of those books I’ve been meaning to read for years. It’s frequently touted as one of the best zombie novels. I read an early screenplay for the film – back when it still tried to adhere to the book’s structure – and loved that, but I just never got around to reading the book. And then I heard that the novel’s author, Max Brooks, was publishing a new novel this year – Devolution – and I thought now was the time to finally give World War Z a read. At the end of the day, I totally see why World War Z is as beloved as it is. It’s a really unique take on the zombie genre, combining it with a traditional oral history of a real-world war is a stroke of genius. But I don’t know that I loved this book. It’s good, but the hype might have killed it for me. (Mild spoilers may follow.)
World War Z: An Oral History of the Zombie War by Max Brooks
We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the pandemic.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
To say the first Zombieland film was a pretty solid horror-comedy feels like an understatement, but that’s what it was. At the time of its release, it felt groundbreaking as hell. Sure, it wasn’t the first comedic horror film (or even the first comedic zombie film), but it was one of the first films of its ilk to be as scary as it was funny. Audiences hadn’t really seen such a well-executed horror/meta-comedy since the days of the first Scream film and it hit pop culture with a splash before fading into obscurity. A sequel has long been requested, with the writers and director all saying they were working on one but didn’t want to make it until they felt they’d cracked the story. Well, it’s a full ten years after the release of the first film, and I guess they’ve cracked the story as Zombieland: Double Tap releases in theaters today. The two questions on everyone’s mind are: “is it good?” and “how does it compare to the first film?” Unfortunately, the answers to those questions aren’t too positive. (This review will be as spoiler-free as possible, but any elements that have been shown in trailers may be discussed.)
Zombieland: Double Tap (written by Rhett Reese, Paul Wernick, Dave Callaham; directed by Ruben Fleischer)
A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.
Disney just keeps remaking their animated movies, huh? It all could be traced back to 2010’s Alice in Wonderland – fittingly directed by Tim Burton, the same director helming this latest live-action remake. From there, Disney just kept on going down the proverbial rabbit hole with remakes. Their latest trip down said rabbit hole – one of no less than three live-action remakes due to be released theatrically this year (with a fourth expected to premiere on the Disney + streaming service by the end of the year), Dumbo is a live-action remake of the classic 1941 Disney cartoon of the same name. This time, helmed by director Tim Burton and screenwriter Ehren Kruger, Dumbo expands that fairly short animated film into a nearly two-hour long Tim Burton extravaganza. The problem is: nobody was really asking for a Dumbo remake. So, is it actually any good, or is it just another mediocre film from Disney, a company that seems to specialize in releasing mediocre films all throughout their various film studios? Answer: it’s the latter.
From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.