The pandemic has been exceptionally hard on the entertainment industry. It’s been difficult for everyone, but industries that rely on large groups of people gathering together to do or watch something have been hit particularly hard. Still, many individual pieces of entertainment found creative and innovative ways to continue making content during this time. Doctor Who might have found one of the more fun ways of doing things—publishing short stories and videos created by people involved in the making of the show. What started as a series of short stories posted on the Doctor Who website has turned into an anthology of 16 stories published in support of the Children in Need charity. Doctor Who: Adventures in Lockdown is not only a fun read for a good cause, but an example of how creative and varied the show can be. (4.5 out of 5 wands)
Doctor Who: Adventures in Lockdown (by Chris Chibnall, Steven Moffat, Russel T. Davies, Neil Gaiman, Joy Wilkinson, Vinay Patel, Pete McTighe, Paul Cornell, and Mark Gatiss) While staying home was a vital safety measure in 2020, the freedom of the TARDIS remained a dream that drew many – allowing them to roam the cosmos in search of distraction, reassurance and adventure. Now some of the finest TV Doctor Who writers come together with gifted illustrators in this very special short story collection in support of BBC Children in Need.
Current and former showrunners – Chris Chibnall Russell T Davies and Steven Moffat – present exciting adventures for the Doctor conceived in confinement, alongside brand new fiction from Neil Gaiman, Mark Gatiss and Vinay Patel. Also featuring work from Chris Riddell, Joy Wilkinson, Paul Cornell, Sonia Leong, Sophie Cowdrey, Mike Collins and many more, Adventures in Lockdown is a book for any Doctor Who fan in your life, stories that will send your heart spinning wildly through time and space…
Continuing with the Holiday spirit, The Lego Star Wars Holiday Special just came out on Disney+ today. I am (unfortunately) familiar with the infamously terrible original Star Wars Holiday Special, and when I heard that this new Lego special would be a quasi/spiritual sequel to that original special, I was both intrigued and terrified. The trailers made it look charming and irreverent, but everything about Life Day (the fictional holiday at the heart of both Star Wars holiday specials) is mired in controversy and questionable choices—seriously, who thought it was a good idea to have the original Holiday Special’s dialogue be comprised of almost entirely unsubtitled Wookie-speech? But still, it looked fun. With all of that in mind, how is The Lego Star Wars Holiday Special? It’s solid. It is a holiday-themed, caffeine-fueled, hyperactive joyride through Star Wars past and future that should satisfy the child audience the special is aimed at while potentially exhausting everyone else. (3 out of 5 wands.)
The Lego Star Wars Holiday Special (Written by David Shayne, directed by Ken Cunningham) Directly following the events of “Star Wars :The Rise of Skywalker,” Rey leaves her friends to prepare for Life Day as she sets off on a new adventure with BB-8 to gain a deeper knowledge of the Force. At a mysterious Jedi Temple, she is hurled into a cross-timeline adventure through beloved moments in Star Wars cinematic history, coming into contact with Luke Skywalker, Darth Vader, Yoda, Obi-Wan and other iconic heroes and villains from all nine Skywalker saga films. But will she make it back in time for the Life Day feast and learn the true meaning of holiday spirit?
Time Lord Victorious, the first Doctor Who multimedia crossover event, has begun. Promising to chronicle how the Tenth Doctor tries to become the master of death, it looks like a fun and creative way to tell a truly expansive Doctor Who story. With the event fully underway, what better place to begin my coverage than with the first novel – The Knight, The Fool, and The Dead. Written by Steve Cole, it’s a pretty solid Doctor Who story and lays some intriguing groundwork for the Time Lord Victorious event, but as a stand-alone story, it’s a bit lacking. It’s got great characters, a great premise, and some solid writing, but the whole thing is undercut by a criminally low page count that prevents Cole from examining any of his ideas with the depth they deserve. (3.5 out of 5 wands.)
NOTE: There are mild spoilers ahead. Read at your own risk.
Doctor Who: The Knight, The Fool, and The Dead by Steve Cole The Doctor travels back to the Ancient Days, an era where life flourishes and death is barely known… Then come the Kotturuh – creatures who spread through the cosmos dispensing mortality. They judge each and every species and decree its allotted time to live. For the first time, living things know the fear of ending. And they will go to any lengths to escape this grim new spectre, death.
The Doctor is an old hand at cheating death. Now, at last, he can stop it at source. He is coming for the Kotturuh, ready to change everything so that Life wins from the start.
It’s been about a year and a half since the second season of Starz’s adaptation of Neil Gaiman’s American Gods ended. In the time since, a new showrunner has been appointed, some cast members have come and gone, and a pandemic has brought much of the film and TV industry to a complete standstill. But, as the saying goes, the show must go on – and go on it has, with much of the upcoming season’s post-production work happening quietly and remotely throughout the last several months. But finally, after a long wait, American Gods leapt onto the New York Comic Con scene with plenty of news, announcements and reveals about the upcoming season – including new key art and a trailer!
I love a good sci-fi comedy. The melding of sci-fi concepts and comedy is often endlessly entertaining. However, there seems to be a general lack of sci-fi comedies on TV – especially in America. There are the occasional horror comedies and fantasy comedies but you don’t see many sci-fi comedies. This is where Peacock’s newest show, CODE 404 enters. A blend of traditional buddy cop comedies and entertaining sci-fi concepts, CODE 404 is an enjoyable, dryly funny show. Plus there’s a pretty fun mystery at the heart of the series. (4 out of 5 wands.)
(NOTE: There may be mild spoilers for Code 404 ahead. You have been warned.)
CODE 404 (created by Daniel Peak, Tom Miller, and Sam Myer) DI John Major (Daniel Mays) and DI Roy Carver (Stephen Graham) are the best of the best at an elite undercover police team. When Major’s cover is blown and he is met with his untimely death, he is brought back to life with some glitchy AI technology. Now, he’s better than ever – or so he thinks.
Have you seen Lost or Manifest and found yourself wanting a drama about a plane disappearing under mysterious circumstances that didn’t have any kind of supernatural element? Then Departure is the show for you. The newest show on the Peacock streaming service is exactly the kind of grounded political thriller that those who felt Lost was too fantastical might be craving. However, the series is a bit of a mixed bag. While its premise is great, it would likely be better served by a two-hour film instead of a six-episode series that draws the narrative out in tension-breaking ways. What should be an exciting thrill ride is frequently filled with pointless detours and tension-killing padding. On the whole, though, it’s still pretty fun. (3 out of 5 wands.)
(This review strives to be spoiler free. However, you have been warned.)
Departure (created by Vince Shiao) Passenger plane Flight 716 shockingly vanishes, and brilliant investigator Kendra Malley (Archie Panjabi), alongside her mentor Howard Lawson (Christopher Plummer) are brought on to lead the investigation. When battling forces threaten to undermine their work, Kendra must find the truth and stop it from happening again.
I enjoyed BBC’s Sherlock when it aired. Like any long-running show, it had its ups and downs; its good parts and its bad ones. While the last season of the show may not have been great, its earlier brilliance was not erased. In fact, I believe the show peaked in its second season. Those three episodes were Sherlock working on all cylinders. This is what interested me in this manga adaptation of the season’s first episode, A Scandal in Belgravia. Adapted and illustrated by Jay, this volume adapts the first half of the episode. As an adaptation, it’s fine. The artwork is neat and much of the episode’s wit is retained, but some of the show’s charm and visual flair are lost in translation. (4 out of 5 wands.)
Sherlock: A Scandal in Belgravia Part One (written by Steven Moffat, adapted and illustrated by Jay) Fresh from confronting Moriarty in the end of The Great Game, Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler (Lara Pulver), a dominatrix known as “The Woman”. Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MOD, with secrets that could threaten to threaten international security and topple the monarchy.
The Fourth Doctor is probably the most popular Doctor from the classic era of Doctor Who. Similarly, the Tenth Doctor is probably the most popular of the modern era. So, it only makes sense that Big Finish, who has the license to make audios with all Doctors but the 13th, would finally make an audio drama where these two beloved incarnations meet. The result? Out of Time, the first in a series of audios pairing classic Doctors with the Tenth Doctor. Written by Matt Fitton, Out of Time is a fun romp with two fan-favorite Doctors. Featuring great performances from Tom Baker and David Tennant and a fun and intriguing plot, it’s a great listen for all Doctor Who fans. (4 out of 5 wands.)
(NOTE: This review may contain spoilers. Read at your own risk.)
Doctor Who: Out of Time 1 (written by Matt Fitton, directed by Nicholas Briggs) The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.
Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only this time he’s already there from several lives earlier, so when dimension barriers break down, his past and present collide.
And when the Daleks invade and commandeer the Cathedral, two Doctors (Tom Baker and David Tennant) must unite to stop them – or face extermination twice over!
Today was DC Fandome, an event designed to rival this year’s Comic-Con at Home. Promising exclusive panels, clips, and reveals, it was the big day for DC to present their upcoming projects to audiences in an attempt to create hype. I love DC Comics; they’re what I grew up on and I will always want the films and television shows to be good. So, I tuned into DC Fandome with a lot of nervous energy and unsure expectations. Comic-Con at Home was a bit disappointing, so I hoped DC Fandome would be better. And, largely, it was, thanks to some great edition from the DC team to make it look better than glorified Zoom calls, some great footage and announcements, and some panels filled with a lot of fan-interactions. On the whole, it was a great event that made me very excited for future DC movies and games. But, the things that everyone’s most interested in are the reveals and trailers. So, let’s break that down.
Lovecraft Country was one of those books I always meant to read but never got around to doing so. I love revisionist takes on old genres, especially ones that bring something new to the table. In Lovecraft Country’s case, that was prioritizing the stories of Black Americans by placing Black characters as the leads in various genres that have often underserved them. But I just never got around to reading the book. Until now. In light of the imminent premiere of HBO’s adaptation of the book, it seemed exactly the right time to finally read it. And, man, I’m so glad I finally did. I really wish I’d done so earlier. Reading Lovecraft Country is like watching a season of a great show contains elements of serialized and episodic storytelling. There is an overarching narrative at play, but each story stands alone while being wholly entertaining, quite frightening, and extremely poignant. (4.5 out of 5 wands.)
(NOTE: There may be mild spoilers for Lovecraft Country.)
Lovecraft Country by Matt Ruff Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.
A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.