I love a good sci-fi comedy. The melding of sci-fi concepts and comedy is often endlessly entertaining. However, there seems to be a general lack of sci-fi comedies on TV – especially in America. There are the occasional horror comedies and fantasy comedies but you don’t see many sci-fi comedies. This is where Peacock’s newest show, CODE 404 enters. A blend of traditional buddy cop comedies and entertaining sci-fi concepts, CODE 404 is an enjoyable, dryly funny show. Plus there’s a pretty fun mystery at the heart of the series. (4 out of 5 wands.)
(NOTE: There may be mild spoilers for Code 404 ahead. You have been warned.)
CODE 404 (created by Daniel Peak, Tom Miller, and Sam Myer) DI John Major (Daniel Mays) and DI Roy Carver (Stephen Graham) are the best of the best at an elite undercover police team. When Major’s cover is blown and he is met with his untimely death, he is brought back to life with some glitchy AI technology. Now, he’s better than ever – or so he thinks.
Have you seen Lost or Manifest and found yourself wanting a drama about a plane disappearing under mysterious circumstances that didn’t have any kind of supernatural element? Then Departure is the show for you. The newest show on the Peacock streaming service is exactly the kind of grounded political thriller that those who felt Lost was too fantastical might be craving. However, the series is a bit of a mixed bag. While its premise is great, it would likely be better served by a two-hour film instead of a six-episode series that draws the narrative out in tension-breaking ways. What should be an exciting thrill ride is frequently filled with pointless detours and tension-killing padding. On the whole, though, it’s still pretty fun. (3 out of 5 wands.)
(This review strives to be spoiler free. However, you have been warned.)
Departure (created by Vince Shiao) Passenger plane Flight 716 shockingly vanishes, and brilliant investigator Kendra Malley (Archie Panjabi), alongside her mentor Howard Lawson (Christopher Plummer) are brought on to lead the investigation. When battling forces threaten to undermine their work, Kendra must find the truth and stop it from happening again.
I enjoyed BBC’s Sherlock when it aired. Like any long-running show, it had its ups and downs; its good parts and its bad ones. While the last season of the show may not have been great, its earlier brilliance was not erased. In fact, I believe the show peaked in its second season. Those three episodes were Sherlock working on all cylinders. This is what interested me in this manga adaptation of the season’s first episode, A Scandal in Belgravia. Adapted and illustrated by Jay, this volume adapts the first half of the episode. As an adaptation, it’s fine. The artwork is neat and much of the episode’s wit is retained, but some of the show’s charm and visual flair are lost in translation. (4 out of 5 wands.)
Sherlock: A Scandal in Belgravia Part One (written by Steven Moffat, adapted and illustrated by Jay) Fresh from confronting Moriarty in the end of The Great Game, Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler (Lara Pulver), a dominatrix known as “The Woman”. Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MOD, with secrets that could threaten to threaten international security and topple the monarchy.
The Fourth Doctor is probably the most popular Doctor from the classic era of Doctor Who. Similarly, the Tenth Doctor is probably the most popular of the modern era. So, it only makes sense that Big Finish, who has the license to make audios with all Doctors but the 13th, would finally make an audio drama where these two beloved incarnations meet. The result? Out of Time, the first in a series of audios pairing classic Doctors with the Tenth Doctor. Written by Matt Fitton, Out of Time is a fun romp with two fan-favorite Doctors. Featuring great performances from Tom Baker and David Tennant and a fun and intriguing plot, it’s a great listen for all Doctor Who fans. (4 out of 5 wands.)
(NOTE: This review may contain spoilers. Read at your own risk.)
Doctor Who: Out of Time 1 (written by Matt Fitton, directed by Nicholas Briggs) The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.
Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only this time he’s already there from several lives earlier, so when dimension barriers break down, his past and present collide.
And when the Daleks invade and commandeer the Cathedral, two Doctors (Tom Baker and David Tennant) must unite to stop them – or face extermination twice over!
Today was DC Fandome, an event designed to rival this year’s Comic-Con at Home. Promising exclusive panels, clips, and reveals, it was the big day for DC to present their upcoming projects to audiences in an attempt to create hype. I love DC Comics; they’re what I grew up on and I will always want the films and television shows to be good. So, I tuned into DC Fandome with a lot of nervous energy and unsure expectations. Comic-Con at Home was a bit disappointing, so I hoped DC Fandome would be better. And, largely, it was, thanks to some great edition from the DC team to make it look better than glorified Zoom calls, some great footage and announcements, and some panels filled with a lot of fan-interactions. On the whole, it was a great event that made me very excited for future DC movies and games. But, the things that everyone’s most interested in are the reveals and trailers. So, let’s break that down.
Lovecraft Country was one of those books I always meant to read but never got around to doing so. I love revisionist takes on old genres, especially ones that bring something new to the table. In Lovecraft Country’s case, that was prioritizing the stories of Black Americans by placing Black characters as the leads in various genres that have often underserved them. But I just never got around to reading the book. Until now. In light of the imminent premiere of HBO’s adaptation of the book, it seemed exactly the right time to finally read it. And, man, I’m so glad I finally did. I really wish I’d done so earlier. Reading Lovecraft Country is like watching a season of a great show contains elements of serialized and episodic storytelling. There is an overarching narrative at play, but each story stands alone while being wholly entertaining, quite frightening, and extremely poignant. (4.5 out of 5 wands.)
(NOTE: There may be mild spoilers for Lovecraft Country.)
Lovecraft Country by Matt Ruff Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.
A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.
Doctor Who has a long history of charity anthologies. For decades, fans have combined their creativity and generosity into these anthologies, telling new stories in the Doctor Who Universe while raising money for numerous charities. The anthologies may technically be unauthorized, but they’re one of my favorite aspects of the Doctor Who fandom. Which is where Kenton Hall and Chinbeard Books’ latest anthology, Regenerations, enters. When Hall reached out to offer a copy for review, I jumped at the chance. I love Doctor Who anthologies and I love the War Doctor. And, having finished the book, it’s well worth the read. It’s a unique, clever Anthology that loving you played with Doctor Who canon while raising money for the charity “Invest in ME” – a UK-based charity that researches Myalgic Encephalomyelitis. (4 out of 5 wands.)
(NOTE: The publisher provided an advanced copy in exchange for a fair review. All thoughts are my own.)
Regenerations edited by Kenton Hall The Time Lord formerly known as the Doctor has been fighting the Time War for as long as he can recall. His previous lives — all those triumphs and tragedies — have been boxed up and filed away, too painful to revisit. That is until something — or someone — begins tugging at the thread of the Doctor’s past. As familiar stories twist and shift, threatening the stability of the universe itself, the reluctant Warrior finds himself with only one option. He has to save the Doctor.
A charitable anthology of twisted tales, raising money for Invest In ME .
I enjoyed the first season of Netflix’s The Umbrella Academy. Sure, it wasn’t entirely faithful to the comics, but they did a great job at capturing what felt like the spiritual essence of what Gerard Way and Gabriel Bá did in the comics. And a lot of the character work in the first season was excellent. So, of course, I was excited to see what a second season of the show would look like. After all, season one’s ending had departed so far from what the comics did that I genuinely had no idea where the show would go after that. Well, as it turns out, season two would go on to loosely adapt the comics’ second arc, Dallas, to mixed results. It retains all the positives and negatives of the first season, with the positives being even better and the negatives being more blatant. It’s an enjoyable, if flawed, watch. (4 out of 5 wands.)
Five warned his family (so, so many times) that using his powers to escape from Vanya’s 2019 apocalypse was risky. Well, he was right – the time jump scatters the siblings in time in and around Dallas, Texas. Over a three year period. Starting in 1960. Some, having been stuck in the past for years, have built lives and moved on, certain they’re the only ones who survived. Five is the last to land, smack dab in the middle of a nuclear doomsday, which – spoiler alert! – turns out is a result of the group’s disruption of the timeline (déjà vu, anyone?). Now the Umbrella Academy must find a way to reunite, figure out what caused doomsday, put a stop to it, and return to the present timeline to stop that other apocalypse. All while being hunted by a trio of ruthless Swedish assassins. But seriously, no pressure or anything.
There will always be something devilishly fun about multi-Doctor stories. I don’t know if it’s the knowledge that, in-universe, they’re just not supposed to happen or if it’s the joy of witnessing multiple incarnations of the Doctor interacting with each other at the same time. Whatever it is, it’s fun to witness. So, the moment I heard that Titan Comics’ ongoing 13th Doctor line would feature an arc where the 13th Doctor, Yaz, Graham, and Ryan meet up with the 10th Doctor and Martha Jones during the events of Blink, I was super excited. It sounded like a bucket and a half of fun. And, having read the arc, it was exactly as much fun as I’d have liked – though, as always, I wish it was a bit longer. (4.5 out of 5 wands.)
(NOTE: There may be mild spoilers for A Tale of Two Time Lords ahead.)
Doctor Who: A Tale of Two Time Lords (written by Jody Houser, illustrated by Roberta Ingranata) The Thirteenth Doctor is back with her friends – Yaz, Ryan and Graham – in a brand new time-travelling adventure. This time she faces the horrific Weeping Angels – who else can help her out but one of her previous incarnations: the Tenth Doctor himself! Landing in the swinging 60s, the Thirteenth Doctor and fam are stranded in the middle of a territorial battle between the Angels and the creepy Autons, all the while having to avoid her former self and causing the universe to implode! What could go wrong?
I love Scooby-Doo. I’m way out of the age range for the show these days and I haven’t regularly watched anything from the series since the mid-2000s, but it still holds a special place in my heart. I grew up on those direct-to-VHS movies and re-runs of the old series (especially A Pup Named Scooby-Doo) on Cartoon Network. So, it’s one of those things that will always be special to me. However, I tend not to be one of those fans who get upset by changes made to the franchise. I really enjoyed the live-action Scooby-Doo films from the early 2000s and when I first saw the trailer for Scoob!, the latest theatrical reboot of the series, I was intrigued. The animation style was neat, it seemed to be teasing a pretty enjoyable story, and I was interested to see what some new talent could bring to the material. Thankfully, even with most movie theaters around the country closed, Scoob! was able to make its initial release date – just on PVOD instead of in theaters. So, having seen Scoob!, how is it? In short: it’s surprisingly solid. It’s a decent-if-predictable story with some good jokes, some beautiful animation, and a lot of heart. (Mild spoilers follow!)
Scoob! (written by Kelly Fremon Craig; directed by Tony Cervone)
“SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.