I love Scooby-Doo. I’m way out of the age range for the show these days and I haven’t regularly watched anything from the series since the mid-2000s, but it still holds a special place in my heart. I grew up on those direct-to-VHS movies and re-runs of the old series (especially A Pup Named Scooby-Doo) on Cartoon Network. So, it’s one of those things that will always be special to me. However, I tend not to be one of those fans who get upset by changes made to the franchise. I really enjoyed the live-action Scooby-Doo films from the early 2000s and when I first saw the trailer for Scoob!, the latest theatrical reboot of the series, I was intrigued. The animation style was neat, it seemed to be teasing a pretty enjoyable story, and I was interested to see what some new talent could bring to the material. Thankfully, even with most movie theaters around the country closed, Scoob! was able to make its initial release date – just on PVOD instead of in theaters. So, having seen Scoob!, how is it? In short: it’s surprisingly solid. It’s a decent-if-predictable story with some good jokes, some beautiful animation, and a lot of heart. (Mild spoilers follow!)
Scoob! (written by Kelly Fremon Craig; directed by Tony Cervone)
“SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.
I love Parks and Recreation. I love The Good Place. You would think I’d have been all over Brooklyn Nine-Nine as it’s cocreated by Michael Schur, the creator of both Parks and Recreation and The Good Place. And yet, I’m not. Well, that’s not true. It’s not that I’m not a fan of Brooklyn Nine-Nine, it’s that I’d literally never seen an episode before this year. I love Michael Schur and I love Andy Samberg and I’ve somehow never seen Brooklyn Nine-Nine. So, what would possess me to start watching the show with its seventh season? Honestly, sheer curiosity. The screeners for the premiere came out right as The Good Place was ending and I was curious to see how someone who’d never seen an episode of Brooklyn Nine-Nine might fair tuning into the seventh season? So, that’s exactly what I did. I watched the entire seventh season as it aired. I had a friend who was a Brooklyn Nine-Nine fanatic fill in background info or recommend previous episodes that would be of vital importance to understanding the context of one of the new episodes (I have no seen the first seven episodes of season one, the first three Halloween episodes, the episode with Bill Hader, and the first Jimmy Jabs Games episode). So, in that context, how was the seventh season of Brooklyn Nine-Nine? In short: it was great. It’s turned me into a fan of the show and I eagerly look forward to binging the entirety of the first six seasons as soon as possible. (Spoilers for the entirety of season seven of Brooklyn Nine-Nine.)
“Brooklyn Nine-Nine” follows the exploits of hilarious Det. Jake Peralta (Andy Samberg) and his diverse, lovable colleagues as they police the NYPD’s 99th Precinct. After Capt. Raymond Holt’s (Andre Braugher) demotion to patrolman at the end of season six, the squad’s world is turned upside down.
Rounding out the ensemble is the newly promoted Lt. Terry Jeffords (Terry Crews), a muscle-bound human mountain who loves nothing more than his three little daughters, except for a fresh carton of full-fat yogurt. The man loves yogurt. Reporting to him is Sgt. Amy Santiago (Melissa Fumero), a consummate rule follower with a weak spot for dork dancing and her husband, Jake.
The other detectives in the squad include Jake’s best friend and human puppy dog, Det. Charles Boyle (Joe Lo Truglio), and the incredibly secretive, tough-as-nails Det. Rosa Diaz (Stephanie Beatriz). Also part of the Nine-Nine are veteran officers Det. Scully (Joel McKinnon Miller) and Det. Hitchcock (Dirk Blocker), whose only skill as police officers are their ability to make a passable pot of coffee.
I’ve never read a piece of Star Trek fiction before. Well, unless you count that weird crossover comic with Doctor Who from 2012/2013. In fact, my only real exposure to Star Trek, in general, comes from a handful of episodes of The Next Generation, the first two JJ Abrams movies, and general cultural osmosis. But when the trailers for Star Trek: Picard started dropping, I found my interest piqued. It looked like the kind of show I’d be interested in, so I made a point of watching it. At this point, several episodes have aired and I’m really enjoying the show, so I went and looked to see if anything had been released to tie into the show. And lo, and behold, there was this three-issue prequel comic from IDW, written by Kirsten Beyer and Mike Johnson and illustrated by Angel Hernandez, that promised to reveal some of the events that happened prior to the start of the show. It sounded like the kind of thing I’d be interested in, so I picked up the issues and gave them a read and, I gotta say, it’s really solid. Though a bit short, Star Trek: Picard – Countdown tells a really good story that shines a bit of light on Picard’s history before the beginning of Star Trek: Picard. (Mild spoilers may follow.)
Star Trek: Picard – Countdown (written by Kirsten Beyer and Mike Johnson, illustrated by Angel Hernandez)
Witness the events leading to the new CBS All Access series Picard in this graphic novel where new characters are introduced and secrets will be revealed. Before he retired to his vineyard, Jean-Luc Picard was the most decorated admiral in Starfleet. Then one mission changed his life forever. The Countdown starts here!
Finales are hard to pull off. Especially ones that have as much ground to cover as this one did. Where we last left off, the Doctor (Jodie Whittaker), Ryan (Tosin Cole), and Ethan (one of the human survivors of the CyberWar, played by Matt Carver) were standing in front of the Boundary, a mysterious gateway between worlds/galaxies guarded by Ko Sharmus (Ian McElhinney), face-to-face with the Master (Sacha Dhawan) who is ready to explain what terrible secret he learned about the Time Lords caused him to destroy the planet. Meanwhile, Graham (Bradley Walsh), Yaz (Mandip Gill), Ravio (Julie Graham), and Yedlarmi (Alex Austin) were trapped on the CyberShip with Ashad/The Lone Cyberman (Patrick O’Kane) and the rest of his Cybermen Army, headed directly toward Ko Sharmus’s planet. With that in mind, The Timeless Children had a lot to tie up: it needed to reveal the secret behind the Timeless Child; it needed to reveal what Ashad’s plan was and how he would be defeated; it needed to reveal who Brendan (Evan McCabe), the mysterious man shown throughout last week’s episode, fit into everything and how the Ruth Doctor (Jo Martin) fit in with the established history of the Doctor; and, most of all, it had to be a good episode. Did The Timeless Child succeed at all of this? Yes and no. It featured a lot of answers that opened the doors to even more mysteries. It uprooted everything we thought we knew about the show before somewhat-disappointingly reverting to the usual status quo. It’s solid, but its ideas need more exploration to really land. (Full spoilers ahead!)
Season 12, Episode 10: The Timeless Children (written by Chris Chibnall, directed by Jamie Magnus Stone) In the epic and emotional series finale, the Cybermen are on the march. As the last remaining humans are ruthlessly hunted down, Graham (Bradley Walsh), Ryan (Tosin Cole), and Yaz (Mandip Gill) face a terrifying fight to survive. Civilisations fall. Others rise anew. Lies are exposed, truths are revealed, battles are fought, and for the Doctor (Jodie Whittaker) — trapped and alone — nothing will ever be the same again.
It feels like we just started the season, but we’re already nearing the end. This week begins the first half of the season finale and my excitement levels are through the roof. The most interesting episodes this season have been the ones that have revolved around the multiple overarching plotlines – what is the Timeless Child?; who is the Ruth Doctor?; what does the Lone Cyberman want and how will the Doctor defeat it? Plus there’s been the promise of a glimpse of the Great Cyber War. Following any one of those threads would lead to an interesting story, but the promise of all of them? That’s something exciting. Of course, this first half was never really going to answer all of those questions, but it certainly would begin to tie together all of this season’s various strands into something exciting, right? Thankfully, this first half of the two-part finale does everything a first half should do: it sets up the stakes, deepens the mystery, and leaves us desperately wanting to see how it all is resolved. (Spoilers ahead!)
Season 12, Episode 9: Ascension of the Cybermen (written by Chris Chibnall, directed by Jamie Magnus Stone)
The aftermath of the Great CyberWar. The Doctor (Jodie Whittaker) arrives in the far future, intent on protecting the last of the human race from the deadly Cybermen. But in the face of such a relentless enemy, has she put her best friends (Mandip Gill, Tosin Cole, Bradley Walsh) at risk? What terrors lie hiding in the depths of space, and what is Ko Sharmus?
I love it when elements of Classic Who and New Who are combined to tell a whole new story. With a history this vast Doctor Who is a franchise that’s perfect for such a mashup of the old and new. Especially given how much of a mixture of old and new this current era is – what with its female Doctor and its throwback to a three-companion TARDIS team. So, when the news broke that Sophie Alfred, the actress who played Ace (companion of the 7th Doctor and the prototype for the modern DoctorWho companion as we know them), would be writing a book detailing an adventure where Ace meets the current Doctor and her companions, I was totally on board. And, I gotta tell you, it’s a really good book. In fact, it’s so good that I wish it could be adapted into an episode or two of the show itself. (Mild spoilers follow.)
Doctor Who: At Childhood’s End (by Sophie Aldred, with Steve Cole and Mike Tucker)
Once, a girl called Ace travelled the universe with the Doctor – until, in the wake of a terrible tragedy they parted company. Decades later, she is known as Dorothy McShane, the reclusive millionaire philanthropist who heads global organisation A Charitable Earth. And Dorothy is haunted by terrible nightmares, vivid dreams that begin just as scores of young runaways are vanishing from the dark alleyways of London. Could the disappearances be linked to sightings of sinister creatures lurking in the city shadows? Why has an alien satellite entered a secret orbit around the Moon?
Investigating the satellite with Ryan, Graham and Yaz, the Doctor is thrown together with Ace once more. Together they must unravel a malevolent plot that will cost thousands of lives. But can the Doctor atone for her past incarnation’s behaviour – and how much must Ace sacrifice to win victory not only for herself, but for the Earth?
Mary Shelley + The Doctor + Gothic Ghost Story = genius idea. I mean, what else could you want? It’s such a good idea that it’s genuinely surprising the show has never done something like this before. To be fair, Big Finish Productions have done some audio adventures featuring Mary Shelley teaming up with Paul McGann’s Eighth Doctor, but never has the show itself taken us on a trip to this particular part of history. And what better night for a Doctor Who story to take place on than the night Mary Shelley purportedly came up with the idea for her classic, Frankenstein. So, this would all seem like a pretty good set up for a great episode of Doctor Who. And, to be fair, it is – but not for the reasons you’d think. At the end of the day, it’s kind of a Frankenstein of an episode – pun intended – in the best possible way. (Spoilers ahead!)
Season 12 Episode 8, The Haunting of Villa Diodati (written by Maxine Alderton, directed by Emma Sullivan)
‘Nobody mention Frankenstein. Nobody interfere. Nobody snog Byron (Jacob Collins-Levy).’ Should be easy, right?
The Doctor (Jodie Whittaker) and her gang (Tosin Cole, Bradley Walsh, Mandip Gill) arrive at the Villa Diodati at Lake Geneva in 1816 on the night that inspired Mary Shelley’s (Lilli Miller) Frankenstein. The plan is to spend the evening soaking up the atmos in the presence of some literary greats, but the ghosts are all too real, and the Doctor is forced into a decision of earth-shattering proportions.
I’ve said it before and I’ll say it again: short stories are a great medium for Doctor Who tales. They provide authors with a nice ability to tell the kinds of stories that maybe wouldn’t quite work as an episode of the show and are too short to support an entire novel. Some of the most creative Doctor Who adventures have come from these collections of short stories (see the recently published Target Collection for examples) and I always look forward to them when they come out. Star Tales is no exception, especially as it finally unveils some of the stories behind the Doctor’s frequently referenced encounters with celebrities. This go ’round, we get our first collection of stories that primarily focuses on the Thirteenth Doctor and her companions – Ryan, Yaz, and Graham – save for one story, early on. How are the stories in this collection? They’re pretty good and definitely worth reading if you’re a fan of this era of the show. (Mild spoilers for the stories within Star Tales.)
Doctor Who: Star Tales (by Steve Cole, Paul Magrs, Jenny T. Colgan, Jo Cotterill, Trevor Baxendale, and Mike Tucker)
The Doctor is many things – curious, funny, brave, protective of her friends…and a shameless namedropper. While she and her companions battled aliens and travelled across the universe, the Doctor hinted at a host of previous, untold adventures with the great and the good: we discovered she got her sunglasses from Pythagoras (or was it Audrey Hepburn?); lent a mobile phone to Elvis; had an encounter with Amelia Earhart where she discovered that a pencil-thick spider web can stop a plane; had a ‘wet weekend’ with Harry Houdini, learning how to escape from chains underwater; and more. In this collection of new stories, Star Tales takes you on a rip-roaring ride through history, from 500BC to the swinging 60s, going deeper into the Doctor’s notorious name-dropping and revealing the truth behind these anecdotes.
This week’s episode of Doctor Who was another one of those episodes where I had no idea what to expect before watching it. The BBC’s promotional efforts for the episode played things very close to the chest, revealing only that it would be a fairly creepy episode and the villain, Zellin (Ian Gelder), would be doing something involving dreams and nightmares. Aside from that, it was super unclear what to expect from the episode. And, frankly, I think it really worked out in this instance because Can You Hear Me? is one of those episodes that has to be seen to be truly appreciated and understood. So, did I like the episode? For sure, though I think it could have benefitted from being a two-part story. (Spoilers follow!)
Season 12, Episode 7: Can You Hear Me? (written by Charlene James and Chris Chibnall, directed by Emma Sullivan)
From ancient Syria to present day Sheffield, and out into the wilds of space, something is stalking the Doctor (Jodie Whittaker) and her friends. As Graham (Bradley Walsh), Yaz (Mandip Gill) and Ryan (Tosin Cole) return home to see friends and family, they find themselves haunted by very different experiences. Who is the figure calling from beyond the stars for help, and why? And what are the fearsome Chagaskas terrorising Aleppo in 1380? To find the answers, Team Tardis embark on a mission that forces them to face their darkest fears.
As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)
American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton)
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)