Watchmen is one of those properties that has proven notoriously difficult to adapt to other mediums, so it only seems fitting that it would similarly be difficult to review. Normally, I either review a TV show episode-by-episode, or I review it in chunks, or I review it after the finale ends. For Watchmen, the trick was deciding whether I’d review it three episodes at a time or whether I’d wait until the end of the season and just review the whole thing. As the third episode aired, it became clear that it was going to be impossible to judge this show until the ending was known. Like the graphic novel (written by Alan Moore and illustrated by Dave Gibbons), every episode/chapter of the story was clearly building to a climax that would either answer (most of) the questions posed by the story or would completely drop the ball, and the quality of the story would largely be determined by how well it executed its ending (even if individual “chapters” were excellent – episode 6 of the show and the chapter of the comic detailing Manhattan’s past). And, let’s be clear, every episode of the series was extremely good. There was a point to every episode, and they followed a very similar pattern to that of the comic (one episode would be devoted to furthering the plot along, the next would be devoted to exploring one of the key characters’ backgrounds (thus moving the emotional arcs forward) and they’d alternate back and forth like this until the climax. But with this style, it is very important that the landing pay off all of this development in a meaningful and satisfying way. Luckily, that’s exactly what the show managed to do. (Spoilers for all nine episodes of Watchmen follow. You have been warned.)
Set in an alternate history where masked vigilantes are treated as outlaws, WATCHMEN, from executive producer Damon Lindelof (Emmy(R) winner for “Lost”; HBO’s “The Leftovers”) embraces the nostalgia of the original groundbreaking graphic novel of the same name, while attempting to break new ground of its own. Nicole Kassell directs the pilot from a script written by Lindelof. WATCHMEN is produced for HBO by White Rabbit in association with Warner Bros. Television; executive producer/writer, Damon Lindelof; executive producer/director, Nicole Kassell; executive producer, Tom Spezialy; executive producer/director, Stephen Williams; executive producer, Joseph Iberti. Based on the iconic graphic novel co-created and illustrated by Dave Gibbons and published by DC.