REVIEW: “Killadelphia vol. 2 – Burn Baby Burn”

The first arc of Rodney Barnes and Jason Shawn Alexander’s Killadelphia ranked among my favorite comics of 2020. It was a breathtaking, gorgeous, layered story that blended absurd-yet-scary horror with gritty, grounded character drama. So, naturally, I was pretty excited to see where the comic would go from there. That first volume ended in a way that opened numerous narrative doors for future stories. And that’s a pretty exciting place for a second arc to find itself. Now, to be fair, Barnes and Alexander certainly take advantage of those numerous avenues—but it comes at the cost of narrative coherence. While the first volume of Killadelphia was something new and exciting, the second volume feels like more of the same—with all of the pros and cons that come with that. The world is explored with more depth, but the narrative is often unfocused, with an ending that’s less of an ending and more of a beginning for another story. There’s too much going on and not enough time to explore it with. (3 out of 5 wands.)

NOTE: This review will remain as spoiler free as possible.

Killadelphia vol.2 – “Burn Baby Burn”
Written by Rodney Barnes
Illustrated by Jason Shawn Alexander
Adams’ battle to reshape the United States in his own twisted vision might have been thwarted for now, giving Jimmy Sangster a moment of respite, but the war for a new America rages on! Now, as Abigail steps out of the shadows, she unleashes a new violent terror upon the city some have renamed Killadelphia. But this time, it’s about creating as widespread a web of fear imaginable as she rips the beating heart from the city itself.

Can Jimmy stop her or will history repeat and force him to meet the same fate as his father?

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REVIEW: “Tales From the Umbrella Academy: You Look Like Death” by Gerard Way, Shaun Simon, and I.N.J. Culbard

One of the best things about the first season of Netflix’s adaptation of The Umbrella Academy was the way it developed Klaus. In the comics, he wasn’t depicted as much more than a troubled drug addict who could talk with the dead. But the show dove deep into his past, expanding upon the trauma he undergoes by exposing himself to these unrestful spirits, and giving him a heartbreaking love story and an unhealthy amount of Vietnam PTSD. The show turned a character who was merely quirky in the comics into a character that was multi-layered and deeply complex. So, in the wake of this, the announcement of a Klaus-centric prequel comic was exciting. What kind of a past would the character’s creator, Gerard Way, (and co-writer Shaun Simon) give him? How much would it differ from the show? What happened to eighteen-year-old Klaus after he was expelled from the Umbrella Academy? As it turns out, these aren’t really the questions at the front of the comic’s mind. While it does explore some of Klaus’s trauma and psyche, You Look Like Death is more of a fun romp with a fan-favorite character than an intimate character study. But honestly, it’s so much fun that that’s not much of a problem. (4.5 out of 5 wands.)

NOTE: I was provided an advance copy of this book from Edelweiss and Dark Horse Comics. This review may contain mild spoilers, but will mostly be spoiler free.

“Tales From the Umbrella Academy: You Look Like Death”
Written by Gerard Way and Shaun Simon
Art and Colors by I.N.J. Culbard
When 18-year-old Klaus gets himself kicked out of the Umbrella Academy and his allowance discontinued, he heads to a place where his ghoulish talents will be appreciated—Hollywood. But after a magical high on a stash stolen from a vampire drug lord, Klaus needs help, and doesn’t have his siblings there to save him.

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REVIEW: Dark Horse Comics’ “Norse Mythology – Volume 1”

Characters from Norse mythology remain a popular facet of modern pop culture. These days, most people are probably familiar with the Marvel comics/film versions of deities like Thor, Loki, and Odin, but elements of Norse mythology frequently pop up all over the place. Famously, Neil Gaiman borrowed heavily from Norse mythology for his 2001 novel, American Gods (which got adapted by Dark Horse Comics as a comic series in 2017, so it’s only appropriate that he published his own retellings of Norse tales in 2017’s Norse Mythology. And now, Dark Horse is bringing these closer-to-authentic Norse tales to the world of comics—where the Marvel versions of these characters got their start. The first volume of this series—adapted by P. Craig Russell and illustrated by Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson—is a very faithful adaptation of Gaiman’s source material. Like Dark Horse’s American Gods adaptation, very little is changed here—but it works very, very well. (4.5 out of 5 wands.)

NOTE: Thanks to Edelweiss and Dark Horse Comics for providing a digital ARC of this title. All thoughts are my own.

Norse Mythology: Volume 1
Adapted by: P. Craig Russell
Illustrated by: P. Craig Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson
Gaiman and Russell team with a legendary collection of artists to take readers through a series of Norse myths, including the creation of the Nine Worlds, the loss of Odin’s eye and source of his knowledge, the crafting of Thor’s hammer and the gods’ most valuable treasures, the origin of poetry, and Loki’s part in the end of all things—Ragnarök.

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REVIEW: “Zack Snyder’s Justice League” (The Snyder Cut)

Three and a half years after the release of the maligned theatrical cut of Justice League, Zack Snyder’s original cut of the film is almost here. It’s been a long time coming but thanks to the support of many fans and the desperation of a streaming service in need of new content, the world can finally see Snyder’s full take on the Justice League. The biggest question on everyone’s minds is whether this new cut is better than the theatrical cut. The answer is both simple and complicated. In many, if not most, ways, Zack Snyder’s Justice League is miles better than the theatrical cut. However, even with all the extra content and context, this new cut provides, several of the theatrical cut’s problems remain. And they’re joined by some new problems exclusive to this version. It’s not a bad movie or anything—it often borders on being a good one. But it’s a too-long film that suffers from bad pacing, a lack of focus, and characters that still feel more like archetypes than three-dimensional people. Long story short, it’ll please those who adore Snyder’s movies, annoy those who hate them, and leave the rest of us in a middle ground of partial pleasure and partial displeasure. (3.5 out of 5 wands.) 

NOTE: This review will generally be spoiler free. There may be references to plot points that are shared between both cuts of the film, but most of the newer stuff will be hinted at instead of spoiled.

Zack Snyder’s Justice League
(written by Zack Snyder and Chris Terrio; directed by Zack Snyder)
Batman (Ben Affleck) and Wonder Woman (Gal Gadot) enlist a team capable of protecting the world from the impending threat of Steppenwolf (Ciarán Hinds) and his Parademon army, who are scouring the universe for three hidden Mother Boxes that would enable Steppenwolf to transcend worlds, lay waste to all enemies, and restore his good standing with his master, Darkseid (Ray Porter). Though most of Batman and Wonder Woman’s initial efforts are met with resistance, they ultimately recruit Aquaman (Jason Momoa), Cyborg (Ray Fisher), and The Flash (Ezra Miller). But in order to help preserve the future of mankind, first they must each overcome their own demons.

After Steppenwolf secures two of the boxes buried deep within Themyscira and Atlantis, the superheroes are forced to take advantage of Cyborg’s unique connection to the one remaining. Harnessing the box’s capabilities to resurrect a final team member (Henry Cavill), they inadvertently provide Steppenwolf with an opportunity to obtain it – setting him up for imminent domination. With DeSaad and Darkseid waiting in the wings and posing catastrophic threats of their own, can this unique band of heroes dismantle the Mother Boxes before Steppenwolf’s synchronization is complete?

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REVIEW: “The Department of Truth” Volume 1 – “The End of the World”

I love a good conspiracy theory. I’m not someone who believes in them, though. I just find them endlessly fascinating—especially as a storytelling device. With how often they’re used in serialized TV, it’s amazing that more comics don’t embrace conspiracies, given how serialized modern comics are. The Department of Truth, a new series from James Tynion IV and Martin Simmonds, dives headfirst into conspiracy territory, weaving a tale that is as captivating as it is surprising. The writing is a masterclass in world-building, character development, and mystery storytelling. The artwork is superb, being beautifully atmospheric without hindering the storytelling. All in all, it’s a must read. (4.5 out of 5 wands.)

(NOTE: This review features mild spoilers for the first five issues of The Department of Truth. Read at your own risk.)

The Department of Truth, volume 1: The End of the World
(written by James Tynion IV, illustrated by Martin Simmonds)
COLE TURNER has studied conspiracy theories all his life, but he isn’t prepared for what happens when he discovers that all of them are true, from the JFK Assassination to Flat Earth Theory and Reptilian Shapeshifters. One organization has been covering them up for generations. What is the deep, dark secret behind the Department of Truth?

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REVIEW: “Doctor Who: Time Lord Victorious” Comics (“Defender of the Daleks” and “Monstrous Beauty”)

Time Lord Victorious, the first Doctor Who multimedia crossover event, is a story told via multiple mediums—including novels, audios, short stories, and comics. The novels appear to contain the core storyline of the event—the Tenth Doctor’s battle against the Kotturah—leaving the audios, short stories, and comics to flesh out that main story. With the Big Finish audio dramas detailing how the Eighth Doctor gets drawn into the story and the short stories fleshing out the world of Time Lord Victorious, that leaves the comics to flesh out the Tenth Doctor’s backstory before the events of the novels and to explore how the Ninth Doctor joins the fray. While both comics feel a bit disconnected from the rest of the Time Lord Victorious event, “Defender of the Daleks” and “Monstrous Beauty” are still fun Doctor Who stories well worth a read.

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REVIEW: “The Crossroads at Midnight” by Abby Howard

Something about the late summer/early autumn months makes me crave spooky stories. There’s nothing better than curling up and reading a scary story or watching a scary movie on an early autumn afternoon. It’s a nostalgic feeling for me and I am constantly on the lookout for new and unique spooky stories to read. So, naturally, I adored Abby Howard’s The Crossroads at Midnight, a graphic novel collecting five short stories. Feeling both classic and contemporary, it’s the perfect fix for horror-lovers looking for something new to sink their teeth into. Plus, the artwork is gorgeous. (5 out of 5 wands.) 

(NOTE: I received an advance copy of this book from the publisher and Edelweiss in exchange for a fair review. All thoughts are my own.) 

The Crossroads at Midnight by Abby Howard
An old woman living alone on the edge of a bog gets an unexpected — and unsettling — visitor, throwing her quiet life into a long-buried mystery. An isolated backwoods family stumbles into good fortune for a time with a monstrous discovery in the lake behind their house, but that time is running short. And a misfit little girl, struggling to make friends, meets an understanding soul one day at the beach: but why will he only play with her alone at night? All these lonely souls — and more — have reached out into the darkness, not knowing what they might find.

Around the dark edges of reality lurk unknown beings with unknowable intentions — ordinary objects can become cursed possessions, entities who seem like friends can become monstrous, and those who seem monstrous can become the truest companions. In this collection of evocative, unnerving slice-of-life horror, five stories explore what happens when one is desperate enough to seek solace in the unnatural, and what might be waiting for us at the Crossroads at Midnight.

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REVIEW: “The Last Halloween: Children” by Abby Howard

Halloween is right around the corner, which means now is the perfect time to find some new and interesting spooky tales. Some of my favorite spooky stories are those aimed at younger audiences. I love a good horror movie or novel, but so often those stories aimed at adults go into such extreme corners of horror that they just aren’t fun. This isn’t the case with horror stories aimed at younger audiences. These stories rely on creating scary atmospheres and balance their spooks with clever ideas and a sense of fun. This is exactly what the first book of Abby Howard’s webcomic, The Last Halloween, does. The Last Halloween is in the same vein as many classic spooky stories. It balances interesting and unique characters, scares, and a sense of adventure, spinning an atmospheric tale that is as addicting as it is fun. (4.5 out of 5 wands.)

(NOTE: I received an advance copy of this book from the publisher and Edelweiss in exchange for a fair review. All thoughts are my own. Additionally, there may be mild spoilers ahead.)

The Last Halloween: Children by Abby Howard
It’s a lonely Halloween night for ten-year-old Mona. While everyone else is out having a ghoulishly good time, she’s stuck inside without so much as a scary movie to watch. Just when she figures this evening can’t get much worse, a giant monster appears in her living room, proving her very, very wrong. Running for her life, Mona quickly sees that she’s not alone; trick-or-treating’s been canceled due to monster invasion! A barrier keeping billions of monsters at bay has broken and the horrific hordes have descended upon humanity, wreaking bloody havoc everywhere they stomp, slither, or squish. She may not be equipped for it, but it’s up to Mona to save the world with a team of fellow weirdos by her side. Perhaps they will succeed. Or perhaps this will be . . . The Last Halloween.

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REVIEW: “Sherlock: A Scandal in Belgravia Part One” by Steven Moffat and Jay

I enjoyed BBC’s Sherlock when it aired. Like any long-running show, it had its ups and downs; its good parts and its bad ones. While the last season of the show may not have been great, its earlier brilliance was not erased. In fact, I believe the show peaked in its second season. Those three episodes were Sherlock working on all cylinders. This is what interested me in this manga adaptation of the season’s first episode, A Scandal in Belgravia. Adapted and illustrated by Jay, this volume adapts the first half of the episode. As an adaptation, it’s fine. The artwork is neat and much of the episode’s wit is retained, but some of the show’s charm and visual flair are lost in translation. (4 out of 5 wands.)

Sherlock: A Scandal in Belgravia Part One (written by Steven Moffat, adapted and illustrated by Jay)
Fresh from confronting Moriarty in the end of The Great Game, Sherlock Holmes (Benedict Cumberbatch) and John Watson (Martin Freeman) are called to save the royal family from blackmail at the hands of Irene Adler (Lara Pulver), a dominatrix known as “The Woman”. Adler pulls Sherlock into a complex web of mysteries involving the CIA and the MOD, with secrets that could threaten to threaten international security and topple the monarchy.

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REVIEW: “LaGuardia” by Nnedi Okorafor and Tana Ford

I’m always on the lookout for new comics. I don’t follow the industry particularly closely, so a lot of titles slipped my attention. But I kept hearing about Nnedi Okorafor’s LaGuardia. It was part of Dark Horse Comics’ Berger Books imprint, a line of titles spearheaded by Karen Berger of Vertigo Comics fame – an editor whose work I’ve adored. It was a sci-fi comic that imagined an alternate Earth where aliens had integrated themselves among humanity – a premise that’s right up my alley. And it just won Eisner and Hugo Awards. So, I finally read it. And, man, it’s good. While I wish it was a bit longer, LaGuardia is a superb read. Featuring gorgeous artwork and intriguing world-building, it’s reflective of our current societal problems and a wildly captivating read. (4 out of 5 wands.)

(NOTE: This review may contain spoilers.)

LaGuardia (written by Nnedi Okorafor, illustrated by Tana Ford)
In an alternate world where aliens have integrated with society, pregnant Nigerian-American doctor Future Nwafor Chukwuebuka has just smuggled an illegal alien plant named Letme Live through LaGuardia International and Interstellar Airport…and that’s not the only thing she’s hiding.

She and Letme become part of a community of human and alien immigrants; but as their crusade for equality continues and the birth of her child nears, Future—and her entire world—begins to change.

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