Some comics just blow you away the moment you start reading them. Whether it’s a mind-blowing story or a collection of gorgeous artwork, there’s no feeling like reading a brilliant graphic novel. And Colleen Doran’s adaptation of Neil Gaiman’s short story, Chivalry, is a perfect example of this. While the original story is a sweet little tale about an elderly woman who finds the Holy Grail in a charity shop, Doran’s adaptation raises things to a whole new level. With artwork that bounces back and forth between warm and comfy watercolors and pages that look like an intricately illustrated manuscript, every page of Chivalry is a work of art all in itself.
NOTE: I received a review copy of Neil Gaiman’s Chivalry from Dark Horse Comics and Edelweiss+. All thoughts are my own.
Neil Gaiman’s Chivalry Adapted and illustrated by Colleen Doran An elderly British widow buys what turns out to be the Holy Grail from a second-hand shop, setting her off on an epic visit from an ancient knight who lures her with ancient relics in hope for winning the cup.
Dark Horse Comics continues its adaptation of Neil Gaiman’s Norse Mythology with Norse Mythology Volume 2. Collecting four more retellings of Norse myths, Norse Mythology Volume 2 features artwork from Matt Horak, Mark Buckingham, Gabriel Hernández Walta, and Sandy Jarrell. And, much like the first volume, adaptor P. Craig Russell and the various artists deliver a faithful, entertaining retelling of these stories. If you’ve read Gaiman’s original book, you’ll enjoy seeing these tales brought to life like this. And if you haven’t, then Norse Mythology Volume 2 is a great place to start.
NOTE: I received a review copy of Norse Mythology Volume 2 from Dark Horse Comics and Edelweiss+. All thoughts are my own.
Norse Mythology Volume 2 Adapted by P. Craig Russell Illustrated by Matt Horak, Mark Buckingham, Gabriel Hernández Walta, and Sandy Jarrell In this second volume, Gaiman and Russell once more team with a legendary collection of artists to bring more Norse myths to life, including the origins of poetry and a mead that many will die for, Thor and Loki’s eventful trip into the land of giants, the gods’ woeful bargain that might lose them eternal life, and the beloved god Frey’s journey to Valhalla and beyond to find a certain missing something.
An idyllic town hiding an unsettling and disturbing underbelly is one of my favorite horror tropes. There’s just something inherently scary about places that seem too perfect. And it’s a trope that Daniel Kraus uses to perfection in The Autumnal. Featuring a tense and emotional script from Kraus, some hauntingly abstract artwork from illustrator Chris Shehan, and gorgeous colors from Jason Wordie, The Autumnal delivers a rumination on generational trauma that’s as emotionally satisfying as it is scary. It’s a traditional creepy town story wrapped around an emotionally raw story about a mother and her daughter just trying to survive. And it’s a delightfully haunting read. (4 out of 5 wands.)
(Note: I received an ARC of this graphic novel from NetGalley and the publisher in exchange for a fair and honest review. All opinions are my own. Additionally, mild spoilers follow.)
The Autumnal Written by Daniel Kraus Illustrated by Chris Shehan Colors by Jason Wordie Following the death of her estranged mother, Kat Somerville and her daughter Sybil flee a difficult life in Chicago for the quaint—and possibly deadly—town of Comfort Notch, New Hampshire. From NY Times best-selling author, Daniel Kraus (The Shape of Water, Trollhunters, The Living Dead), and rising star Chris Shehan, comes a haunting vision of America’s prettiest autumn.
Danger Days: The True Lives of the Fabulous Killjoys is my favorite My Chemical Romance album. It’s this wonderful explosion of sound, color, and joy. All of the promotion that surrounded it built up this wildly creative world that was delightful to spend time in. I loved the original True Lives of the Fabulous Killjoys comic, too—the one that came out a few years after the album and concluded the story that began in the music videos. Yes, it was a bit abstract, and the ending didn’t make a whole lot of sense. But I loved it anyway. I say all of this because I wish I liked The True Lives of the Fabulous Killjoys: National Anthem more than I did. It’s a great premise, with some delightfully gritty and horrific artwork. But the story is just… disappointing. (3 out of 5 wands.)
(NOTE: I received an ARC of this book from Edelweiss and Dark Horse. All thoughts are my own.)
The True Lives of the Fabulous Killjoys: National Anthem Written by Gerard Way and Shaun Simon Art by: Leonardo Romero Colors by: Jordie Bellaire The Fabulous Killjoys, once a group of teenage exterminators determined to save reality, have lost their way—and their memories. After a period of mental confinement, former Killjoys leader Mike Milligram gets de-programmed and hits the road to bring the gang back together for a final showdown against an evil pharmaceutical corporation, their monstrous hitman, and savage gang rivals.
A punk rock ghost story sounds pretty cool, right? Home Sick Pilots often lives up to its cool-sounding premise, but the plot and characters surrounding that premise are a little too thinly sketched for the comic to work as well as it could—for now, anyway. Simply put, volume one of Home Sick Pilots is a promising start to an ongoing series, but it’s not a home run. On paper, all of the elements are there. The artwork is great, the premise is intriguing, the pacing is solid, the broad strokes of the plot work well, and even the characters are interesting. The problem is just that not enough time is spent on any one thing, so everything feels a bit glossed over as though this volume is more of a prologue than a first act.
Home Sick Pilots, Volume 1: Teenage Haunts Written by Dan Watters, illustrated by Caspar Wijngaard In the summer of 1994, a haunted house walks across California. Inside is Ami, lead-singer of a high school punk band- who’s been missing for weeks. How did she get there? What do these ghosts want? And does this mean the band have to break up? Expect three chord songs and big bloody action as Power Rangers meets The Shining (yes really), and as writer DAN WATTERS (Lucifer/COFFIN BOUND) and artist CASPAR WIJNGAARD (Star Wars/Peter Cannon: Thunderbolt) delve into the horrors of misspent youth.
The first arc of Rodney Barnes and Jason Shawn Alexander’s Killadelphiaranked among my favorite comics of 2020. It was a breathtaking, gorgeous, layered story that blended absurd-yet-scary horror with gritty, grounded character drama. So, naturally, I was pretty excited to see where the comic would go from there. That first volume ended in a way that opened numerous narrative doors for future stories. And that’s a pretty exciting place for a second arc to find itself. Now, to be fair, Barnes and Alexander certainly take advantage of those numerous avenues—but it comes at the cost of narrative coherence. While the first volume of Killadelphia was something new and exciting, the second volume feels like more of the same—with all of the pros and cons that come with that. The world is explored with more depth, but the narrative is often unfocused, with an ending that’s less of an ending and more of a beginning for another story. There’s too much going on and not enough time to explore it with. (3 out of 5 wands.)
NOTE: This review will remain as spoiler free as possible.
Killadelphia vol.2 – “Burn Baby Burn” Written by Rodney Barnes Illustrated by Jason Shawn Alexander Adams’ battle to reshape the United States in his own twisted vision might have been thwarted for now, giving Jimmy Sangster a moment of respite, but the war for a new America rages on! Now, as Abigail steps out of the shadows, she unleashes a new violent terror upon the city some have renamed Killadelphia. But this time, it’s about creating as widespread a web of fear imaginable as she rips the beating heart from the city itself.
Can Jimmy stop her or will history repeat and force him to meet the same fate as his father?
One of the best things about the first season of Netflix’s adaptation of The Umbrella Academy was the way it developed Klaus. In the comics, he wasn’t depicted as much more than a troubled drug addict who could talk with the dead. But the show dove deep into his past, expanding upon the trauma he undergoes by exposing himself to these unrestful spirits, and giving him a heartbreaking love story and an unhealthy amount of Vietnam PTSD. The show turned a character who was merely quirky in the comics into a character that was multi-layered and deeply complex. So, in the wake of this, the announcement of a Klaus-centric prequel comic was exciting. What kind of a past would the character’s creator, Gerard Way, (and co-writer Shaun Simon) give him? How much would it differ from the show? What happened to eighteen-year-old Klaus after he was expelled from the Umbrella Academy? As it turns out, these aren’t really the questions at the front of the comic’s mind. While it does explore some of Klaus’s trauma and psyche, You Look Like Death is more of a fun romp with a fan-favorite character than an intimate character study. But honestly, it’s so much fun that that’s not much of a problem. (4.5 out of 5 wands.)
NOTE: I was provided an advance copy of this book from Edelweiss and Dark Horse Comics. This review may contain mild spoilers, but will mostly be spoiler free.
“Tales From the Umbrella Academy: You Look Like Death” Written by Gerard Way and Shaun Simon Art and Colors by I.N.J. Culbard When 18-year-old Klaus gets himself kicked out of the Umbrella Academy and his allowance discontinued, he heads to a place where his ghoulish talents will be appreciated—Hollywood. But after a magical high on a stash stolen from a vampire drug lord, Klaus needs help, and doesn’t have his siblings there to save him.
Characters from Norse mythology remain a popular facet of modern pop culture. These days, most people are probably familiar with the Marvel comics/film versions of deities like Thor, Loki, and Odin, but elements of Norse mythology frequently pop up all over the place. Famously, Neil Gaiman borrowed heavily from Norse mythology for his 2001 novel, American Gods (which got adapted by Dark Horse Comics as a comic series in 2017, so it’s only appropriate that he published his own retellings of Norse tales in 2017’s Norse Mythology. And now, Dark Horse is bringing these closer-to-authentic Norse tales to the world of comics—where the Marvel versions of these characters got their start. The first volume of this series—adapted by P. Craig Russell and illustrated by Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson—is a very faithful adaptation of Gaiman’s source material. Like Dark Horse’s American Gods adaptation, very little is changed here—but it works very, very well. (4.5 out of 5 wands.)
NOTE: Thanks to Edelweiss and Dark Horse Comics for providing a digital ARC of this title. All thoughts are my own.
Norse Mythology: Volume 1 Adapted by: P. Craig Russell Illustrated by: P. Craig Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson Gaiman and Russell team with a legendary collection of artists to take readers through a series of Norse myths, including the creation of the Nine Worlds, the loss of Odin’s eye and source of his knowledge, the crafting of Thor’s hammer and the gods’ most valuable treasures, the origin of poetry, and Loki’s part in the end of all things—Ragnarök.
Three and a half years after the release of the maligned theatrical cut of Justice League, Zack Snyder’s original cut of the film is almost here. It’s been a long time coming but thanks to the support of many fans and the desperation of a streaming service in need of new content, the world can finally see Snyder’s full take on the Justice League. The biggest question on everyone’s minds is whether this new cut is better than the theatrical cut. The answer is both simple and complicated. In many, if not most, ways, Zack Snyder’s Justice League is miles better than the theatrical cut. However, even with all the extra content and context, this new cut provides, several of the theatrical cut’s problems remain. And they’re joined by some new problems exclusive to this version. It’s not a bad movie or anything—it often borders on being a good one. But it’s a too-long film that suffers from bad pacing, a lack of focus, and characters that still feel more like archetypes than three-dimensional people. Long story short, it’ll please those who adore Snyder’s movies, annoy those who hate them, and leave the rest of us in a middle ground of partial pleasure and partial displeasure. (3.5 out of 5 wands.)
NOTE: This review will generally be spoiler free. There may be references to plot points that are shared between both cuts of the film, but most of the newer stuff will be hinted at instead of spoiled.
Zack Snyder’s Justice League (written by Zack Snyder and Chris Terrio; directed by Zack Snyder) Batman (Ben Affleck) and Wonder Woman (Gal Gadot) enlist a team capable of protecting the world from the impending threat of Steppenwolf (Ciarán Hinds) and his Parademon army, who are scouring the universe for three hidden Mother Boxes that would enable Steppenwolf to transcend worlds, lay waste to all enemies, and restore his good standing with his master, Darkseid (Ray Porter). Though most of Batman and Wonder Woman’s initial efforts are met with resistance, they ultimately recruit Aquaman (Jason Momoa), Cyborg (Ray Fisher), and The Flash (Ezra Miller). But in order to help preserve the future of mankind, first they must each overcome their own demons.
After Steppenwolf secures two of the boxes buried deep within Themyscira and Atlantis, the superheroes are forced to take advantage of Cyborg’s unique connection to the one remaining. Harnessing the box’s capabilities to resurrect a final team member (Henry Cavill), they inadvertently provide Steppenwolf with an opportunity to obtain it – setting him up for imminent domination. With DeSaad and Darkseid waiting in the wings and posing catastrophic threats of their own, can this unique band of heroes dismantle the Mother Boxes before Steppenwolf’s synchronization is complete?
I love a good conspiracy theory. I’m not someone who believes in them, though. I just find them endlessly fascinating—especially as a storytelling device. With how often they’re used in serialized TV, it’s amazing that more comics don’t embrace conspiracies, given how serialized modern comics are. The Department of Truth, a new series from James Tynion IV and Martin Simmonds, dives headfirst into conspiracy territory, weaving a tale that is as captivating as it is surprising. The writing is a masterclass in world-building, character development, and mystery storytelling. The artwork is superb, being beautifully atmospheric without hindering the storytelling. All in all, it’s a must read. (4.5 out of 5 wands.)
(NOTE: This review features mild spoilers for the first five issues of The Department of Truth. Read at your own risk.)
The Department of Truth, volume 1: The End of the World (written by James Tynion IV, illustrated by Martin Simmonds) COLE TURNER has studied conspiracy theories all his life, but he isn’t prepared for what happens when he discovers that all of them are true, from the JFK Assassination to Flat Earth Theory and Reptilian Shapeshifters. One organization has been covering them up for generations. What is the deep, dark secret behind the Department of Truth?