I love Scooby-Doo. I’m way out of the age range for the show these days and I haven’t regularly watched anything from the series since the mid-2000s, but it still holds a special place in my heart. I grew up on those direct-to-VHS movies and re-runs of the old series (especially A Pup Named Scooby-Doo) on Cartoon Network. So, it’s one of those things that will always be special to me. However, I tend not to be one of those fans who get upset by changes made to the franchise. I really enjoyed the live-action Scooby-Doo films from the early 2000s and when I first saw the trailer for Scoob!, the latest theatrical reboot of the series, I was intrigued. The animation style was neat, it seemed to be teasing a pretty enjoyable story, and I was interested to see what some new talent could bring to the material. Thankfully, even with most movie theaters around the country closed, Scoob! was able to make its initial release date – just on PVOD instead of in theaters. So, having seen Scoob!, how is it? In short: it’s surprisingly solid. It’s a decent-if-predictable story with some good jokes, some beautiful animation, and a lot of heart. (Mild spoilers follow!)
Scoob! (written by Kelly Fremon Craig; directed by Tony Cervone)
“SCOOB!” reveals how lifelong friends Scooby and Shaggy first met and how they joined with young detectives Fred, Velma and Daphne to form the famous Mystery Inc. Now, with hundreds of cases solved and adventures shared, Scooby and the gang face their biggest, most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this global “dogpocalypse,” the gang discovers that Scooby has a secret legacy and an epic destiny greater than anyone imagined.
Rent. It’s a musical that many people have heard of. It’s a musical that many either passionately love or passionately hate. It’s a musical that had a monumental impact on the Broadway musical. It’s also the newest musical to be adapted for TV as a live broadcast. And, I’ll be honest, when I heard that Fox was gonna do Rent as their next live musical, I didn’t think it was a great idea. Rent isn’t exactly network-TV friendly; it’s filled with lots of explicit language and adult themes and stuff you can’t do or say or network TV, so I assumed it would likely be censored to hell and back in order to make it comply with the standards and practices of Fox. With all that being said, how’d the producers and cast of Rent: Live do? Well, it’s a mixed bag.
A re-imagining of Puccini’s “La Bohème,” and set in New York City’s gritty East Village, “Rent” tells the unforgettable story of seven artists struggling to follow their dreams during a time of great social and political turmoil. Winner of four Tony Awards and the Pulitzer Prize, writer/composer Jonathan Larson’s tour de force continues to offer an inspiring message of hope and friendship.
The star-studded cast includes actress Kiersey Clemons (Joanne Jefferson), Emmy nominee and Tony Award winner Brandon Victor Dixon (Tom Collins), singer/songwriter Jordan Fisher (Mark Cohen), actress and singer Vanessa Hudgens (Maureen Johnson), newcomer and singer/songwriter Brennin Hunt (Roger Davis), R&B/Pop superstar Mario (Benjamin Coffin III), recording artist Tinashe (Mimi Marquez) and performer Valentina (Angel Dumont Schunard). Additionally, Keala Settle will perform the iconic solo from “Seasons of Love” and join the ensemble in the live musical.