Rent. It’s a musical that many people have heard of. It’s a musical that many either passionately love or passionately hate. It’s a musical that had a monumental impact on the Broadway musical. It’s also the newest musical to be adapted for TV as a live broadcast. And, I’ll be honest, when I heard that Fox was gonna do Rent as their next live musical, I didn’t think it was a great idea. Rent isn’t exactly network-TV friendly; it’s filled with lots of explicit language and adult themes and stuff you can’t do or say or network TV, so I assumed it would likely be censored to hell and back in order to make it comply with the standards and practices of Fox. With all that being said, how’d the producers and cast of Rent: Live do? Well, it’s a mixed bag.
A re-imagining of Puccini’s “La Bohème,” and set in New York City’s gritty East Village, “Rent” tells the unforgettable story of seven artists struggling to follow their dreams during a time of great social and political turmoil. Winner of four Tony Awards and the Pulitzer Prize, writer/composer Jonathan Larson’s tour de force continues to offer an inspiring message of hope and friendship.
The star-studded cast includes actress Kiersey Clemons (Joanne Jefferson), Emmy nominee and Tony Award winner Brandon Victor Dixon (Tom Collins), singer/songwriter Jordan Fisher (Mark Cohen), actress and singer Vanessa Hudgens (Maureen Johnson), newcomer and singer/songwriter Brennin Hunt (Roger Davis), R&B/Pop superstar Mario (Benjamin Coffin III), recording artist Tinashe (Mimi Marquez) and performer Valentina (Angel Dumont Schunard). Additionally, Keala Settle will perform the iconic solo from “Seasons of Love” and join the ensemble in the live musical.
In a way, this latest season of The X-Files is a return to form for the show. From week to week, it goes from a really problematic episode to a really enjoyable one, to a mediocre one, and, finally, to a new classic for the show. Equally interesting is how the best episodes of the season so far have been the ones that weren’t written by Chris Carter. Picking up where 2016’s tenth season left off, Season 11 of The X-Files follow FBI Agents Dana Scully (Gillian Anderson) and Fox Mulder (David Duchovny) as they work to stop an impending apocalypse, seemingly caused by the Cigarette Smoking Man (William B. Davis), and continue to investigate the titular X-Files, a collection of cases that defy conventional thinking and explanation, while searching for their missing son, William, a boy who may just be the key to averting the apocalypse. (Mild spoilers for the first four episodes of Season 11 follow)
It never truly feels like Christmas for me unless there’s some kind of musical event in either the television or film world. Whether it’s a new movie musical for Hollywood or another one of those live musicals on TV (via NBC or FOX), a big part of my Christmas tradition nowadays is a new musical to watch and enjoy right before the big holiday. This year was no exception, bringing two musicals to my eyeballs. FOX just aired A Christmas Story Live! this past weekend (with a book by Robert Cary and Jonathan Tolins and music and lyrics by the songwriting duo Pasek and Paul) and 20th Century Fox is releasing a new movie musical about P.T. Barnum (of Barnum and Bailey Circus fame) directed by Michael Gracey, with a screenplay by Jenny Bicks and Bill Condon and music and lyrics by Pasek and Paul. You might have noticed a theme there with both of this year’s big, new musical offerings: they both feature the music of Benj Pasek and Justin Paul. Fresh off their recent success with Broadway’s Dear Evan Hansen, Pasek and Paul have written original lyrics and music for The Greatest Showman as well as composing a new song for the live telecast of their 2012 Broadway musical A Christmas Story. (Also of note: one of last year’s big musical offerings, La La Land, also featured the lyrics of Pasek and Paul.) So with Pasek and Paul taking over my screens in both of the big new filmed musical offerings, I thought it worthwhile to give my thoughts on the soundtrack for The Greatest Showman (I haven’t seen the movie yet), FOX’s telecast of A Christmas Story Live!, and my general thoughts on the music of Pasek and Paul. (more…)
There’s a good show somewhere deep inside of Ghosted just waiting to reach the surface. The obstacle in its way: Ghosted‘s runtime. The problem with the show lies in the fact that it doesn’t have enough time to properly explore its case of the week plots and its character development. Tonight’s episode, “Sam“, perfectly demonstrated this. The episode was a perfect example of everything good and everything bad about Ghosted. Written by Ryan Ridley and directed by Jamie Babbit, “Sam” is the sixth episode of the new FOX comedy Ghosted. While Captain Lafrey (Ally Walker) is out, Annie (Amber Stevens West) installs a smooth-talking Artificial Intelligence, “Sam,” (Dax Shepard) to manage the office, but Max (Adam Scott) and Leroy (Craig Robinson) are put to the test when “Sam” turns out to be an evil and powerful force trying to take down the Bureau Underground. All the while, Max is jealous when Leroy makes a new friend. (Mild spoilers follow)(more…)
You know how there always ends up being that one show that has a premise that you’re super into and a trailer that really gets you pumped and it ends up being disappointing as all get out? Yeah, Ghosted was that show for me. Created by Tom Gormican and Kevin Etten, Ghosted is basically what you’d get if you made The X-Files into a sitcom, executed it as a buddy-cop story, and had it star two men. In the pilot episode of Ghosted, a key member of The Bureau Underground – a top-secret government agency – goes missing. Subsequently, Leroy (Craig Robinson), a cynical former detective, and Max (Adam Scott), a genius “true believer” in the paranormal, are recruited to find him. The two polar opposites must work together to find the agent while uncovering possible alien activity and chilling “unexplained” paranormal events in their own city of Los Angeles. (Mild spoilers follow)(more…)