the 11th doctor

REVIEW: “Doctor Who: The Crimson Horror” by Mark Gatiss / “Doctor Who: The Witchfinders” by Joy Wilkinson (Doctor Who Target Collection)

The Target range of Doctor Who novelizations has long held the ability to transform an otherwise average-to-bad episode of the show into a memorable and enjoyable book. Sometimes, what doesn’t work on screen is destined to work on the page, and granting the original screenwriter the opportunity to expand upon their script often yields exciting results. This is the mindset I approached the latest wave of the range with. Neither “The Crimson Horror” nor “The Witchfinders” are bad episodes of Doctor Who, but they are decidedly average ones, which means there’s quite a lot of room for them to be bettered in a novelization. While “The Crimson Horror” doesn’t really achieve this feat, “The Witchfinders” does. And, to be fair, both novels are immensely enjoyable and should prove pleasing to any Doctor Who fan who decides to read either story.

“Doctor Who: The Crimson Horror” by Mark Gatiss
Something ghastly is afoot in Victorian Yorkshire. Something that kills. Bodies are washing up in the canal, their skin a waxy, glowing red… But just what is this crimson horror? Madam Vastra, Jenny and Strax are despatched to investigate the mystery. Strangely reluctant to assist their enquiries is Mrs Winifred Gillyflower, matriarch of ‘Sweetville’, a seemingly utopian workers’ community. Why do all roads lead to the team’s old friends Clara and the Doctor? Who is Mrs Gillyflower’s mysterious silent partner Mr Sweet? And will the motley gang be in time to defeat the mysterious power that threatens all the world with its poison?

“Doctor Who: The Witchfinders” by Joy Wilkinson
The TARDIS lands in the Lancashire village of Bilehurst Cragg in the 17th century, and the Doctor, Ryan, Graham and Yaz soon become embroiled in a witch trial run by the local landowner. Fear stalks the land, and the arrival of King James I only serves to intensify the witch hunt. But the Doctor soon realises there is something more sinister than paranoia and superstition at work. Tendrils of living mud stir in the ground and the dead lurch back to horrifying life as an evil alien presence begins to revive. The Doctor and her friends must save not only the people of Bilehurst Cragg from the wakening forces, but the entire world.

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REVIEW: Doctor Who 2010 Christmas Special – “A Christmas Carol”

For over a decade, the whole family could gather around the TV on Christmas Day and watch a new Doctor Who Christmas special. These episodes were rarely as all-around well-executed as the series’ best episodes, but they were always packed with holiday spirit and undeniably fun to watch. No Christmas special exhibited these qualities more than the 2010 special, A Christmas Carol. Being both Steven Moffat and Matt Smith’s first Doctor Who Christmas special, it had quite a lot to live up to—and boy did it. I’d argue that A Christmas Carol is not only a great Doctor Who Christmas special but also a great episode of Doctor Who in general. Loosely adapting Charles Dickens’ classic book, A Christmas Carol, the special is jam-packed with Christmas spirit, spectacular performances, and a suitably timey-wimey plotline perfect for the 11th Doctor. It is easily my favorite Doctor Who Christmas special. (5 out of 5 wands.)

Doctor Who: A Christmas Carol (written by Steven Moffat, directed by Toby Haynes)
Amy (Karen Gillan) and Rory (Arthur Darvill) are trapped on a crashing space liner, and the only way the Doctor (Matt Smith) can rescue them is to save the soul of a lonely old miser, Kazran Sardick (Michael Gambon, Laurence Belcher, Danny Horn). But is Sardick, the richest man in Sardicktown, beyond redemption? And what is lurking in the fogs of Christmas Eve?

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