If there are two things I feel are overused in current Doctor Who expanded universe material, it’s the Tenth Doctor and the Daleks. So, it’s kind of weird that I’d find myself so excited for Dalek Universe, the newest series of Tenth Doctor audio boxsets from Big Finish Productions. Truth is, I’m interested in it because it reminds me a bit of the (infamously missing) First Doctor story, “The Daleks’ Masterplan.” That story was, partially, an attempt to flesh out the Dalek universe, introducing The Space Security Service, multiple planets/governments, and a universe that’s constantly at war with the Daleks. It’s one of those Doctor Who things that has always begged for further exploration, and it’s bonkers to think that the show has never really returned to it. This is why it was so exciting to see Big Finish leaning into it as hard as they are with Dalek Universe. This first volume of Dalek Universe feels like a prelude for stories to come. It’s an exciting, sweeping space opera that reintroduces elements from Classic Who into the world of New Who. It features fantastic sci-fi ideas, David Tennant’s best Big Finish performance to date, and a captivating throughline that makes me eager to hear the rest of the series. Plus, if you’re like me and a bit tired of the Daleks, then fret not. The Daleks barely appear in this. (4.5 out of 5 wands.)
NOTE: There will be minor spoilers for Dalek Universe 1. Nothing major is spoiled, but read at your own risk.
Doctor Who: Dalek Universe 1 (written by John Dorney and Andrew Smith) Time has gone awry. The Doctor is lost, without his TARDIS. But he’s not alone. The Space Security Service agents Anya Kingdom and Mark Seven haven’t always been on his side in the past, but now they are here to help him. And he’s going to need them – because the oldest foes of all are waiting to strike. Ready to take down their greatest enemy…
The Target range of Doctor Who novelizations has long held the ability to transform an otherwise average-to-bad episode of the show into a memorable and enjoyable book. Sometimes, what doesn’t work on screen is destined to work on the page, and granting the original screenwriter the opportunity to expand upon their script often yields exciting results. This is the mindset I approached the latest wave of the range with. Neither “The Crimson Horror” nor “The Witchfinders” are bad episodes of Doctor Who, but they are decidedly average ones, which means there’s quite a lot of room for them to be bettered in a novelization. While “The Crimson Horror” doesn’t really achieve this feat, “The Witchfinders” does. And, to be fair, both novels are immensely enjoyable and should prove pleasing to any Doctor Who fan who decides to read either story.
“Doctor Who: The Crimson Horror” by Mark Gatiss Something ghastly is afoot in Victorian Yorkshire. Something that kills. Bodies are washing up in the canal, their skin a waxy, glowing red… But just what is this crimson horror? Madam Vastra, Jenny and Strax are despatched to investigate the mystery. Strangely reluctant to assist their enquiries is Mrs Winifred Gillyflower, matriarch of ‘Sweetville’, a seemingly utopian workers’ community. Why do all roads lead to the team’s old friends Clara and the Doctor? Who is Mrs Gillyflower’s mysterious silent partner Mr Sweet? And will the motley gang be in time to defeat the mysterious power that threatens all the world with its poison?
“Doctor Who: The Witchfinders” by Joy Wilkinson The TARDIS lands in the Lancashire village of Bilehurst Cragg in the 17th century, and the Doctor, Ryan, Graham and Yaz soon become embroiled in a witch trial run by the local landowner. Fear stalks the land, and the arrival of King James I only serves to intensify the witch hunt. But the Doctor soon realises there is something more sinister than paranoia and superstition at work. Tendrils of living mud stir in the ground and the dead lurch back to horrifying life as an evil alien presence begins to revive. The Doctor and her friends must save not only the people of Bilehurst Cragg from the wakening forces, but the entire world.
The pandemic has been exceptionally hard on the entertainment industry. It’s been difficult for everyone, but industries that rely on large groups of people gathering together to do or watch something have been hit particularly hard. Still, many individual pieces of entertainment found creative and innovative ways to continue making content during this time. Doctor Who might have found one of the more fun ways of doing things—publishing short stories and videos created by people involved in the making of the show. What started as a series of short stories posted on the Doctor Who website has turned into an anthology of 16 stories published in support of the Children in Need charity. Doctor Who: Adventures in Lockdown is not only a fun read for a good cause, but an example of how creative and varied the show can be. (4.5 out of 5 wands)
Doctor Who: Adventures in Lockdown (by Chris Chibnall, Steven Moffat, Russel T. Davies, Neil Gaiman, Joy Wilkinson, Vinay Patel, Pete McTighe, Paul Cornell, and Mark Gatiss) While staying home was a vital safety measure in 2020, the freedom of the TARDIS remained a dream that drew many – allowing them to roam the cosmos in search of distraction, reassurance and adventure. Now some of the finest TV Doctor Who writers come together with gifted illustrators in this very special short story collection in support of BBC Children in Need.
Current and former showrunners – Chris Chibnall Russell T Davies and Steven Moffat – present exciting adventures for the Doctor conceived in confinement, alongside brand new fiction from Neil Gaiman, Mark Gatiss and Vinay Patel. Also featuring work from Chris Riddell, Joy Wilkinson, Paul Cornell, Sonia Leong, Sophie Cowdrey, Mike Collins and many more, Adventures in Lockdown is a book for any Doctor Who fan in your life, stories that will send your heart spinning wildly through time and space…
When I heard that Disney was gonna make a live-action version of Winnie-the-Pooh with a grown-up Christopher Robin, I was a bit skeptical. Was that something anybody wanted to see? Didn’t it sound a bit too much like Hook? Would it be good? Then Ewan McGregor was cast as Christopher Robin and I was intrigued. Then the first teaser trailer came out and it looked somewhat generic, but still really cute. Then the second trailer came out and I was totally sold. Every piece of promotional material since then has just made me more and more interested in and excited about the movie. The big question is: is the movie actually good? The short answer is: yeah, it’s alright. Written by Alex Ross Perry, Tom McCarthy, and Allison Schroeder (from a story by Greg Brooker and Mark Steven Johnson) and directed by Marc Foster, Christopher Robin tells the story of a grown-up Christopher Robin (played by Ewan McGregor) as he deals with work and familial problems.
In the heatwarming live action adventure “Disney’s Christopher Robin,” the young boy who loved embarking on adventures in the Hundred Acre Wood with a band of spirited and loveable stuffed animals, has grown up and lost his way. Now it is up to his childhood friends to venture into our world and help Christopher Robin remember the loving and playful boy who is still inside.
As must always happen, another Doctor’s time has come to a close. This time we must say goodbye to Peter Capaldi, the Twelfth Doctor. Not only is this Capaldi’s swan song, but it’s also showrunner Steven Moffat’s final episode. For Doctor Who fans, the regeneration episode is always a bag of mixed emotions. It’s sad to see a beloved Doctor leave, but it’s exciting to get a glimpse of the new one and all the surprises that await us in the episodes ahead. In Twice Upon a Time (written by Steven Moffat and directed by Rachel Talalay), the Twelfth Doctor (Peter Capaldi) teams up with his former self, the First Doctor (David Bradley) and a returning Bill Potts (Pearl Mackie), for one last adventure. Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain destined to die on the battlefield, but taken from the trenches to play his part in the Doctor s story. An uplifting new tale about the power of hope in humanity s darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only just beginning… The 60-minute special guest stars Mark Gatiss as The Captain and Nikki Amuka-Bird as the voice of the glass woman, and will see Peter Capaldi’s Doctor regenerate into the Thirteenth Doctor (Jodie Whittaker). (Mild spoilers ahead) (more…)
What happens when a new NASA probe discovers a curious message on the surface of Mars? Well, naturally the Doctor and Bill have to go investigate it, which is exactly what happens in Empress of Mars. Written by Mark Gatiss and directed by Wayne Yip, Empress of Mars follows the Doctor (Peter Capaldi), Bill (Pearl Mackie), and Nardole (Matt Lucas) as they explore Mars after finding “God Save the Queen” written on the surface of the planet. What they discover is rather unexpected: there are Victorian soldiers on Mars. How is this possible? Unwittingly, they awaken Iraxxa, the Ice Queen (Adele Lynch), from her five millennia slumber, leading to an ultimate showdown between two of the most stubborn races ever: Victorian soldiers vs. the Ice Warriors. (As always, this review will contain spoilers. You’ve been warned!)(more…)