The first season of The Mandalorian left me with a lot of mixed feelings. The show was filled to the brim with interesting and creative ideas but plagued by a lack of focus and an adherence to stand-alone stories at the cost of narrative momentum. Nearly half of the season felt completely disposable, but when the show worked, it worked extremely well. Ultimately, there was enough good in that first season to keep me hooked and eager for the second one despite whatever reservations I had. Now, having finished the second season, I can honestly say that I don’t know what I was expecting. Season two of The Mandalorian is identical to the show’s first season—with all of the pros and cons that come with that. This time, however, those cons begin to outweigh the pros—though the latter half of the season makes up for the sins of the first half. (3.5 out of 5 wands.)
(NOTE: There are spoilers for all eight episodes of The Mandalorian’s second season. Read at your own risk.)
The Mandalorian and the Child continue their journey, facing enemies and rallying allies as they make their way through a dangerous galaxy in the tumultuous era after the collapse of the Galactic Empire.
One of the things I’ve most wanted from a Star Wars story was something that felt similar to Firefly. There’s just something I find endlessly fascinating about watching a group of loveable outlaws struggles against an oppressive government. That’s exactly what Firefly excelled at and it would seem that the Star Wars universe would be perfect for such a story. And for a long time, George Lucas was working on a show that explored the underworld of the Star Wars universe, but it was ultimately deemed too expensive to do in the latter half of the first decade of the 2000s and was completely shelved when Disney bought Lucasfilm. A glimpse of hope seemed to shine, though, when the first trailers for The Mandalorian hit the internet and it genuinely seemed as though The Mandalorian might be the show I was longing to see. You had the leader, Pedro Pascal’s unnamed Mandalorian, appearing to assemble some kind of crew to accomplish some kind of mission. Unfortunately, the actual show we got was less Firefly and more Saturday morning cartoon. Is this necessarily a bad thing? No, but it probably shouldn’t have been advertised as anything more than that. Regardless, there’s a lot of enjoyment to be found in The Mandalorian, even if it is often poorly paced, seemingly aimless, and occasionally frustrating to watch. (Spoilers for all eight episodes of The Mandalorian’s first season.)
The Mandalorian (created by Jon Favreau)
After the fall of the Empire, a lone gunfighter (Pedro Pascal) makes his way through the lawless galaxy.