On the whole, I was pleasantly surprised by WandaVision. Of all the Disney+ MCU shows, WandaVision was the one that seemed most interesting. But I never expected to like it as much as I did. Was it perfect? No, but it took a lot longer for it to devolve into the more typical MCU fare than I’d expected. And, underneath all of that guff, was a compelling and moving story about grief—the kind of character-driven narrative that the MCU films aren’t equipped to deliver. For me, the character work balances out any problems I had with the show’s overarching narrative, but others seem to disagree quite heartily. The question of the week appears to be: was the WandaVision finale disappointing? For me, the answer is both yes and no. Allow me to explain.
NOTE: Full spoilers for the entirety of WandaVision’s first season.
I’ve been jaded with the MCU for a long time now. For at least the last half-dozen films, the whole thing has felt a bit creatively stagnant. Visually, it’s hard to separate one film from another; they all have a sense of sameness to them. The same is true tonally, too, with almost every film in the franchise using comedy to undercut its emotional moments and relying too much on spectacle and humor at the expense of meaningful, consistent character development. Avengers: Endgame had pretty much killed my interest in the MCU as a whole, with its terrible plotting and incoherent character arcs, but maybe these movies just aren’t for me. Even when the MCU took risks, like with Infinity War and Endgame, it still felt safe. That is, however, until the first batch of Disney+ MCU shows were announced. Sure, some of them felt like the same old, same old from the MCU (looking at you, Falcon and the Winter Soldier), but some seemed cool, unique, and interesting. Chief among them was WandaVision—a show about two characters I’ve never cared much about that featured an audacious and risky premise. Sounds exactly like my cup of tea. And, honestly, having seen the first two episodes, I’m pretty into it. While being extremely light on any kind of an overarching plot, the first two episodes of WandaVision are a love-letter to classic TV sitcoms that hints at some kind of broader, menacing mystery. If it can stick the landing, it could be something great. (4 out of 5 wands.)
NOTE: There will be spoilers for the first two episodes of WandaVision. Read at your own risk.
WandaVision S01E01 (written by Jac Schaeffer, directed by Matt Shakman) Wanda and Vision struggle to conceal their powers during dinner with Vision’s boss and his wife.
WandaVision S01E02 (written by Gretchen Enders, directed by Matt Shakman) In an effort to fit in, Wanda and Vision perform a magic act in their community talent show.
Solo: A Star Wars Story is not a particularly good movie. On the bright side, however, it’s not a total trainwreck either. It’s just…fine. It would be a much better movie if it didn’t have to focus on Han Solo at all. Directed by Ron Howard and written by Lawrence and Jonathan Kasdan, Solo: A Star Wars Story is the latest stand-alone anthology film in the Star Wars franchise. Starring Alden Ehrenreich as Han Solo, Solo is a prequel to the original Star Wars trilogy that reveals the backstory of Han Solo.
Board the Millennium Falcon and journey to a galaxy far, far away in ‘Solo: A Star Wars Story,’ an adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga’s most unlikely heroes.
Thoroughly Modern Reviewer 