After nearly a decade, a cancelation scare, a network change, and a whole host of shenanigans, Brooklyn Nine-Nine is coming to an end. But not before taking one final ride, of course. And if the first five episodes are anything to go by, fans are gonna be pretty happy with how this final season brings the show to a close. Managing to balance its usual absurdity and fun character beats with some more serious, topical storylines, the final season of Brooklyn Nine-Nine gets off to a solid start. It’s not perfect, but it’s a good reminder of why the show is so beloved.
NOTE: There are spoilers for episodes 1 and 2, “The Good Ones” and “The Lake House.”
Brooklyn Nine-Nine (Season 8) Created by Dan Goor and Michael Schur “Brooklyn Nine-Nine” follows the exploits of hilarious Det. Jake Peralta (Andy Samberg) and his stoically ever-professional Capt. Raymond Holt (Andre Braugher), along with their diverse, lovable colleagues as they police the NYPD’s 99th Precinct. In this final season of the series, Jake and the squad must try to balance their personal lives and their professional lives over the course of a very difficult year.
There’s something special about big movie musicals. The way the music, visuals, performances, and spectacle all mesh together—there’s just nothing like it. Even when they’re bad, there’s still some joy to be found in them. In the Heights is one of those musicals that’s been begging for a film adaptation since it first debuted. It’s just so joyous and full of energy, with Lin-Manuel Miranda’s (Hamilton) trademark earwormy music and a lovely, heartfelt story. It’s no wonder fans have been waiting a decade for this movie. And thankfully, after a period of development hell that saw the film pass between producers and studios, In the Heights finally has its film adaptation—directed by Jon M. Chu and written by Quiara Alegría Hudes (the musical’s original writer). And it’s good. Honestly, as a fan of the stage version, I can’t imagine how it could be much better. In the Heights is unabashedly a musical. It’s filled with breathtaking beauty, realistic characters, and so much charm. You’ll laugh, you’ll cry, and you’ll feel a part of a community. It’s everything I could’ve wanted and more. (4.5 out of 5 wands.)
“In the Heights“ Written by Quiara Alegría Hudes Directed by Jon M. Chu Music and Lyrics by Lin-Manuel Miranda The creator of “Hamilton” and the director of “Crazy Rich Asians” invite you to the event of the summer, where the streets are made of music and little dreams become big… “In the Heights.” Lights up on Washington Heights… The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. “In the Heights” fuses Lin-Manuel Miranda’s kinetic music and lyrics with director Jon M. Chu’s lively and authentic eye for storytelling to capture a world very much of its place, but universal in its experience.
I love Parks and Recreation. I love The Good Place. You would think I’d have been all over Brooklyn Nine-Nine as it’s cocreated by Michael Schur, the creator of both Parks and Recreation and The Good Place. And yet, I’m not. Well, that’s not true. It’s not that I’m not a fan of Brooklyn Nine-Nine, it’s that I’d literally never seen an episode before this year. I love Michael Schur and I love Andy Samberg and I’ve somehow never seen Brooklyn Nine-Nine. So, what would possess me to start watching the show with its seventh season? Honestly, sheer curiosity. The screeners for the premiere came out right as The Good Place was ending and I was curious to see how someone who’d never seen an episode of Brooklyn Nine-Nine might fair tuning into the seventh season? So, that’s exactly what I did. I watched the entire seventh season as it aired. I had a friend who was a Brooklyn Nine-Nine fanatic fill in background info or recommend previous episodes that would be of vital importance to understanding the context of one of the new episodes (I have no seen the first seven episodes of season one, the first three Halloween episodes, the episode with Bill Hader, and the first Jimmy Jabs Games episode). So, in that context, how was the seventh season of Brooklyn Nine-Nine? In short: it was great. It’s turned me into a fan of the show and I eagerly look forward to binging the entirety of the first six seasons as soon as possible. (Spoilers for the entirety of season seven of Brooklyn Nine-Nine.)
“Brooklyn Nine-Nine” follows the exploits of hilarious Det. Jake Peralta (Andy Samberg) and his diverse, lovable colleagues as they police the NYPD’s 99th Precinct. After Capt. Raymond Holt’s (Andre Braugher) demotion to patrolman at the end of season six, the squad’s world is turned upside down.
Rounding out the ensemble is the newly promoted Lt. Terry Jeffords (Terry Crews), a muscle-bound human mountain who loves nothing more than his three little daughters, except for a fresh carton of full-fat yogurt. The man loves yogurt. Reporting to him is Sgt. Amy Santiago (Melissa Fumero), a consummate rule follower with a weak spot for dork dancing and her husband, Jake.
The other detectives in the squad include Jake’s best friend and human puppy dog, Det. Charles Boyle (Joe Lo Truglio), and the incredibly secretive, tough-as-nails Det. Rosa Diaz (Stephanie Beatriz). Also part of the Nine-Nine are veteran officers Det. Scully (Joel McKinnon Miller) and Det. Hitchcock (Dirk Blocker), whose only skill as police officers are their ability to make a passable pot of coffee.