REVIEW: “In the Heights”

There’s something special about big movie musicals. The way the music, visuals, performances, and spectacle all mesh together—there’s just nothing like it. Even when they’re bad, there’s still some joy to be found in them. In the Heights is one of those musicals that’s been begging for a film adaptation since it first debuted. It’s just so joyous and full of energy, with Lin-Manuel Miranda’s (Hamilton) trademark earwormy music and a lovely, heartfelt story. It’s no wonder fans have been waiting a decade for this movie. And thankfully, after a period of development hell that saw the film pass between producers and studios, In the Heights finally has its film adaptation—directed by Jon M. Chu and written by Quiara Alegría Hudes (the musical’s original writer). And it’s good. Honestly, as a fan of the stage version, I can’t imagine how it could be much better. In the Heights is unabashedly a musical. It’s filled with breathtaking beauty, realistic characters, and so much charm. You’ll laugh, you’ll cry, and you’ll feel a part of a community. It’s everything I could’ve wanted and more. (4.5 out of 5 wands.)

In the Heights
Written by Quiara Alegría Hudes
Directed by Jon M. Chu
Music and Lyrics by Lin-Manuel Miranda
The creator of “Hamilton” and the director of “Crazy Rich Asians” invite you to the event of the summer, where the streets are made of music and little dreams become big… “In the Heights.” Lights up on Washington Heights… The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likable, magnetic bodega owner Usnavi (Anthony Ramos), who saves every penny from his daily grind as he hopes, imagines and sings about a better life. “In the Heights” fuses Lin-Manuel Miranda’s kinetic music and lyrics with director Jon M. Chu’s lively and authentic eye for storytelling to capture a world very much of its place, but universal in its experience.

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REVIEW: “Hamilton” on Disney+

Anyone who knows me knows that I went through a pretty hardcore Hamilton phase when that musical first hit Broadway. I played the album all the time, I knew the vast majority of the lyrics. I adored that show. And I still do, even if I think In the Heights is Lin-Manuel Miranda’s superior show. So, naturally, when the news broke that Disney+ would be debuting the live capture of the show, recorded just before the original cast departed, over a year earlier than expected, I was devilishly excited. I’d only seen bits and pieces of the show, having never had a chance to see it in person, and I was so ready to finally see this show that I loved. Well, now that I’ve seen the film, how do I feel? I mean, it’s Hamilton and I love Hamilton. But, to be honest, this capture is a bit of a mixed bag. (4 out of 5 wands.)

Hamilton (directed by Thomas Kail, written and composed by Lin-Manuel Miranda)
An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. “Hamilton” is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way.

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