If you’re a sci-fi fan and you’re not watching Debris, you’re missing out on a fun show. Debris is one of those weird experiments in how little exposition a show can get away with giving. The pilot episode drops viewers in the middle of the action, with Brian and Finola having been tracking debris for several weeks already. It’s a gutsy way to start such a high-concept series, for sure. But it’s honestly a breath of fresh air in a genre that usually spends an unwieldy amount of time setting premises up before anything interesting happens. It’s nice getting right to the action, especially when the action involves a new piece of Debris each week that lets the writers explore a multitude of science fiction ideas. Want a story about clones? Check out episode two. Want something involving wormholes? Episode three’s your bet. Want to see an episode where old people can become young again? Watch episode six. I’m not always the biggest fan of procedural shows, but Debris offers a nice balance between fun cases of the week and an intriguing ongoing mystery—there’s some kind of terrorist group trying to find the pieces of debris before the various governments can and they seem to be up to no good. The mystery needs some development, but it’s enough to keep you coming back each week to see the newest strange case.Continue reading
I never read The Inheritance Cycle as a kid. I tried reading Eragon a few times and I made it partway through the film, but it was never something I could get into. I’m very picky about what kinds of fantasy books I like – the higher the fantasy and the more complex the world, the less likely I am to like it. Which is exactly what happened with Christopher Paolini’s beloved books. It was a classic case of it’s me not them. In that context, I was unsure what to expect when approaching To Sleep in a Sea of Stars, Paolini’s first book for adults, and his first foray into science fiction. While I love a lot of sci-fi, would I like this? Would this novel connect with me in the way I wanted his others to? In short: yes. To Sleep in a Sea of Stars is a masterclass in genre storytelling. Intricately plotted, stuffed with multidimensional and endearing characters, and filled with enough action to make Hollywood jealous, it is a thrill from start to finish. (4.5 out of 5 wands.)
(NOTE: I won an advance copy of this book from BookishFirst. All reactions are my own. Additionally, there may be mild spoilers.)
To Sleep in a Sea of Stars by Christopher Paolini
During a routine survey mission on an uncolonized planet, Kira finds an alien relic. At first she’s delighted, but elation turns to terror when the ancient dust around her begins to move.
As war erupts among the stars, Kira is launched into a galaxy-spanning odyssey of discovery and transformation. First contact isn’t at all what she imagined, and events push her to the very limits of what it means to be human.
While Kira faces her own horrors, Earth and its colonies stand upon the brink of annihilation. Now, Kira might be humanity’s greatest and final hope . . .
Better late than never, eh? There’s something about alien stories set during the 1940s-1960s that appeals to me. Maybe it’s that whole “things were simpler back then” trope or the fun that comes with watching or reading an alien story set during the height of the nation’s obsession with UFOs. Whatever it is, I often enjoy stories set during this period. And I also enjoy stories that focus on old-timey radio/TV production. In this context, it should be no surprise that The Vast of Night immediately appealed to me. I hadn’t heard much about it, but the moment Amazon Prime suggested it to me, I was eager to watch it. In theory, it touched on a lot of things I love and it looked pretty darn good. Having seen it, it is pretty darn good. The Vast of Night is easily one of my favorite films of the year. It’s both modern and retro and is filled with charm, great performances, great direction, and a solid story. (4.5 out of 5 wands.)
(NOTE: Mild spoilers for The Vast of Night may follow.)
The Vast of Night (written by Andrew Patterson and Craig W. Sanger, directed by Andrew Patterson)
In the twilight of the 1950s, on one fateful night in New Mexico, a young, winsome switchboard operator Fay (Sierra McCormick) and charismatic radio DJ Everett (Jake Horowitz) discover a strange audio frequency that could change their small town and the future forever. Dropped phone calls, AM radio signals, secret reels of tape forgotten in a library, switchboards, crossed patchlines, and an anonymous phone call lead Fay and Everett on a scavenger hunt toward the unknown.