I don’t normally review screenplays – and I especially don’t normally review screenplays that were never produced. But I am making an exception here. Neil Gaiman’s The Sandman has had a long road to being adapted for another medium. A film version languished in development hell for 20-some years before finally getting turned into an upcoming Netflix TV series and an Audible audio drama. One of the writing teams attached to the film was Ted Elliot and Terry Rossio, most famous for writing Shrek and the Pirates of the Caribbean series. In 1996, they wrote a draft of a Sandman film. That draft is publicly available for reading on their website, Wordplayer. It is for this reason that I feel comfortable reading and reviewing the script – the writers have put it out there and, at that point, it’s fair game to be looked at. And, in all fairness, I actually think their attempt at adapting The Sandman is a relatively good one. Obviously, those comics are better suited for a TV series, but as far as film adaptations go, it’s pretty solid. (3.5 out of 5 wands.)Continue reading
As I’ve previously said, I love Neil Gaiman’s Sandman series. It’s one of my favorite long-running comic series and it had such a perfect ending as written. I didn’t read any of the spin-off material that came out during the original run of the series – such as the original Book of Magic miniseries or Mike Carey’s Lucifer run. But with the launch of The Sandman Universe, it seemed a perfect time to hop onboard the Lucifer train and see what his comic was all about. I gotta say, this first volume of the newest Lucifer series turned out to be a pretty great first Lucifer story for me to read. (Slight spoilers follow.)
This is the one true tale of what befell the Prince of Lies, the Bringer of Light–Lucifer. The blind, destitute old man, who lives in a small boarding house in a quiet little town, where nothing is quite what it seems and no one can leave. He’s trapped, you see? Trapped in a bizarre prison with no memory of how he got there or why. As the Devil soon discovers, the answers lay in wait with his estranged son, Caliban… too bad Lucifer can’t find him. Meanwhile, in Los Angeles, Detective John Decker is drawn into a shadowy conspiracy whose widely varied members share a single common purpose: to kill Lucifer Morningstar.
From crime and mystery author Dan Watters (The Shadow, Deep Roots) with art from Max Fiumara and Sebastian Fiumara (Abe Sapien, The Amazing Spider-Man, All-Star Batman) bring us the next chapter in the story everyone’s favorite son of God.
This is the first Lucifer comic I’d ever read. I was familiar with the character from Neil Gaiman’s Sandman series, but I’d never actually read any of the character’s solo stories. So, as this volume began, I did feel a bit confused as to what was going on. Watters definitely throws readers into the deep end in this story, but it quickly becomes clear that he has a well-thought-out masterplan that proves to be very accessible for new readers – and very rewarding, I suspect, for longtime readers.
In this story, Lucifer has had a son and has abandoned that son in the past – a fact that was alluded to within “The Sandman Universe #1” one-shot (also included in this volume). To right this wrong, he seeks to reunite the son with his mother. Naturally, things don’t go according to plan and Lucifer ends up in a prison he can’t escape from, being held hostage by someone from his past with an ax to grind. And when you’re the literal devil, that’s a lot of people.
The story unfolds in a very interesting way. As I said, it starts off right in the middle of everything, with Lucifer lost in this other world, missing his memories and trying to unravel everything. As the story goes on and the characters all figure out what is going on, the audience is clued in with a series of flashbacks – and a B-plot that ties in directly with the A-plot – and everything unfolds in a very interesting way and ultimately leads to a pretty climactic finale that perfectly sets up the next arc in this ongoing series.
Watters’ writing isn’t the only highlight of this book, however. Accompanying his writing is artwork from Max Fiumara and Sebastian Fiumara. The artwork from these two definitely elevates Watters’ script into something befitting of the devil. The art perfectly builds off of the established features of the Lucifer character – a character designed to be reminiscent of David Bowie – while also adding some new things and perfectly fleshing out the world with gorgeous settings and interesting characters. Watters’ script and Max and Sebastian Fiumara’s art is a match made in heaven – or, perhaps, in hell.
All in all, this first volume of Lucifer is a great start to this ongoing season. It’s a great jumping on point for readers new to the ongoing story of this character and it appears to be a great return to the character for preexisting fans. The story told within this volume is delightful, mixing Christian mythology with The Sandman Universe’s narrative flair. It’s equal parts moving, suspenseful, and bloody. It’s a great book for a great devil.
4 out of 5 wands.