script

SCRIPT REVIEW: “Sandman” by Ted Elliot and Terry Rossio

I don’t normally review screenplays – and I especially don’t normally review screenplays that were never produced. But I am making an exception here. Neil Gaiman’s The Sandman has had a long road to being adapted for another medium. A film version languished in development hell for 20-some years before finally getting turned into an upcoming Netflix TV series and an Audible audio drama. One of the writing teams attached to the film was Ted Elliot and Terry Rossio, most famous for writing Shrek and the Pirates of the Caribbean series. In 1996, they wrote a draft of a Sandman film. That draft is publicly available for reading on their website, Wordplayer. It is for this reason that I feel comfortable reading and reviewing the script – the writers have put it out there and, at that point, it’s fair game to be looked at. And, in all fairness, I actually think their attempt at adapting The Sandman is a relatively good one. Obviously, those comics are better suited for a TV series, but as far as film adaptations go, it’s pretty solid. (3.5 out of 5 wands.)

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REVIEW: “The Nice and Accurate Good Omens Companion” by Matt Whyman, & “The Quite Nice and Fairly Accurate Good Omens Script Book” by Neil Gaiman

good omens booksCompanion books to movies and TV shows are always a bit of a dice roll when it comes to their quality. While they’re usually filled with interesting anecdotes and tons of pictures, they have a habit of feeling little more than a fluff piece used as an advertisement for that film/TV series. Luckily, this isn’t the case with either of the two books released as tie-ins for Amazon Prime and BBC’s recent adaptation of Good Omens. Both books – a traditional companion and a book featuring all of Neil Gaiman’s scripts for the series – are excellent reads, managing to be both informative and worthwhile reads even for those who know everything there is to know about the series and its creation.

“The Nice and Accurate Good Omens Companion” by Matt Whyman
Following the original novel’s chronological structure—from “the Beginning” to “End Times”—this official companion to the Good Omens television series, compiled by Matt Whyman, is a cornucopia of information about the show, its conception, and its creation. Offering deep and nuanced insight into Gaiman’s brilliantly reimagining of the Good Omens universe, The Nice and Accurate Good Omens TV Companion includes: A foreword from Neil Gaiman, A profile of the director, Douglas McKinnon, Neil’s take on the adaptation process, in which he explains his goals, approach, and diversions from the original text, Interviews with the cast, including Michael Sheen, David Tennant, Nina Sosanya, Jon Hamm, Ned Dennehy, Josie Lawrence, Derek Jacobi, Nick Offerman, Frances McDormand, Miranda Richardson, Adria Arjona, and many others, More than 200 color photographs. And much more!

“The Quite Nice and Fairly Accurate Good Omens Script Book” by Neil Gaiman
Neil Gaiman’s complete original scripts for the highly anticipated six-episode original series, adapted from the classic novel he wrote with Terry Pratchett. Collected here are Neil Gaiman’s original scripts for the Good Omens television series, offering readers deeper insight into Gaiman’s brilliant new adaptation of a masterwork.

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SCRIPT REVIEW: Lorraine Hansberry’s “A Raisin in the Sun” is a Truly Remarkable Play with a Script That’s Bogged Down With Too Many Stage Directions

5517*NOTE: THIS IS A REVIEW OF THE SCRIPT, ONLY*
As part of my Directing class in school, I’ve had to some plays in preparation for the scene work that’s to come later in the semester. One of those plays was Lorraine Hansberry’s classic A Raisin in the Sun. Nominated for four Tony Awards – including Best New Play, A Raisin in the Sun details the lives of the Younger family, an African American family living in Chicago in the 1950s. Set on Chicago’s South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis and matriarch Lena, called Mama. When her deceased husband’s insurance money comes through, Mama dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans, however: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. Sacrifice, trust, and love among the Younger family and their heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration.  (more…)