After a nearly two-year break, American Gods is back on our TV screens—and not a moment too soon. And, as is customary for the show, a lot’s happened in those two years. There have been more shakeups in front of, and behind, the camera, leading to the departure of actors like Orlando Jones, Kahyun Kim, and Mousa Kraish. However, unlike the previous season, it appears that the making of season three was a far smoother affair—an assumption that is borne out on screen. Despite everything that may have happened behind the scenes, the season premiere of American Gods is great. It does everything a premiere should do—establishes where the characters are as the season begins and where they’re headed, lays the groundwork for future episodes, and energizes audiences for the season to come. While the premiere sometimes feels like a pilot episode for a new show, it remains distinctly American Gods-esque and is genuinely fun and exciting to watch. (4.5 out of 5 wands.)
(NOTE: This review contains full spoilers for the episode. Read at your own risk.)
American Gods S03E01 – “A Winter’s Tale” (written by David Paul Francis, directed by Jon Amiel) After months apart, Wednesday reappears in Shadow’s life, resolved to drag him back into his divine war effort. A meeting with the god Wisakedjak leaves Shadow with a prophecy about his destiny—a destiny that seems determined to bring him to the idyllic, snowy town of Lakeside, Wisconsin.
American Gods is one of my favorite TV shows. Its quality isn’t always consistent and there seems to be a lot of turnover in front of, and behind, the camera, but there’s nothing else like it on TV and I find myself returning to it time and time again. Its source material being so fantastic helps a lot, of course, but I still find much to enjoy in Starz’s TV adaptation. So, naturally, I was beyond excited to see what they’d do with season three. With another round of cast and crew shakeups, season three had a lot working against it. But it was said to be adapting one of the best parts of the book (the Lakeside arc) and featured a slew of new and exciting cast members, so there was still much to be hopeful about. And, having seen the first four episodes, I’d say that hope is fulfilled. The third season of American Gods feels simultaneously familiar and new—it’s identifiably the same show we’ve fallen in love with but it’s bursting with new energy and momentum. It’s not perfect, but it’s a promising start. (4.5 out of 5 wands)
(NOTE: This review strives to be as spoiler free as possible. There may be mentions to information officially revealed in trailers and promotional material, but no major plot points will be discussed.)
American Gods – Season Three Following his discovery last season that Mr. Wednesday is his father, Shadow attempts to break away and assert himself as his own man. As he settles into life in Lakeside, he uncovers a dark secret while exploring questions of his own divinity. Guided on this spiritual journey by the gods of his black ancestors, the Orishas, Shadow must decide exactly who he is—a god seeking veneration or a man in service of the “we.”
After a nearly two-year hiatus, American Gods returns to Starz in just over a month, and with the show premiering so soon, it’s about time for the promotional train to leave the station. Well, as of today, that train has officially left the station as the season’s official trailer has been released. Starring Ricky Whittle, Ian McShane, Emily Browning, Yetide Badaki, Bruce Langley, Omid Abtahi, Demore Browns, and Ashley Reyes, American Gods Season 3 is the first to be headed by new showrunner Charles H. Eglee and sees Shadow hiding in the small Wisconsin town of Lakeside from the Gods—and his destiny. Take a look at the trailer below:
The pandemic has been exceptionally hard on the entertainment industry. It’s been difficult for everyone, but industries that rely on large groups of people gathering together to do or watch something have been hit particularly hard. Still, many individual pieces of entertainment found creative and innovative ways to continue making content during this time. Doctor Who might have found one of the more fun ways of doing things—publishing short stories and videos created by people involved in the making of the show. What started as a series of short stories posted on the Doctor Who website has turned into an anthology of 16 stories published in support of the Children in Need charity. Doctor Who: Adventures in Lockdown is not only a fun read for a good cause, but an example of how creative and varied the show can be. (4.5 out of 5 wands)
Doctor Who: Adventures in Lockdown (by Chris Chibnall, Steven Moffat, Russel T. Davies, Neil Gaiman, Joy Wilkinson, Vinay Patel, Pete McTighe, Paul Cornell, and Mark Gatiss) While staying home was a vital safety measure in 2020, the freedom of the TARDIS remained a dream that drew many – allowing them to roam the cosmos in search of distraction, reassurance and adventure. Now some of the finest TV Doctor Who writers come together with gifted illustrators in this very special short story collection in support of BBC Children in Need.
Current and former showrunners – Chris Chibnall Russell T Davies and Steven Moffat – present exciting adventures for the Doctor conceived in confinement, alongside brand new fiction from Neil Gaiman, Mark Gatiss and Vinay Patel. Also featuring work from Chris Riddell, Joy Wilkinson, Paul Cornell, Sonia Leong, Sophie Cowdrey, Mike Collins and many more, Adventures in Lockdown is a book for any Doctor Who fan in your life, stories that will send your heart spinning wildly through time and space…
It’s been about a year and a half since the second season of Starz’s adaptation of Neil Gaiman’s American Gods ended. In the time since, a new showrunner has been appointed, some cast members have come and gone, and a pandemic has brought much of the film and TV industry to a complete standstill. But, as the saying goes, the show must go on – and go on it has, with much of the upcoming season’s post-production work happening quietly and remotely throughout the last several months. But finally, after a long wait, American Gods leapt onto the New York Comic Con scene with plenty of news, announcements and reveals about the upcoming season – including new key art and a trailer!
Making an audio adaptation of The Sandman seems like a great idea. There’s a lot of ways to convey fantasy settings using just sound and it feels like the perfect medium for The Sandman. I mean, it’s a series about the power of stories and what better way to experience the story than to close your eyes and let the sounds wash over you, right? And, in all honesty, that’s basically what Audible’s adaptation of The Sandman is – though, I’d argue it skews a bit closer to an audiobook than a true audio drama, but for most people, that’ll be just fine. For me, I enjoyed the adaptation but I wish it embraced the power of audio dramas a bit more than it does and relied less on narration to explain the “missing” visuals. (4 out of 5 wands.)
(NOTE: Mild spoilers may follow.)
The Sandman (written by Neil Gaiman, adapted by Dirk Maggs) When The Sandman, also known as Lord Morpheus—the immortal king of dreams, stories and the imagination—is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence. As the multi-threaded story unspools, The Sandman descends into Hell to confront Lucifer (Michael Sheen), chases rogue nightmares who have escaped his realm, and crosses paths with an array of characters from DC comic books, ancient myths, and real-world history, including: Inmates of Gotham City’s Arkham Asylum, Doctor Destiny, the muse Calliope, the three Fates, William Shakespeare (Arthur Darvill), and many more.
I don’t normally review screenplays – and I especially don’t normally review screenplays that were never produced. But I am making an exception here. Neil Gaiman’s The Sandman has had a long road to being adapted for another medium. A film version languished in development hell for 20-some years before finally getting turned into an upcoming Netflix TV series and an Audible audio drama. One of the writing teams attached to the film was Ted Elliot and Terry Rossio, most famous for writing Shrek and the Pirates of the Caribbean series. In 1996, they wrote a draft of a Sandman film. That draft is publicly available for reading on their website, Wordplayer. It is for this reason that I feel comfortable reading and reviewing the script – the writers have put it out there and, at that point, it’s fair game to be looked at. And, in all fairness, I actually think their attempt at adapting The Sandman is a relatively good one. Obviously, those comics are better suited for a TV series, but as far as film adaptations go, it’s pretty solid. (3.5 out of 5 wands.)
From the first time I read Neil Gaiman’s The Sandman in 2013, I adored the series. It felt like this beautiful mixture of traditional prose literature and graphic novels and it was something I hadn’t seen in any of the comics I’d read to that point. The series is as much a story about Morpheus, the Lord of Dreams, and his other siblings as it is about stories, themselves. It’s one of those series that has remained popular over the 30 years since it first debuted – and for good reason. So, in light of the imminent release of Audible’s audio adaptation of the series, I felt it a good time to go back to those first few volumes (those that are being adapted for the series) and take a look at how they read seven years after I first read them. In short, they still hold up remarkably well, even if parts of them haven’t aged the best. The Sandman is a great series and it’s impressive how much of its magic is present in these first twenty issues.
(NOTE: There will be mild spoilers for the first 20 issues/three volumes of The Sandman.)
A rich blend of modern myth and dark fantasy in which contemporary fiction, historical drama and legend are seamlessly interwoven, THE SANDMAN follows the people and places affected by Morpheus, the Dream King, as he mends the cosmic–and human–mistakes he’s made during his vast existence.
I have consistently loved Simon Spurrier’s run on The Dreaming. Of all the Sandman Universe titles, it’s the one that feels the most similar in tone to Neil Gaiman’s original Sandman run. Much like Gaiman, Spurrier has been using his run on the title to muse on the very nature of storytelling. His run has been as much about the art of storytelling as it has been about the Dreaming, and its inhabitants. It’s routinely been one of my favorite titles to return to and when I heard that this volume would be the final one in his run, I was a mixture of sad and excited. It would be sad to see him go, but I was excited to see how he’d wrap up this story he’s been telling since the very first issue. And here we are, at the end. And how is that ending? Well, it’s everything I could’ve hoped for. Spurrier has taken all the threads he’d left dangling and woven them into a wholly satisfying conclusion, ending this story while leaving the door wide open for future creative teams to tell new stories. It’s simply superb. (Mild spoilers follow.)
The Dreaming, Vol. 3: One Magic Moment (written by Simon Spurrier, illustrated by Bilquis Evely (issues 15, 17, 19-20), Marguerite Sauvage (Issues 16, 18) Dani Strips (Issue 13), and Matias Bergara (Issue 14)) As the second year of the Sandman Universe begins, the sentient algorithm known as Wan is now the acknowledged lord of Dream’s realm, and unquestioned ruler of all his subjects. It’s a huge problem that Wan is completely insane, and more than capable of wiping out all life in the Dreaming. What can Abel, the only one who knows Wan’s secret, do about it? And what must he do to poor Matthew the Raven to put his plan into action? Collects The Dreaming #13-20.
As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)
American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton)
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)