neil gaiman

REVIEW: “The Dreaming, Vol. 3 – One Magic Movement” by Simon Spurrier

dreaming vol 3I have consistently loved Simon Spurrier’s run on The Dreaming. Of all the Sandman Universe titles, it’s the one that feels the most similar in tone to Neil Gaiman’s original Sandman run. Much like Gaiman, Spurrier has been using his run on the title to muse on the very nature of storytelling. His run has been as much about the art of storytelling as it has been about the Dreaming, and its inhabitants. It’s routinely been one of my favorite titles to return to and when I heard that this volume would be the final one in his run, I was a mixture of sad and excited. It would be sad to see him go, but I was excited to see how he’d wrap up this story he’s been telling since the very first issue. And here we are, at the end. And how is that ending? Well, it’s everything I could’ve hoped for. Spurrier has taken all the threads he’d left dangling and woven them into a wholly satisfying conclusion, ending this story while leaving the door wide open for future creative teams to tell new stories. It’s simply superb. (Mild spoilers follow.)

The Dreaming, Vol. 3: One Magic Moment (written by Simon Spurrier, illustrated by Bilquis Evely (issues 15, 17, 19-20), Marguerite Sauvage (Issues 16, 18) Dani Strips (Issue 13), and Matias Bergara (Issue 14)) 
As the second year of the Sandman Universe begins, the sentient algorithm known as Wan is now the acknowledged lord of Dream’s realm, and unquestioned ruler of all his subjects. It’s a huge problem that Wan is completely insane, and more than capable of wiping out all life in the Dreaming. What can Abel, the only one who knows Wan’s secret, do about it? And what must he do to poor Matthew the Raven to put his plan into action? Collects The Dreaming #13-20.

(more…)

REVIEW: “American Gods Volume 3: The Moment of the Storm”

american gods vol 3As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)

American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton) 
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)

(more…)

Review – “Neil Gaiman’s Snow, Glass, Apples” (Illustrated by Colleen Doran)

918fkn2oh0lWe all know how much I love a good Neil Gaiman story. He’s one of my favorite authors currently writing and I’ve yet to encounter one of his stories that I haven’t enjoyed in some way or another. Some of my favorite Gaiman things are the comic adaptations of his prose work. I always find it really intriguing seeing how comic artists adapt the work of Gaiman (an author who got, perhaps, one of his earliest and biggest breaks within the world of comics) into this more visual medium. This is where Snow, Glass, Apples comes into play. It’s the latest in a fairly-lengthy line of comic adaptations of Gaiman’s work to be published by Dark Horse Comics; ignoring their ongoing American Gods adaptation, it’s the second such graphic novel adapting some of Gaiman’s short stories. What intrigued me the most about this adaptation were the excerpts that featured some of Collen Doran’s illustrations. Her style promised a really interesting, unique, and gorgeous take on the original short story and I was very excited to give it a read. How did it turn out? Just as good as I’d hoped it would be, if not better!

Snow, Glass, Apples (written by Neil Gaiman, illustrated by Colleen Doran)
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren’t so happily ever after.

From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!

(more…)

REVIEW: “Books of Magic”, vol. 1: Moveable Type

791348._sx1280_ql80_ttd_I never read Neil Gaiman’s original 4-issue run of Books of Magic, nor did I read any of the subsequent runs, so, naturally, of the four titles initially announced for the first wave of Sandman Universe series, this one was the one I was least interested in. It’s not that I wasn’t interested in the premise – I love a good story about people learning how to do magic – but it was more the idea that, due to my lack of knowledge of any of the previous stories, I’d be totally lost going into this comic and find myself unable to enjoy it for what it is. Thankfully, that’s not what happened. Unfortunately, it is still my least favorite ‘volume 1’ of the three in the Sandman Universe that I’ve read so far. (Mild spoilers follow!)

Books of Magic, Volume 1: Moveable Type (written by Kat Howard, illustrated by Tom Fowley, colors by Jordan Boyd) 
While Tim’s trying to study and attract the cutest girl in his class, there are cultists who want to kill him, believing his magical powers will eventually corrupt him, turning him into a merciless mage that will bring upon the end of magic forever! But when a mysterious new substitute teacher for his school called Dr. Rose wants to mentor and educate him in the magical arts so that he can discover the secrets behind the Books of Magic, Tim believes he has the tools to find his missing mother. Is this sudden guidance too good to be true, and what connection–if any–does Rose have to the disappearance of Tim’s teacher Mr. Brisby?

(more…)

REVIEW: “The Ocean at the End of the Lane” by Neil Gaiman

ocean at the end of the lane bookI first read The Ocean at the End of the Lane around the time it was originally published in 2013. It was the first novel from Neil Gaiman I’d ever read; I’d seen his Doctor Who work, watched Neverwhere, and read some issues of The Sandman by this point but I had never read one of his novels in their entirety. Talk about a hell of a way to get into Gaiman’s work. At the time, I was just approaching adulthood, so this novel’s tale of a middle-aged man going through a deeply nostalgic trip down memory lane really hit me hard as it evoked feelings of long-lost childhood and the story itself proved to be far scarier than anything I’d read from Gaiman before – or, frankly, since. Now, since a stage adaptation of the novel has recently been announced by the National Theatre in the UK (it hits the stage in December of this year and I desperately hope National Theatre Live broadcasts it), it felt like the perfect time to revisit this book. It’s been six years since I last read it and I reread books so infrequently that it’ll almost be like experiencing this story for the first time all over again. And how is it returning to this story, you might ask? Wonderful. I truly adore this novel.  (NOTE: this review may feature spoilers related to the plot of the story.)

A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse where she once lived, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

A groundbreaking work as delicate as a butterfly’s wing and as menacing as a knife in the dark, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out.

(more…)

REVIEW: “Neverwhere” – The Illustrated Edition, by Neil Gaiman (will illustrations by Chris Riddell)

neverwhereI tried to read Neverwhere, the first solo novel from Neil Gaiman, years ago but I had shortly beforehand watched the original TV version of the story, so I had a lot of trouble getting into the novel as it skewed so closely to what I’d so recently watched. Years passed and I’d read a number of Gaiman’s other novels – Stardust, American Gods, Anansi Boys, The Ocean at the End of the Lane, and more – while never returning to his first to really give it a fair shot. Now,  in the wake of the success of Gaiman’s adaptation of his and Terry Pratchett’s Good Omens, I thought I’d return to a few favorites of Gaiman’s work while finally giving Neverwhere a real chance. Enough time has passed that I don’t really remember a whole lot of the TV show, so it was really the perfect time to give the book I read. I went to my local bookstore and found a new version of the book – Gaiman’s preferred text, now illustrated by Chris Riddell, one of Gaiman’s frequent collaborators. With this new copy of the book and a copy of the audiobook – narrated by Gaiman, himself – it was time to finally read Neverwhere. Now, having finished the book, I can honestly say that I’m really mad at myself for how long it took me to read this book because it’s really that damn good. (NOTE: This review will discuss elements of the story itself, Riddell’s illustrations, and Gaiman’s audiobook. Also, mild spoilers for a 23-year-old novel follow.) 

Neverwhere (written by Neil Gaiman, illustrated by Chris Riddell)
Richard Mayhew is a young London businessman with a good heart whose life is changed forever when he stops to help a bleeding girl—an act of kindness that plunges him into a world he never dreamed existed. Slipping through the cracks of reality, Richard lands in Neverwhere—a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Here in Neverwhere, Door is a powerful noblewoman who has vowed to find the evil agent of her family’s slaughter and thwart the destruction of this strange underworld kingdom. If Richard is ever to return to his former life and home, he must join Lady Door’s quest to save her world—and may well die trying.

Published in 1997, Neil Gaiman’s first novel, Neverwhere, heralded the arrival of a major talent. Over the years, various versions have been produced around the world. In 2016, this gorgeously illustrated edition of the novel was released in the UK. It is now available here, and features strikingly atmospheric, painstakingly detailed black-and-white line art by Chris Riddell, one of Gaiman’s favorite artistic interpreters of his work.

(more…)

REVIEW: “The Nice and Accurate Good Omens Companion” by Matt Whyman, & “The Quite Nice and Fairly Accurate Good Omens Script Book” by Neil Gaiman

good omens booksCompanion books to movies and TV shows are always a bit of a dice roll when it comes to their quality. While they’re usually filled with interesting anecdotes and tons of pictures, they have a habit of feeling little more than a fluff piece used as an advertisement for that film/TV series. Luckily, this isn’t the case with either of the two books released as tie-ins for Amazon Prime and BBC’s recent adaptation of Good Omens. Both books – a traditional companion and a book featuring all of Neil Gaiman’s scripts for the series – are excellent reads, managing to be both informative and worthwhile reads even for those who know everything there is to know about the series and its creation.

“The Nice and Accurate Good Omens Companion” by Matt Whyman
Following the original novel’s chronological structure—from “the Beginning” to “End Times”—this official companion to the Good Omens television series, compiled by Matt Whyman, is a cornucopia of information about the show, its conception, and its creation. Offering deep and nuanced insight into Gaiman’s brilliantly reimagining of the Good Omens universe, The Nice and Accurate Good Omens TV Companion includes: A foreword from Neil Gaiman, A profile of the director, Douglas McKinnon, Neil’s take on the adaptation process, in which he explains his goals, approach, and diversions from the original text, Interviews with the cast, including Michael Sheen, David Tennant, Nina Sosanya, Jon Hamm, Ned Dennehy, Josie Lawrence, Derek Jacobi, Nick Offerman, Frances McDormand, Miranda Richardson, Adria Arjona, and many others, More than 200 color photographs. And much more!

“The Quite Nice and Fairly Accurate Good Omens Script Book” by Neil Gaiman
Neil Gaiman’s complete original scripts for the highly anticipated six-episode original series, adapted from the classic novel he wrote with Terry Pratchett. Collected here are Neil Gaiman’s original scripts for the Good Omens television series, offering readers deeper insight into Gaiman’s brilliant new adaptation of a masterwork.

(more…)

REVIEW: “Lucifer, Volume 1: The Infernal Comedy” (The Sandman Universe)

91qts0qrbulAs I’ve previously said, I love Neil Gaiman’s Sandman series. It’s one of my favorite long-running comic series and it had such a perfect ending as written. I didn’t read any of the spin-off material that came out during the original run of the series – such as the original Book of Magic miniseries or Mike Carey’s Lucifer run. But with the launch of The Sandman Universe, it seemed a perfect time to hop onboard the Lucifer train and see what his comic was all about. I gotta say, this first volume of the newest Lucifer series turned out to be a pretty great first Lucifer story for me to read. (Slight spoilers follow.)

This is the one true tale of what befell the Prince of Lies, the Bringer of Light–Lucifer. The blind, destitute old man, who lives in a small boarding house in a quiet little town, where nothing is quite what it seems and no one can leave. He’s trapped, you see? Trapped in a bizarre prison with no memory of how he got there or why. As the Devil soon discovers, the answers lay in wait with his estranged son, Caliban… too bad Lucifer can’t find him. Meanwhile, in Los Angeles, Detective John Decker is drawn into a shadowy conspiracy whose widely varied members share a single common purpose: to kill Lucifer Morningstar.

From crime and mystery author Dan Watters (The Shadow, Deep Roots) with art from Max Fiumara and Sebastian Fiumara (Abe Sapien, The Amazing Spider-Man, All-Star Batman) bring us the next chapter in the story everyone’s favorite son of God.

This is the first Lucifer comic I’d ever read. I was familiar with the character from Neil Gaiman’s Sandman series, but I’d never actually read any of the character’s solo stories. So, as this volume began, I did feel a bit confused as to what was going on. Watters definitely throws readers into the deep end in this story, but it quickly becomes clear that he has a well-thought-out masterplan that proves to be very accessible for new readers – and very rewarding, I suspect, for longtime readers.

In this story, Lucifer has had a son and has abandoned that son in the past – a fact that was alluded to within “The Sandman Universe #1” one-shot (also included in this volume). To right this wrong, he seeks to reunite the son with his mother. Naturally, things don’t go according to plan and Lucifer ends up in a prison he can’t escape from, being held hostage by someone from his past with an ax to grind. And when you’re the literal devil, that’s a lot of people.

The story unfolds in a very interesting way. As I said, it starts off right in the middle of everything, with Lucifer lost in this other world, missing his memories and trying to unravel everything. As the story goes on and the characters all figure out what is going on, the audience is clued in with a series of flashbacks – and a B-plot that ties in directly with the A-plot – and everything unfolds in a very interesting way and ultimately leads to a pretty climactic finale that perfectly sets up the next arc in this ongoing series.

Watters’ writing isn’t the only highlight of this book, however. Accompanying his writing is artwork from Max Fiumara and Sebastian Fiumara. The artwork from these two definitely elevates Watters’ script into something befitting of the devil. The art perfectly builds off of the established features of the Lucifer character – a character designed to be reminiscent of David Bowie – while also adding some new things and perfectly fleshing out the world with gorgeous settings and interesting characters. Watters’ script and Max and Sebastian Fiumara’s art is a match made in heaven – or, perhaps, in hell.

All in all, this first volume of Lucifer is a great start to this ongoing season. It’s a great jumping on point for readers new to the ongoing story of this character and it appears to be a great return to the character for preexisting fans. The story told within this volume is delightful, mixing Christian mythology with The Sandman Universe’s narrative flair. It’s equal parts moving, suspenseful, and bloody. It’s a great book for a great devil.

4 out of 5 wands.

REVIEW: “Good Omens” (2019 TV Series)

good omens posterI love Neil Gaiman’s books. Obviously. I talk about them all the time. I write religiously about the American Gods TV series. One of the first Gaiman novels I ever read was his collaboration with Terry Pratchett (of Discworld fame), Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch. It was one of those books that felt akin to Douglas Adams’ novels and it was a book that I really loved. Naturally, I’d heard rumors of it being turned into a film for years, though nothing ever seemed to come of it until Amazon Prime and BBC announced they were co-producing a six-episode adaptation, written and executive produced by Gaiman, himself. I’m a big fan of authors getting to adapt their own stories for various mediums – though, often, many authors don’t do such a great job with those adaptations as they don’t understand the constraints of whichever medium the story is being adapted for. Gaiman, however, has plenty of experience writing for film, TV, comics, and prose, so if any author could successfully translate their novel into a visual medium, it would be Neil Gaiman. Thankfully, that’s exactly what he did with this adaptation, too. These six episodes of Good Omens are so delightfully accurate to the novel, so immensely entertaining, and so well put together that it is just so joyous to watch. This is one of those shows that I might revisit yearly just for the hell of it. (Mild spoilers for both the novel and the show ahead!)

Good Omens (written by Neil Gaiman, directed by Douglas Mackinnon)
Aziraphale (Michael Sheen) and Crowley (David Tennant), of Heaven and Hell respectively, have grown rather fond of the Earth. So it’s terrible news that it’s about to end. The armies of Good and Evil are amassing. The Four Horsemen are ready to ride. Everything is going according to the Divine Plan…except that someone seems to have misplaced the Antichrist. Can our heroes find him and stop Armageddon before it’s too late?

(more…)

REVIEW: “The Dreaming, Volume 1: Pathways and Emanations” (The Sandman Universe)

the dreaming vol 1One of the most appealing parts of Neil Gaiman’s Sandman series was that it was one of those rare long-running comic books that had a definitive end. It ran for a total of 75 issues and, for a while, that was it. Over the years, Gaiman had returned a few times to the universe in order to pen a short spin-off here or a short prequel comic there, but there had never really been anything major that expanded on the world of The Sandman – aside from Mike Carey’s equally long-running Lucifer series, spun off from the character’s few appearances in the main Sandman run. So, when it was announced that Gaiman would be teaming up with Vertigo to launch The Sandman Universe, a collection of four series inspired by and expanding upon the original Sandman run, I was a bit skeptical. Of the four titles that were revealed, there were two that interested me the most: Simon Spurrier’s The Dreaming and Dan Watters’ Lucifer. As The Dreaming was the first of the four books to launch, it’ll be the first of the four that I’ll cover here. In volume one of The Dreaming, Spurrier takes us back into the realm of the Dreaming where Daniel, the current Lord of Dreams, has disappeared just as things are going wrong. And it only gets crazier from there.

The Sandman Universe – The Dreaming, Volume 1: Pathways and Emanations 
Written by: Simon Spurrier, illustrated by: Bilquis Evely, colors by: Mat Lopes 
Lord Daniel’s absence triggers a series of crimes and calamities that consume the lives of those already tangled in his fate. Until he is found, his realm’s residents must protect its broken borders alone. But the most senior storytellers are tormented by invasive secrets, the warden Lucien is doubting his own mind, and beyond the gates, something horrific awaits with tooth and talon. Only Dora, the monstrous, finds opportunity in madness, stealing dreams for the highest bidder. But she has no idea how deep the danger lies. Meanwhile, in Daniel’s gallery, something new is growing…

Written by fan-favorite author Si Spurrier (Motherlands, Suicide Squad) with breathtaking art by standout artist Bilquis Evely (Batman, Wonder Woman). The first book in The Sandman Universe kicks off with fireworks as The Dreaming literally tears itself apart!

The Sandman Universe is a new series of books curated by Neil Gaiman for DC Vertigo. Conjuring epic storytelling and immersing readers into the evolving world of the Dreaming, The Sandman Universe begins anew with four new ongoing series, existing in a shared universe, building upon Gaiman’s New York Times best-selling series that lyrically weaved together stories of dreams and magic.

(more…)