Some comics just blow you away the moment you start reading them. Whether it’s a mind-blowing story or a collection of gorgeous artwork, there’s no feeling like reading a brilliant graphic novel. And Colleen Doran’s adaptation of Neil Gaiman’s short story, Chivalry, is a perfect example of this. While the original story is a sweet little tale about an elderly woman who finds the Holy Grail in a charity shop, Doran’s adaptation raises things to a whole new level. With artwork that bounces back and forth between warm and comfy watercolors and pages that look like an intricately illustrated manuscript, every page of Chivalry is a work of art all in itself.
NOTE: I received a review copy of Neil Gaiman’s Chivalry from Dark Horse Comics and Edelweiss+. All thoughts are my own.
Neil Gaiman’s Chivalry Adapted and illustrated by Colleen Doran An elderly British widow buys what turns out to be the Holy Grail from a second-hand shop, setting her off on an epic visit from an ancient knight who lures her with ancient relics in hope for winning the cup.
Dark Horse Comics continues its adaptation of Neil Gaiman’s Norse Mythology with Norse Mythology Volume 2. Collecting four more retellings of Norse myths, Norse Mythology Volume 2 features artwork from Matt Horak, Mark Buckingham, Gabriel Hernández Walta, and Sandy Jarrell. And, much like the first volume, adaptor P. Craig Russell and the various artists deliver a faithful, entertaining retelling of these stories. If you’ve read Gaiman’s original book, you’ll enjoy seeing these tales brought to life like this. And if you haven’t, then Norse Mythology Volume 2 is a great place to start.
NOTE: I received a review copy of Norse Mythology Volume 2 from Dark Horse Comics and Edelweiss+. All thoughts are my own.
Norse Mythology Volume 2 Adapted by P. Craig Russell Illustrated by Matt Horak, Mark Buckingham, Gabriel Hernández Walta, and Sandy Jarrell In this second volume, Gaiman and Russell once more team with a legendary collection of artists to bring more Norse myths to life, including the origins of poetry and a mead that many will die for, Thor and Loki’s eventful trip into the land of giants, the gods’ woeful bargain that might lose them eternal life, and the beloved god Frey’s journey to Valhalla and beyond to find a certain missing something.
Danger Days: The True Lives of the Fabulous Killjoys is my favorite My Chemical Romance album. It’s this wonderful explosion of sound, color, and joy. All of the promotion that surrounded it built up this wildly creative world that was delightful to spend time in. I loved the original True Lives of the Fabulous Killjoys comic, too—the one that came out a few years after the album and concluded the story that began in the music videos. Yes, it was a bit abstract, and the ending didn’t make a whole lot of sense. But I loved it anyway. I say all of this because I wish I liked The True Lives of the Fabulous Killjoys: National Anthem more than I did. It’s a great premise, with some delightfully gritty and horrific artwork. But the story is just… disappointing. (3 out of 5 wands.)
(NOTE: I received an ARC of this book from Edelweiss and Dark Horse. All thoughts are my own.)
The True Lives of the Fabulous Killjoys: National Anthem Written by Gerard Way and Shaun Simon Art by: Leonardo Romero Colors by: Jordie Bellaire The Fabulous Killjoys, once a group of teenage exterminators determined to save reality, have lost their way—and their memories. After a period of mental confinement, former Killjoys leader Mike Milligram gets de-programmed and hits the road to bring the gang back together for a final showdown against an evil pharmaceutical corporation, their monstrous hitman, and savage gang rivals.
One of the best things about the first season of Netflix’s adaptation of The Umbrella Academy was the way it developed Klaus. In the comics, he wasn’t depicted as much more than a troubled drug addict who could talk with the dead. But the show dove deep into his past, expanding upon the trauma he undergoes by exposing himself to these unrestful spirits, and giving him a heartbreaking love story and an unhealthy amount of Vietnam PTSD. The show turned a character who was merely quirky in the comics into a character that was multi-layered and deeply complex. So, in the wake of this, the announcement of a Klaus-centric prequel comic was exciting. What kind of a past would the character’s creator, Gerard Way, (and co-writer Shaun Simon) give him? How much would it differ from the show? What happened to eighteen-year-old Klaus after he was expelled from the Umbrella Academy? As it turns out, these aren’t really the questions at the front of the comic’s mind. While it does explore some of Klaus’s trauma and psyche, You Look Like Death is more of a fun romp with a fan-favorite character than an intimate character study. But honestly, it’s so much fun that that’s not much of a problem. (4.5 out of 5 wands.)
NOTE: I was provided an advance copy of this book from Edelweiss and Dark Horse Comics. This review may contain mild spoilers, but will mostly be spoiler free.
“Tales From the Umbrella Academy: You Look Like Death” Written by Gerard Way and Shaun Simon Art and Colors by I.N.J. Culbard When 18-year-old Klaus gets himself kicked out of the Umbrella Academy and his allowance discontinued, he heads to a place where his ghoulish talents will be appreciated—Hollywood. But after a magical high on a stash stolen from a vampire drug lord, Klaus needs help, and doesn’t have his siblings there to save him.
Characters from Norse mythology remain a popular facet of modern pop culture. These days, most people are probably familiar with the Marvel comics/film versions of deities like Thor, Loki, and Odin, but elements of Norse mythology frequently pop up all over the place. Famously, Neil Gaiman borrowed heavily from Norse mythology for his 2001 novel, American Gods (which got adapted by Dark Horse Comics as a comic series in 2017, so it’s only appropriate that he published his own retellings of Norse tales in 2017’s Norse Mythology. And now, Dark Horse is bringing these closer-to-authentic Norse tales to the world of comics—where the Marvel versions of these characters got their start. The first volume of this series—adapted by P. Craig Russell and illustrated by Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson—is a very faithful adaptation of Gaiman’s source material. Like Dark Horse’s American Gods adaptation, very little is changed here—but it works very, very well. (4.5 out of 5 wands.)
NOTE: Thanks to Edelweiss and Dark Horse Comics for providing a digital ARC of this title. All thoughts are my own.
Norse Mythology: Volume 1 Adapted by: P. Craig Russell Illustrated by: P. Craig Russell, Mike Mignola, Jerry Ordway, Piotr Kowalski, David Rubín, and Jill Thompson Gaiman and Russell team with a legendary collection of artists to take readers through a series of Norse myths, including the creation of the Nine Worlds, the loss of Odin’s eye and source of his knowledge, the crafting of Thor’s hammer and the gods’ most valuable treasures, the origin of poetry, and Loki’s part in the end of all things—Ragnarök.
Who doesn’t love a good fish out of water comedy? There’s just so much joy to be mined out of watching a character from one environment have to navigate the ins and the outs of a totally new and alien environment. This trope is especially successful in sci-fi settings, where either a human has to adapt to an alien culture or vice versa. It’s this trope that first attracted me to SyFy’s Resident Alien, a TV adaptation of the Dark Horse Comics series of the same name. Here, Alan Tudyk plays an alien who’s crash-landed in a small Colorado town and is forced to blend in with the local townsfolk as a quirky doctor, Harry Vanderspeigle, while searching for the remnants of his ship and the device he intends to use to destroy the world. It’s one of those premises that seems destined to become a classic sci-fi fish out of water story. Unfortunately, Resident Alien never quite manages to take off in its first seven episodes. It’s not a bad show, just a wildly uneven one. Its plot is unfocused, it struggles to balance its comedy with its drama, and many of the characters feel underdeveloped, at best, and paper thin and annoying, at worst. There’s plenty of potential here, but there’s a lot of work to be done before this show is as good as its premise is. (3 out of 5 wands.)
NOTE: This review is based off of the first seven episodes. It will be as spoiler free as possible.
Resident Alien (created by Chris Sheridan) Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”
I’m always on the lookout for new comics. I don’t follow the industry particularly closely, so a lot of titles slipped my attention. But I kept hearing about Nnedi Okorafor’s LaGuardia. It was part of Dark Horse Comics’ Berger Books imprint, a line of titles spearheaded by Karen Berger of Vertigo Comics fame – an editor whose work I’ve adored. It was a sci-fi comic that imagined an alternate Earth where aliens had integrated themselves among humanity – a premise that’s right up my alley. And it just won Eisner and Hugo Awards. So, I finally read it. And, man, it’s good. While I wish it was a bit longer, LaGuardia is a superb read. Featuring gorgeous artwork and intriguing world-building, it’s reflective of our current societal problems and a wildly captivating read. (4 out of 5 wands.)
(NOTE: This review may contain spoilers.)
LaGuardia (written by Nnedi Okorafor, illustrated by Tana Ford) In an alternate world where aliens have integrated with society, pregnant Nigerian-American doctor Future Nwafor Chukwuebuka has just smuggled an illegal alien plant named Letme Live through LaGuardia International and Interstellar Airport…and that’s not the only thing she’s hiding.
She and Letme become part of a community of human and alien immigrants; but as their crusade for equality continues and the birth of her child nears, Future—and her entire world—begins to change.
I enjoyed the first season of Netflix’s The Umbrella Academy. Sure, it wasn’t entirely faithful to the comics, but they did a great job at capturing what felt like the spiritual essence of what Gerard Way and Gabriel Bá did in the comics. And a lot of the character work in the first season was excellent. So, of course, I was excited to see what a second season of the show would look like. After all, season one’s ending had departed so far from what the comics did that I genuinely had no idea where the show would go after that. Well, as it turns out, season two would go on to loosely adapt the comics’ second arc, Dallas, to mixed results. It retains all the positives and negatives of the first season, with the positives being even better and the negatives being more blatant. It’s an enjoyable, if flawed, watch. (4 out of 5 wands.)
Five warned his family (so, so many times) that using his powers to escape from Vanya’s 2019 apocalypse was risky. Well, he was right – the time jump scatters the siblings in time in and around Dallas, Texas. Over a three year period. Starting in 1960. Some, having been stuck in the past for years, have built lives and moved on, certain they’re the only ones who survived. Five is the last to land, smack dab in the middle of a nuclear doomsday, which – spoiler alert! – turns out is a result of the group’s disruption of the timeline (déjà vu, anyone?). Now the Umbrella Academy must find a way to reunite, figure out what caused doomsday, put a stop to it, and return to the present timeline to stop that other apocalypse. All while being hunted by a trio of ruthless Swedish assassins. But seriously, no pressure or anything.
As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)
American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton)
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)
We all know how much I love a good Neil Gaiman story. He’s one of my favorite authors currently writing and I’ve yet to encounter one of his stories that I haven’t enjoyed in some way or another. Some of my favorite Gaiman things are the comic adaptations of his prose work. I always find it really intriguing seeing how comic artists adapt the work of Gaiman (an author who got, perhaps, one of his earliest and biggest breaks within the world of comics) into this more visual medium. This is where Snow, Glass, Apples comes into play. It’s the latest in a fairly-lengthy line of comic adaptations of Gaiman’s work to be published by Dark Horse Comics; ignoring their ongoing American Gods adaptation, it’s the second such graphic novel adapting some of Gaiman’s short stories. What intrigued me the most about this adaptation were the excerpts that featured some of Collen Doran’s illustrations. Her style promised a really interesting, unique, and gorgeous take on the original short story and I was very excited to give it a read. How did it turn out? Just as good as I’d hoped it would be, if not better!
Snow, Glass, Apples (written by Neil Gaiman, illustrated by Colleen Doran)
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren’t so happily ever after.
From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!