If this is what it’s like to be a Greek goddess, sign me up. This movie has it all! Interesting mythology, great characters, amazing fight sequences, a well thought out plot, and an atmosphere that just makes you feel good. It’s exactly the kind of superhero movie that’s both wanted and needed right now. The latest film in the DCEU has finally come out! Directed by Patty Jenkins with a screenplay by Allan Heinberg (from a story by Heinberg, Zack Snyder, and Jason Fuchs), Wonder Woman stars Gal Gadot as the titular Amazon warrior as she makes her way through a war-torn Europe during the first World War. With the aid of Steve Trevor (a US Military Pilot who washed onto the shores of Themyscira, played by Chris Pine), Diana Prince (as she’s referred to in the movie – they never actually call her Wonder Woman) sets out to bring an end to the war before any more atrocities can be committed. But, it’s never as simple as that, is it? (This review strives to be spoiler-free, but for anybody really averse to spoilers, you might wanna wait to read this until after you’ve seen the movie. I’m not gonna go into too many specifics, especially about the latter half of the film, but regardless, this is your warning.) (more…)
Over the past month, DC Comics has been publishing a crossover between Tom King’s Batman run and Joshua Williamson’s The Flash entitled The Button. This crossover picks up from where the DC Rebirth One-Shot left off, with Batman and the Flash discovering the Comedian’s (from Alan Moore’s Watchmen) smiley-face button stuck in the wall of the Batcave. The crossover follows Batman and the Flash as they try to track down the source of the radiation being emitted by the button while facing off against a series of personal and emotional obstacles thrown their way, seemingly on purpose.
First off, I think it’s important to note that I have not been regularly following either of these comics. I read the first issue or two of Tom King’s Batman run, and it was enjoyable enough; I just got too busy and caught up with life to regularly read them and I have never really read any of the Flash’s solo titles. That being said, this crossover seems to stand apart from whatever ongoing storylines have been going on in the individual titles. As long as you’ve read the DC Rebirth One-Shot, you should be good to go with reading this crossover. (more…)
American Gods: Shadows #3 is the latest issue of Dark Horse Comics’ adaptation of Neil Gaiman’s novel American Gods, adapted by P. Craig Russell and illustrated by Scott Hampton and Walter Simonson. This issue faithfully adapts chapter 3 and about half of chapter 4. In this issue, Shadow encounters his dead wife in his hotel room and travels with Wednesday to Chicago to meet Czernobog and the Zorya sisters. (more…)
How do you follow up a surprise hit like the first Guardians of the Galaxy film and do it justice? Certainly not like this. With the release of Guardians of the Galaxy Vol. 2, Marvel has continued their latest trend of cramming way too many ideas into one film and ultimately diluting the impact of the main story they were trying to tell. Written and directed by James Gunn, Guardians of the Galaxy Vol 2. follows our team – Peter Quill/Starlord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Batista), Rocket Raccoon (Bradley Cooper), and Baby Groot (Vin Diesel) – as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand. (Summary courtesy of Marvel.) Note: this review contains spoilers. (more…)
American Gods: Shadows #2 is the latest issue of Dark Horse’s adaptation of Neil Gaiman’s novel, American Gods. It, essentially, adapts the entire second chapter of the original novel pretty faithfully. In this issue, Shadow and Wednesday continue their conversation at Jack’s Crocodile Bar, Shadow meets the leprechaun Mad Sweeney and has an altercation with him, and Shadow attends his wife’s funeral.
I’ve got sort of mixed feelings about this issue. It’s good, don’t get me wrong, but it’s starting to feel like there’s no much actual adaptation going on. It’s pretty much a copy-paste of the original novel with some really beautiful illustrations added in. And that’s not a bad thing, per say. But it doesn’t really feel like we’re getting anything new here.
This first issue of Dark Horse Comics’ adaptation of American Gods covers essentially the entire first chapter of the book without any deviation. Much of the narration from the book is kept in the comic, done as word boxes on panels describing the action. The artwork itself is good. It’s definitely a style you have to get used to, but once you get used to it it’s really quite beautiful.
In terms of writing, it doesn’t seem like P. Craig Russell has done much aside from copy and abridge the original language of the book. Which is fine – it’s often better to not fix something that isn’t broken.