How do you follow up a surprise hit like the first Guardians of the Galaxy film and do it justice? Certainly not like this. With the release of Guardians of the Galaxy Vol. 2, Marvel has continued their latest trend of cramming way too many ideas into one film and ultimately diluting the impact of the main story they were trying to tell. Written and directed by James Gunn, Guardians of the Galaxy Vol 2. follows our team – Peter Quill/Starlord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Batista), Rocket Raccoon (Bradley Cooper), and Baby Groot (Vin Diesel) – as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill’s true parentage. Old foes become new allies and fan-favorite characters from the classic comics will come to our heroes’ aid as the Marvel cinematic universe continues to expand. (Summary courtesy of Marvel.) Note: this review contains spoilers. (more…)
American Gods: Shadows #2 is the latest issue of Dark Horse’s adaptation of Neil Gaiman’s novel, American Gods. It, essentially, adapts the entire second chapter of the original novel pretty faithfully. In this issue, Shadow and Wednesday continue their conversation at Jack’s Crocodile Bar, Shadow meets the leprechaun Mad Sweeney and has an altercation with him, and Shadow attends his wife’s funeral.
I’ve got sort of mixed feelings about this issue. It’s good, don’t get me wrong, but it’s starting to feel like there’s no much actual adaptation going on. It’s pretty much a copy-paste of the original novel with some really beautiful illustrations added in. And that’s not a bad thing, per say. But it doesn’t really feel like we’re getting anything new here.
This first issue of Dark Horse Comics’ adaptation of American Gods covers essentially the entire first chapter of the book without any deviation. Much of the narration from the book is kept in the comic, done as word boxes on panels describing the action. The artwork itself is good. It’s definitely a style you have to get used to, but once you get used to it it’s really quite beautiful.
In terms of writing, it doesn’t seem like P. Craig Russell has done much aside from copy and abridge the original language of the book. Which is fine – it’s often better to not fix something that isn’t broken.