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Review – “Neil Gaiman’s Snow, Glass, Apples” (Illustrated by Colleen Doran)

918fkn2oh0lWe all know how much I love a good Neil Gaiman story. He’s one of my favorite authors currently writing and I’ve yet to encounter one of his stories that I haven’t enjoyed in some way or another. Some of my favorite Gaiman things are the comic adaptations of his prose work. I always find it really intriguing seeing how comic artists adapt the work of Gaiman (an author who got, perhaps, one of his earliest and biggest breaks within the world of comics) into this more visual medium. This is where Snow, Glass, Apples comes into play. It’s the latest in a fairly-lengthy line of comic adaptations of Gaiman’s work to be published by Dark Horse Comics; ignoring their ongoing American Gods adaptation, it’s the second such graphic novel adapting some of Gaiman’s short stories. What intrigued me the most about this adaptation were the excerpts that featured some of Collen Doran’s illustrations. Her style promised a really interesting, unique, and gorgeous take on the original short story and I was very excited to give it a read. How did it turn out? Just as good as I’d hoped it would be, if not better!

Snow, Glass, Apples (written by Neil Gaiman, illustrated by Colleen Doran)
A not-so-evil queen is terrified of her monstrous stepdaughter and determined to repel this creature and save her kingdom from a world where happy endings aren’t so happily ever after.

From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge)!

The short story this comic is based on is, perhaps, one of Gaiman’s best-known shorts. A retelling of the Snow White fairy tale from the point of view of the Step-Mother. What if Snow White were some kind of vampire-esque monster and the “Evil Queen” was only trying to save her kingdom from this threat? This is the question at the heart of the short story, itself a haunting and suspenseful tale that, as you’d expect, ends in tragedy. It’s a really solid short story, originally collected in Gaiman’s Smoke and Mirrors collection. I’m a sucker for a good twist on an old fairy tale and this one proves to be more than just “what if the villain was misunderstood”, pivoting hard into more of a “what if the ‘hero’ was actually the monster?” and I really dig that. Gaiman handles the subject with care, walking a fine line between sympathy for all the characters and depicting monstrous things with a monstrous touch. It’s a really solid, entertaining, haunting, and spooky story and it’s one of my favorites of Gaiman’s short fiction.

What makes this particular adaptation unique, though, are the illustrations from Colleen Doran. Doran’s art style throughout this comic adaptation is more reminiscent of religious stained glass artwork than that found in a traditional graphic novel. This stylistic choice really works well for the material, though, as it gives the whole story an elevated visual identity. Doran’s artwork is beautiful and she manages to maintain a superb balance between the beauty of the images and the practicality needed from them to usher the actual story of the graphic novel along. Each of her images, while being gorgeous works of art, exist to serve the story being told. They’re beautifully detailed but never too indulgent. It’s a perfect balance between beauty and practicality.

All in all, this is a must-read for Gaiman fans. It’s a short read – clocking in at around 60 pages – but it’s a beautiful new take on a Gaiman classic that will delight you, frighten you, and make you want to read it again and again. The story is haunting and well-executed, Doran’s artwork is beautiful and perfectly matches the tone of the story, and the whole affair just serves as a wonderful retelling of a great short story. It’s perfect for the spooky season, too, so give it a read.

Five out of five wands

REVIEW: “Mystery Science Theater 3000 – The Comic”

MST3K00In news that should surprise absolutely no one, Mystery Science Theater 3000 makes for a really funny, really enjoyable, and really good comic. I reviewed the first issue back when it came out and found it to be a pretty enjoyable read. Now, I’ve finished the final issue of the run and I can confirm that it remains an enjoyable read throughout its run, intertwining the signature MST3K humor with the world of public domain comics.

Mystery Science Theater 3000: The Comic by Joel Hodgson, Harold Bucholz, Matt McGinnis, Seth Robinson, Sharyl Volpe, and Mary Robinson; illustrated by Todd Nauck, Jack Pollock, Mike Manley, and Mimi Simon

The riffing hilarity of the Mystery Science Theater 3000 comes to comics when Kinga Forrester pairs her Kingachrome Liquid Medium with her latest invention–the Bubbulat-R! Jonah Heston, Crow T. Robot, and Tom Servo find themselves thrust into the 2-D world of public domain comics, with riffing as their only defense!

From its humble beginnings on a tiny mid-west TV station in 1988, through its years as a mainstay on The Comedy Channel/Comedy Central and the SciFi Channel all through the ’90s, to its spectacular resurrection on Netflix in 2017, Mystery Science Theater 3000 has had a transformative effect on television, comedy, and the way old, cheesy movies are viewed. Now creator Joel Hodgson has set his sights on the comics medium, and the four-color pamphlets will never be the same!

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REVIEW: “Stranger Things: The Other Side”

Stranger Things - The Other SideStranger Things is massively successful. It’s probably Netflix’s biggest hit in the past five years, or so. So, it was only a matter of time before it started branching out into other mediums. Earlier last month, the first official novel – Gwenda Bond’s Suspicious Minds (my review of it here) – was released, but prior to that, Dark Horse Comics released a limited series – written by Jody Houser and illustrated by Stefano Martino – telling the unseen story of Will Byers during the events of season 1. It’s a great idea for a tie-in comic, but is the execution as good as the concept? Mostly, yeah.

When Will Byers finds himself in the Upside Down, an impossible dark parody of his own world, he’s understandably frightened. But that’s nothing compared with the fear that takes hold when he realizes what’s in that world with him!

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REVIEW: “Mystery Science Theater 3000: The Comic #1”

mst3k-issue1-coverIn news that should surprise absolutely no one, Mystery Science Theater 3000 makes for a really funny, really enjoyable, and really good comic. Written by a team of writers that includes series creator Joel Hodgson, Mystery Science Theater 3000: The Comic features Jonah Heston, Crow T. Robot, and Tom Servo being forced into the pages of public domain comics by Kinga Forrester and her lackey, Max. To survive these trips into those comics, Jonah and the ‘bots must riff their way through them.

MST3K as you’ve never seen it before! The riffing hilarity of Mystery Science Theater 3000 comes to comics when Kinga Forrester pairs her Kingachrome Liquid Medium with her latest invention –the Bubbulat-R! Jonah Heston, Crow T. Robot, and Tom Servo find themselves thrust into the 2-D world of public domain comics, with riffing as their only defense! Created for comics by Joel Hodgson! The hit Netflix show has come to comics! Variant cover by longtime MST3K DVD artist Steve Vance!

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REVIEW: Serenity – No Power in the ‘Verse by Chris Roberson

9781506701820I’m so glad that Dark Horse comics is still continuing to tell Firefly stories. It will forever remain a shame that the show was canceled after one season and the movie, Serenity, didn’t do well enough to warrant any sequels, but at least we can continue to follow the adventures of the crew of the Serenity in comic form. In No Power in the ‘Verse, written by Chris Roberson and illustrated by Georges Jeanty, tough times haven’t ended for Mal Reynolds and his crew aboard the Serenity. When a call for help to find a missing friend takes them to an Alliance post on the Outer Rim, they encounter a new force building strength to fight the battle of the Browncoats–soon leading the crewmembers to question their individual values . . . Discovering that their friend is in Alliance custody and that an Alliance Operative is on the way, Mal concentrates his energy on the problem at hand and strikes an uneasy partnership for a daring rescue. But this is only the beginning of the story. Success will be when the Serenity’s crew makes it off this planet alive and all accounted for . . .  (more…)

REVIEW: American Gods – Shadows #3

496006-_sx1280_ql80_ttd_American Gods: Shadows #3 is the latest issue of Dark Horse Comics’ adaptation of Neil Gaiman’s novel American Gods, adapted by P. Craig Russell and illustrated by Scott Hampton and Walter Simonson. This issue faithfully adapts chapter 3 and about half of chapter 4. In this issue, Shadow encounters his dead wife in his hotel room and travels with Wednesday to Chicago to meet Czernobog and the Zorya sisters.  (more…)

REVIEW: American Gods – Shadows #2

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American Gods: Shadows #2 is the latest issue of Dark Horse’s adaptation of Neil Gaiman’s novel, American Gods. It, essentially, adapts the entire second chapter of the original novel pretty faithfully. In this issue, Shadow and Wednesday continue their conversation at Jack’s Crocodile Bar, Shadow meets the leprechaun Mad Sweeney and has an altercation with him, and Shadow attends his wife’s funeral.

I’ve got sort of mixed feelings about this issue. It’s good, don’t get me wrong, but it’s starting to feel like there’s no much actual adaptation going on. It’s pretty much a copy-paste of the original novel with some really beautiful illustrations added in. And that’s not a bad thing, per say. But it doesn’t really feel like we’re getting anything new here.
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REVIEW: American Gods – Shadows #1 (comic)

This first issue of Dark Horse Comics’ adaptation of American Gods covers essentially the entire first chapter of the book without any deviation. Much of the narration from the book is kept in the comic, done as word boxes on panels describing the action. The artwork itself is good. It’s definitely a style you have to get used to, but once you get used to it it’s really quite beautiful.

In terms of writing, it doesn’t seem like P. Craig Russell has done much aside from copy and abridge the original language of the book. Which is fine – it’s often better to not fix something that isn’t broken.

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