As must always happen, another Doctor’s time has come to a close. This time we must say goodbye to Peter Capaldi, the Twelfth Doctor. Not only is this Capaldi’s swan song, but it’s also showrunner Steven Moffat’s final episode. For Doctor Who fans, the regeneration episode is always a bag of mixed emotions. It’s sad to see a beloved Doctor leave, but it’s exciting to get a glimpse of the new one and all the surprises that await us in the episodes ahead. In Twice Upon a Time (written by Steven Moffat and directed by Rachel Talalay), the Twelfth Doctor (Peter Capaldi) teams up with his former self, the First Doctor (David Bradley) and a returning Bill Potts (Pearl Mackie), for one last adventure. Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain destined to die on the battlefield, but taken from the trenches to play his part in the Doctor s story. An uplifting new tale about the power of hope in humanity s darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only just beginning… The 60-minute special guest stars Mark Gatiss as The Captain and Nikki Amuka-Bird as the voice of the glass woman, and will see Peter Capaldi’s Doctor regenerate into the Thirteenth Doctor (Jodie Whittaker). (Mild spoilers ahead) Continue reading
Better late than never, I guess. So, series 10 of Doctor Who has come to an end, and boy, what an ending it was. There were Cybermen, explosions, black holes, spaceships, two Masters, and the beginning of the end of Peter Capaldi’s Twelfth Doctor. It’s one hell of a two-part finale and the perfect icing on the cake that was this past series of the show. Written by Steven Moffat and directed by Rachel Talalay, World Enough and Time/The Doctor Falls follows the Doctor (Peter Capaldi), Bill (Pearl Mackie), and Nardole (Matt Lucas) as they arrive on a 400 mile long spaceship heading towards/away from a black hole (it’s sorta confusing). They’ve answered a distress signal the ship sent out and the Doctor has decided that this would be a great time for Missy (Michelle Gomez) to prove that she really has changed. Naturally, things don’t go according to plan at all. (There will be spoilers ahead, so if you haven’t seen the two episodes, now is your chance to turn back. Also worth noting, this review is kind of all over the place. There’s a lot of elements to try and cover, so I’ll be jumping around quite a bit.) Continue reading
Is the idea that love will eventually overcome everything cheesy and oftentimes overdone? Yes. But, if done well, it can still be both moving and satisfying. This final part of the “Monk Trilogy” manages to get it right. Written by Toby Whithouse and directed by Wayne Yip, The Lie of the Land concludes the “Monk Trilogy” that was begun with Extremis. In this closing chapter, Earth has been invaded and Bill is living alone, an isolated figure surviving in occupied Britain. The Doctor (Peter Capaldi) is imprisoned and appears to be on the side of the enemy, flooding the airwaves with fake news. Bill(Pearl Mackie) and Nardole (Matt Lucas) must embark on a deadly mission to rescue the Doctor and lead the resistance against the new regime, whatever the cost. (As always, this review will not be spoiler free, so spoilers are ahead!) Continue reading
Who ever said a little bit of setup in a story was a bad thing? Sometimes the second part of a trilogy has to primarily act as a setup for the third part, but that doesn’t mean said second part can’t also stand on its own as a story. All the best middle parts of trilogies do that. The one that comes to mind, naturally, is The Empire Strikes Back. It very much is a setup for Return of the Jedi, but it’s frequently considered the best of the Star Wars films. Why? Because it also tells its own story. The Pyramid at the End of the World does the same thing. Being the middle part of the Monk Trilogy, The Pyramid at the End of the World acts as a setup for the final part, The Lie of the Land, while also succeeding in telling a story with character moments, stakes, and consequences. Written by Peter Harness and Steven Moffat and directed by Daniel Nettheim, The Pyramid at the End of the World follows the Doctor (Peter Capaldi) and Bill (Pearl Mackie) as they investigate a mysterious 5,000-year-old pyramid that has just appeared overnight in Turmezistan, the strategic military point that the three biggest armies of the Earth are positioned at. Inside the pyramid are the Monks, the race of beings from Extremis who plan to take over the Earth. The Monks say that humanity is about to destroy itself, and only they (the Monks) can save us. But consent must be given. Will the human race consent? (Spoilers ahead!) Continue reading
Another Saturday, another episode of Doctor Who, another review of Doctor Who. This week’s episode was Oxygen, written by Jamie Mathieson and directed by Charles Palmer. In this episode, Bill (Pearl Mackie), Nardole (Matt Lucas), and the Doctor (Peter Capaldi) respond to a distress signal from a mining post somewhere in space in the future. On the post, the workers have begun to die, being killed by the very suits designed to protect them. Can the Doctor save the remaining crew in an environment where oxygen is limited and charged by the breath? Like all reviews, this one will contain spoilers – and, man, there are some spoilers to look out for this week. So, seriously, if you haven’t seen the episode yet, watch it before you read this review. You do not want the ending spoiled for you. Continue reading
So, I finally managed to finish a Doctor Who book that didn’t involve the War Doctor. And I enjoyed the heck out of it! Doctor Who: The Shining Man is one of the three most recent Doctor Who novels published by the BBC recently. It is written by Cavan Scott and involves the Doctor and Bill investigating strange events that have been happening in a small British town.
The Shining Men are everywhere. You spot them out of the corner of your eye. Abnormally tall, with long lank hair, blank faces, and blazing eyes. If they catch you, they’ll drag you away to who knows where. No one is safe. They’re on every street corner. Waiting. Watching. Shining bright. Of course, it’s a hoax. It has to be, right? It started as a joke, a prank for Halloween. Then it went viral. Idiots dressing up as monsters. Giving folk a scare. Silly masks and fright wigs. No one gets hurt. Because bogeymen aren’t real. Until people start going missing and lights burn in the darkness. Burning like eyes. But help is on its way, in the form of a strange man called the Doctor and his friend, Bill. The Doctor will keep us safe. The Doctor will stop the monsters. Unless the monsters stop the Doctor first… (Courtesy of the BBC summary)
The fourth episode of the tenth series of Doctor Who has just aired, so it’s time to review it! This week’s episode of Doctor Who was entitled Knock Knock and was written by Mark Bartlett and directed by Bill Anderson. In this episode, Bill (Pearl Mackie) and several of her friends move into a creepy old house owned by a mysterious Landlord (David Suchet). As the house starts making noises, Bill’s friends begin to disappear. What is causing these noises and disappearances, and can Bill and the Doctor put a stop to it before it’s too late? As always, this review will have spoilers for the episode – so, stop reading now if you haven’t seen it! Continue reading