I love Neil Gaiman’s books. Obviously. I talk about them all the time. I write religiously about the American Gods TV series. One of the first Gaiman novels I ever read was his collaboration with Terry Pratchett (of Discworld fame), Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch. It was one of those books that felt akin to Douglas Adams’ novels and it was a book that I really loved. Naturally, I’d heard rumors of it being turned into a film for years, though nothing ever seemed to come of it until Amazon Prime and BBC announced they were co-producing a six-episode adaptation, written and executive produced by Gaiman, himself. I’m a big fan of authors getting to adapt their own stories for various mediums – though, often, many authors don’t do such a great job with those adaptations as they don’t understand the constraints of whichever medium the story is being adapted for. Gaiman, however, has plenty of experience writing for film, TV, comics, and prose, so if any author could successfully translate their novel into a visual medium, it would be Neil Gaiman. Thankfully, that’s exactly what he did with this adaptation, too. These six episodes of Good Omens are so delightfully accurate to the novel, so immensely entertaining, and so well put together that it is just so joyous to watch. This is one of those shows that I might revisit yearly just for the hell of it. (Mild spoilers for both the novel and the show ahead!)
Good Omens (written by Neil Gaiman, directed by Douglas Mackinnon)
Aziraphale (Michael Sheen) and Crowley (David Tennant), of Heaven and Hell respectively, have grown rather fond of the Earth. So it’s terrible news that it’s about to end. The armies of Good and Evil are amassing. The Four Horsemen are ready to ride. Everything is going according to the Divine Plan…except that someone seems to have misplaced the Antichrist. Can our heroes find him and stop Armageddon before it’s too late?
I’m really picky about the kinds of science fiction and fantasy books I like. I like stories that have a well-defined world while also not requiring an encyclopedia to understand that world. I like stories with well-defined characters who help guide the reader through this other world. So, when Gregory Tasoulas reached out to offer a review copy of his book The Journals of Incabad Reyl for me to review, I thought I’d give it a shot. It seemed right up my alley and, on the whole, I’m not disappointed. It’s not really the kind of sci-fi/fantasy story I’d read, but it did end up being pretty good.
In a different Universe where electricity is the defining driving force of all natural existence, and life exists on floating islands called troves, Incabad Reyl is the greatest scientist of his time. It was his research on the 12 electrons that gave the Equation of fractal dynamics, the Equation that became the basis of Horizon’s modern technology. The Equation that brought about a better understanding of the echomagnetic fields of the 12 permanent Storms and ushered Horizon into an era of technological advancement based on its abundant electrical forces.
But his Equation was flawed and incomplete…
And so, decades after his famous research that put him on a pedestal as Horizon’s greatest scientific mind, Professor Reyl embarks on a clandestine adventure to find what he calls the Master Equation. An equation that will define the elusive variables of the Horizon’s volatile and ever-changing echomagnetic fields. Or so everybody thinks.
His only ally a cryptic Oracle from the trove Ocheron, Lieutenant Auburn Thorn.
Together, the two men leave the trove Accadia, one of the ten Cradles of human civilization and travel to the distant and unexplored trove Tarn, where they venture deep into the uncharted jungle. With the help of Auburn’s oracular abilities, they discover an ancient technomagical building of unknown origins.
While the superficial harmony between the ten Cradles of humanity unravels around them, the two will have to face unforeseen adversities and betrayals, in a race to save humanity’s future.
Season two of American Gods has had a pretty tough time getting to our screens. Originally renewed shortly after the first season began airing, season two suffered numerous production woes – first, the loss of its original two showrunners, Michael Green and Bryan Fuller; then the hiring and subsequent (reported) sacking of new showrunner Jesse Alexander; and, finally, countless delays to the show actually arriving on our screens. For a while, it seemed as though American Gods would never return to TV again or, if it did, it would return in a state that was dramatically less spectacular than its original season was. Well, thankfully, season two of American Gods officially premieres on STARZ this Sunday, March 10. STARZ has provided critics with the first two episodes of the season – and I have seen them – and I am happy to report that the show has, indeed, returned – and it’s returned without a significant drop in quality! (This review will be as spoiler-free as possible. Full, spoiler-filled reviews of each episode will be available on the Sundays that they air.)
Starring Ricky Whittle as Shadow Moon and Ian McShane as Mr. Wednesday, “American Gods” is a one-hour drama adapted from Neil Gaiman’s best-selling novel about a war brewing between Old Gods and New Gods: the traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. We were forged in God’s image, but the Gods are also made in ours — and in Season Two the battle moves inexorably toward crisis point as the destinies of gods and men collide. While Mr. World (Crispin Glover) plots revenge for the attack against him in Season One, Shadow throws in his lot with Wednesday’s attempt to convince the Old Gods of the case for full-out war, with Laura (Emily Browning) and Mad Sweeney (Pablo Schreiber) in tow. A council at the House on the Rock explodes into chaos, sending deities both Old and New on quests across America that will converge on Cairo, Illinois: forcing Shadow to carve out a place as a believer in this strange new world of living gods — a dark world where change demands commitment, and faith requires terrible sacrifice.
I love a good sci-fi book, that much is well known. But what about a sci-fi book that puts forth the idea that all the mythological creatures from Earth’s history (fairies, pixies, werewolves, vampires, etc) are actually alien species exiled to our planet as punishment for crimes made on their own planets? Well, a book like that would be right up my wheelhouse. That’s exactly the kind of book that Dennis Meredith’s Mythicals is. It’s also a very good one, too.
Drunken journalist Jack March can’t believe his bleary eyes when he stumbles onto a winged fairy! She vaults away into the night sky, and his unbelievable—and unbelieved—encounter leads to a stunning revelation that all the creatures of myth and legend are real!
Fairies, pixies, trolls, werewolves, ogres, vampires, angels, elves, bigfoot—all are alien exiles to the planet. For their crimes, these “mythicals” are serving out banishment disguised in flesh-suits enabling them to live among the planet’s natives.
Jack reveals their secret to the world, along with a horrendous discovery: they have decided that the native “terminal species” must be eradicated before it ruins its home planet’s ecology.
In this riveting scifi/fairy tale, Jack joins with sympathetic fairies, pixies, and ogres to attempt to save the planet from the mythicals, as well as the mysterious alien cabal known as the Pilgrims.
You know how there always ends up being that one show that has a premise that you’re super into and a trailer that really gets you pumped and it ends up being disappointing as all get out? Yeah, Ghosted was that show for me. Created by Tom Gormican and Kevin Etten, Ghosted is basically what you’d get if you made The X-Files into a sitcom, executed it as a buddy-cop story, and had it star two men. In the pilot episode of Ghosted, a key member of The Bureau Underground – a top-secret government agency – goes missing. Subsequently, Leroy (Craig Robinson), a cynical former detective, and Max (Adam Scott), a genius “true believer” in the paranormal, are recruited to find him. The two polar opposites must work together to find the agent while uncovering possible alien activity and chilling “unexplained” paranormal events in their own city of Los Angeles. (Mild spoilers follow)(more…)
Well, we were bound to encounter a less than stellar episode eventually, and A Prayer for Mad Sweeney is that episode. It’s certainly not bad; in fact, it’s very enjoyable and if it were placed anywhere else besides as the penultimate episode of the season, it would raise from less-than-stellar to good. The problem is that this episode is essentially one long detour from the main plotline right before the season finale. It’s a great story that’s well told, but placing the episode this close to the finale was a mistake. Written by Maria Melnik (and Michael Green and Bryan Fuller) and directed by Adam Kane, A Prayer for Mad Sweeney tells the story of how Mad Sweeney came to America. After her reunion with Shadow (Ricky Whittle) ends far too quickly, Laura (Emily Browning) turns to an unlikely travel companion to find her way back to life, and back to Shadow. Mad Sweeney’s (Pablo Schreiber) long, winding, and often tragic past is explored. (As always, this episode will feature spoilers. You have been warned.)(more…)
What happens when a new NASA probe discovers a curious message on the surface of Mars? Well, naturally the Doctor and Bill have to go investigate it, which is exactly what happens in Empress of Mars. Written by Mark Gatiss and directed by Wayne Yip, Empress of Mars follows the Doctor (Peter Capaldi), Bill (Pearl Mackie), and Nardole (Matt Lucas) as they explore Mars after finding “God Save the Queen” written on the surface of the planet. What they discover is rather unexpected: there are Victorian soldiers on Mars. How is this possible? Unwittingly, they awaken Iraxxa, the Ice Queen (Adele Lynch), from her five millennia slumber, leading to an ultimate showdown between two of the most stubborn races ever: Victorian soldiers vs. the Ice Warriors. (As always, this review will contain spoilers. You’ve been warned!)(more…)
At the end of A Murder of Gods, Laura tells Salim that life is great. And, to be honest, that’s really indicative of this episode. Life – and all that one can do in life – is great. And this episode is great, too. Written by Seamus Kevin Fahey, Bryan Fuller, and Michael Green and directed by Adam Kane, A Murder of Gods picks up shortly after last week’s Lemon Scented You left off. On the run after the New Gods’ show of force, Shadow (Ricky Whittle) and Mr. Wednesday (Ian McShane) seek safe haven with one of Mr. Wednesday’s oldest friends, Vulcan (Corbin Bernsen), God of the Fire and the Forge. (As always, this review contains spoilers! So, if you haven’t seen the episode yet, you’ll probably want to see it before you read any further.)(more…)
This past week, the Tony Award-winning musical Matilda: the Musical played the Duke Energy Center for the Performing Arts in Raleigh, NC and the cast and crew filled the room with rebellion and magic. With a book by Dennis Kelly and music and lyrics by comedian Tim Minchin, Matilda the Musical tells the story of Matilda Wormwood (Jaime Maclean, at my performance), a young, smart, book-obsessed girl raised by abusive parents who is sent to a school, run by the evil Ms. Trunchball (Dan Chameroy), and discovers she possesses magical powers. Based on the classic novel by Roald Dahl, Matilda: the Musical aims to remind us all that sometimes we have to be a little bit naughty in life, and that’s okay! (Note: pictures may not be from the current tour; I had to make do with what I could find. (more…)
What do you get when you put the leaders of two warring factions of gods together in the same room? Perhaps it would be something like what happens in Lemon Scented You, the latest episode in STARZ’s hit adaptation of Neil Gaiman’s novel American Gods. After the backstory-heavy episode last week, Lemon Scented You kicks things up a notch when the leader of the New Gods, Mr. World (Crispin Glover), finally meets with the leader of the Old Gods, Mr. Wednesday (Ian McShane). Written by David Graziano (teleplay) and Bryan Fuller and Michael Green (head writers/showrunners) and directed by Vincenzo Natali, Lemon Scented You picks up from where the past two episodes have left off: Shadow (Ricky Whittle) walks into his motel room and finds his dead wife, Laura (Emily Browning), waiting for him on his bed – very much not dead. Shadow’s emotional reunion with his wife is interrupted when he and Wednesday are arrested and kidnapped by the New Gods, led by the mysterious Mr. World. (Spoilers ahead!)(more…)