The Tony Awards aired this past weekend, and the internet is abuzz about the winner of the Best New Play award: Harry Potter and the Cursed Child. There’s been a bit of controversy as a result of its win, particularly from the Harry Potter fandom, so, I figured now is as good a time as any to mount a defense for the play. Harry Potter and the Cursed Child is a new play borne out of a collaboration between Harry Potter author J.K. Rowling, playwright Jack Thorne, and director John Tiffany. It’s advertised as the official eighth chapter in the Harry Potter series and tells the story of Harry’s middle child, Albus Severus, and his experiences as he attends Hogwarts and fights to escape the shadows of his father’s past glories. The script for the show was initially published in July of 2016, and to say there was some controversy directly afterward would be an understatement. While the majority of critics in London adored the show and praised it for its script, acting, design elements, etc, fans were noticeably more divided, if not downright negative towards it. It’s been criticized as “bad fanfiction with a silly story”, “totally out of character”, “inconsistent with the books and the universe that Rowling wrote”, amongst others. I disagree with most of those points, and I’m gonna explain why. It’s worth noting that there will be total spoilers for the play throughout this. You’ve been warned. (more…)
*NOTE: THIS IS A REVIEW OF THE SCRIPT, ONLY*
As part of my Directing class in school, I’ve had to some plays in preparation for the scene work that’s to come later in the semester. One of those plays was Lorraine Hansberry’s classic A Raisin in the Sun. Nominated for four Tony Awards – including Best New Play, A Raisin in the Sun details the lives of the Younger family, an African American family living in Chicago in the 1950s. Set on Chicago’s South Side, the plot revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis and matriarch Lena, called Mama. When her deceased husband’s insurance money comes through, Mama dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans, however: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama. Sacrifice, trust, and love among the Younger family and their heroic struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration. (more…)
It never truly feels like Christmas for me unless there’s some kind of musical event in either the television or film world. Whether it’s a new movie musical for Hollywood or another one of those live musicals on TV (via NBC or FOX), a big part of my Christmas tradition nowadays is a new musical to watch and enjoy right before the big holiday. This year was no exception, bringing two musicals to my eyeballs. FOX just aired A Christmas Story Live! this past weekend (with a book by Robert Cary and Jonathan Tolins and music and lyrics by the songwriting duo Pasek and Paul) and 20th Century Fox is releasing a new movie musical about P.T. Barnum (of Barnum and Bailey Circus fame) directed by Michael Gracey, with a screenplay by Jenny Bicks and Bill Condon and music and lyrics by Pasek and Paul. You might have noticed a theme there with both of this year’s big, new musical offerings: they both feature the music of Benj Pasek and Justin Paul. Fresh off their recent success with Broadway’s Dear Evan Hansen, Pasek and Paul have written original lyrics and music for The Greatest Showman as well as composing a new song for the live telecast of their 2012 Broadway musical A Christmas Story. (Also of note: one of last year’s big musical offerings, La La Land, also featured the lyrics of Pasek and Paul.) So with Pasek and Paul taking over my screens in both of the big new filmed musical offerings, I thought it worthwhile to give my thoughts on the soundtrack for The Greatest Showman (I haven’t seen the movie yet), FOX’s telecast of A Christmas Story Live!, and my general thoughts on the music of Pasek and Paul. (more…)
We’ve all seen good adaptations of things we love and we’ve all seen bad ones. But what, exactly, makes an adaptation good? For the past… pretty much forever… Hollywood, in particular, has been adapting anything it could get its hands on. From books, to tv, to theatre, to video games, Hollywood loves adaptations. The problem is that the adaptations are often not very good at all. You see this with books, like Eragon and the Percy Jackson series and TV shows like Dark Shadows and Video Games like Assassin’s Creed and musicals like RENT and even anime like Death Note and Ghost in the Shell.
The question becomes, why are there so many lousy adaptations? Especially when most of them are based on properties that are really well made in their original mediums? Where is the disconnect?
Contrary to popular belief, there really is an art to adaptation. There are four key things that a good adaptation must adhere to. Respect for the source material and characters, not being a slave to the source material, knowing what to change and what to keep, and telling a story in the most cohesive and interesting way that utilizes the best of what the specific medium has to offer.
Bad adaptations, usually get at least one of those key things wrong, if not more than one of them. So, let’s explore them more in depth and see if we can’t figure out how to go about making a good adaptation. (more…)
This past week, the Tony Award-winning musical Matilda: the Musical played the Duke Energy Center for the Performing Arts in Raleigh, NC and the cast and crew filled the room with rebellion and magic. With a book by Dennis Kelly and music and lyrics by comedian Tim Minchin, Matilda the Musical tells the story of Matilda Wormwood (Jaime Maclean, at my performance), a young, smart, book-obsessed girl raised by abusive parents who is sent to a school, run by the evil Ms. Trunchball (Dan Chameroy), and discovers she possesses magical powers. Based on the classic novel by Roald Dahl, Matilda: the Musical aims to remind us all that sometimes we have to be a little bit naughty in life, and that’s okay! (Note: pictures may not be from the current tour; I had to make do with what I could find. (more…)
Disney’s Newsies: The Broadway Musical is a recording of the hit Broadway musical Newsies filmed live at the Pantages Theatre in Hollywood, CA during the last leg of the musical’s national tour. This filmed version features the return of many of the original Broadway cast – including Jeremy Jordan, Kara Lindsay, Ben Fankhauser, Andrew Keenan-Bolger, Kevin Carolan, Mark Aldrich, Tommy Bracco, and John E. Brady – as well as the final national tour cast – including Steve Blanchard, Aisha de Haas, Ethan Steiner, Iain Young, Michael Gorman, Michael Rios, Devin Lewis, and Anthony Norman, among others – combined into one large cast to permanently capture this award-winning musical. As per Fathom Events: Newsies Jack Kelly, a charismatic newsboy, and leader of a ragged band of teenaged ‘newsies,’ who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys’ expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what’s right. (more…)
Welcome to Night Vale‘s latest live show is All Hail, a tale about the one and only Mighty Glow Cloud (all hail). All Hail played the Carolina Theatre in Durham on April 14, 2017, and I had the chance to attend the show. It was my first ever Night Vale live show, and it couldn’t have been a better first experience. The atmosphere of the event was one of a large community; everyone had gathered there to see and participate in this theatrical event. There were people of all genders, races, and sexualities there and everyone was immediately accepted. People dressed up in costumes: there were Ericas (angels), Hooded Figures, Cecil’s and Carlos’s, and – my personal favorite – one person dressed up as Fey, the computer that read the numbers for the numbers station in episode 42 of the podcast. This is what greeted me as I arrived at the theatre; I hadn’t even entered it yet! Everyone was gathered outside in a waiting area and you could see all the costumes on display and everyone socializing and meeting new people. It was a beautiful moment. And then the doors opened.