Haunted houses are frequently the subjects of horror films, shows, and books. A family moves into a house with a shady, often violent past. Almost immediately, some unseen force begins terrorizing the family. And on and on it goes until the ghost/demon/spirit is expelled from the house. Or until the family finally decides to high tail it out of there. But what happens to the house afterward? Who takes care of selling these haunted, potentially violent places? That’s precisely the question SurrealEstate answers. If you needed to sell a haunted house, you’d call a realtor that specializes in the paranormal. In this case, Luke Roman (Tim Rozon). And, naturally, that realtor would be surrounded by an eclectic team of ghost hunting agents – Susan Ireland (Sarah Levy), Father Phil (Adam Korson), August (Maurice Dean Wint), and Zooey (Savannah Basley). SurrealEstate is basically what would happen if Mulder, Scully, and the Winchester brothers all worked at the same real estate firm. It’s a clever take on the familiar paranormal procedural drama. Featuring a cast of unique – though occasionally underdeveloped – characters and creative “ghost of the week” stories, SurrealEstate is well worth a watch. Though, for a show about ghosts, it’s never quite as scary as you’d like it to be. (4 out of 5 wands.)
NOTE: This review is based on the first eight episodes of SurrealEstate. It will be as spoiler free as possible.
SurrealEstate Created by George Olson “SurrealEstate” follows real estate agent Luke Roman (Tim Rozon) and an elite team of specialists that handle the cases no one else can: haunted and possessed houses that literally scare would-be buyers away. Researching, investigating and “fixing” the things that go bump in the night, the team works to create closure – and closings – even as they struggle with demons of their own.
Who doesn’t love a good fish out of water comedy? There’s just so much joy to be mined out of watching a character from one environment have to navigate the ins and the outs of a totally new and alien environment. This trope is especially successful in sci-fi settings, where either a human has to adapt to an alien culture or vice versa. It’s this trope that first attracted me to SyFy’s Resident Alien, a TV adaptation of the Dark Horse Comics series of the same name. Here, Alan Tudyk plays an alien who’s crash-landed in a small Colorado town and is forced to blend in with the local townsfolk as a quirky doctor, Harry Vanderspeigle, while searching for the remnants of his ship and the device he intends to use to destroy the world. It’s one of those premises that seems destined to become a classic sci-fi fish out of water story. Unfortunately, Resident Alien never quite manages to take off in its first seven episodes. It’s not a bad show, just a wildly uneven one. Its plot is unfocused, it struggles to balance its comedy with its drama, and many of the characters feel underdeveloped, at best, and paper thin and annoying, at worst. There’s plenty of potential here, but there’s a lot of work to be done before this show is as good as its premise is. (3 out of 5 wands.)
NOTE: This review is based off of the first seven episodes. It will be as spoiler free as possible.
Resident Alien (created by Chris Sheridan) Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”