REVIEW: “Axiom’s End” by Lindsay Ellis

axiom's end

I don’t normally watch video essays on YouTube. It takes a very specific kind of personality to get me interested enough to watch anything on YouTube for more than 10 minutes – especially something that’s just analyzing something else. But Lindsay Ellis is one of those YouTubers who can get me to watch an hour-long video and enjoy it. So, when I heard about her debut novel, Axiom’s End, I was excited to give it a read. And I was even more excited about it when I heard it was a science fiction/alternate history novel about humanity’s first contact with an alien species. That kind of story is one of my favorite kinds of science fiction stories and I was eager to see what kind of a take Ellis would have on it. Having now read the book, I can say that it wasn’t really what I expected at all. Ellis certainly puts her own spin on the first-contact genre, weaving a pretty interesting tale and delivering a book that, while a bit difficult to initially get into, makes for a compelling and enjoyable read. (4 out of 5 wands)

(Note: I received an ARC of this novel from NetGalley in exchange for a fair and honest review. All opinions are my own and have not been influenced. Additionally, mild spoilers may follow.)

Axiom’s End by Lindsay Ellis
It’s fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government―and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him―until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades.

Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human―and could unleash a force more sinister than she ever imagined.

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The Art of Adaptation – A Thoroughly Modern Essay

We’ve all seen good adaptations of things we love and we’ve all seen bad ones. But what, exactly, makes an adaptation good? For the past… pretty much forever… Hollywood, in particular, has been adapting anything it could get its hands on. From books, to tv, to theatre, to video games, Hollywood loves adaptations. The problem is that the adaptations are often not very good at all. You see this with books, like Eragon and the Percy Jackson series and TV shows like Dark Shadows and Video Games like Assassin’s Creed and musicals like RENT and even anime like Death Note and Ghost in the Shell.

The question becomes, why are there so many lousy adaptations? Especially when most of them are based on properties that are really well made in their original mediums? Where is the disconnect?

Contrary to popular belief, there really is an art to adaptation. There are four key things that a good adaptation must adhere to. Respect for the source material and characters, not being a slave to the source material, knowing what to change and what to keep, and telling a story in the most cohesive and interesting way that utilizes the best of what the specific medium has to offer.

Bad adaptations, usually get at least one of those key things wrong, if not more than one of them. So, let’s explore them more in depth and see if we can’t figure out how to go about making a good adaptation.

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