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REVIEW: “American Gods” S03E02 – Serious Moonlight

It’s difficult to write weekly reviews of a serialized TV show. When writing a review, you typically want to be able to examine all aspects of the thing you’re reviewing. For a TV show or a film, you want to look at the acting, directing, and writing. That last element is particularly difficult when you’re covering a show that airs week-to-week as many of the episodes don’t have a self-contained narrative that can be evaluated; instead, you hope that what gets set up in earlier episodes is paid off in later ones. This is very true for American Gods—a show which has often been criticized for its slow-paced narrative. So, in that light, I don’t think it’s such a great idea to review each episode of the show the way I’d review an entire story. Instead, I am going to simply talk about what I liked and didn’t like in each episode, with an emphasis on what I hope to see the show do going forward. For this week’s episode, “Serious Moonlight,” there’s a lot to like. Sure, the episode still acts primarily as a setup for the rest of the season, but the individual events of the episode are pretty delightful—from finally getting a good glimpse at Lakeside to journeying to Chicago for a Slavic celebration. There’s a lot to like about this week’s episode and a lot to look forward to. (4 out of 5 wands.)

NOTE: This review will feature spoilers for American Gods S03E02. Read at your own risk.

American Gods S03E02 – “Serious Moonlight”
(written by Moise Verneau, directed by Julian Holmes)
Shadow (Ricky Whittle) explores his oddly welcoming new town before heading to Chicago for a gathering of the Old Gods on Koliada, an ancient Slavic festival. At the Koliada, Wednesday (Ian McShane) reconnects with his oldest friend, and Salim (Omid Abtahi) mourns the unexpected end of his relationship with The Jinn. Shadow returns to Lakeside to find the town rocked by the disappearance of a teenage girl—and discovers that he himself is a suspect.

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REVIEW: American Gods S03E01 – A Winter’s Tale

After a nearly two-year break, American Gods is back on our TV screens—and not a moment too soon. And, as is customary for the show, a lot’s happened in those two years. There have been more shakeups in front of, and behind, the camera, leading to the departure of actors like Orlando Jones, Kahyun Kim, and Mousa Kraish. However, unlike the previous season, it appears that the making of season three was a far smoother affair—an assumption that is borne out on screen. Despite everything that may have happened behind the scenes, the season premiere of American Gods is great. It does everything a premiere should do—establishes where the characters are as the season begins and where they’re headed, lays the groundwork for future episodes, and energizes audiences for the season to come. While the premiere sometimes feels like a pilot episode for a new show, it remains distinctly American Gods-esque and is genuinely fun and exciting to watch. (4.5 out of 5 wands.)

(NOTE: This review contains full spoilers for the episode. Read at your own risk.)

American Gods S03E01 – “A Winter’s Tale” (written by David Paul Francis, directed by Jon Amiel)
After months apart, Wednesday reappears in Shadow’s life, resolved to drag him back into his divine war effort. A meeting with the god Wisakedjak leaves Shadow with a prophecy about his destiny—a destiny that seems determined to bring him to the idyllic, snowy town of Lakeside, Wisconsin.

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REVIEW: “American Gods” Season 3 (Spoiler Free)

American Gods is one of my favorite TV shows. Its quality isn’t always consistent and there seems to be a lot of turnover in front of, and behind, the camera, but there’s nothing else like it on TV and I find myself returning to it time and time again. Its source material being so fantastic helps a lot, of course, but I still find much to enjoy in Starz’s TV adaptation. So, naturally, I was beyond excited to see what they’d do with season three. With another round of cast and crew shakeups, season three had a lot working against it. But it was said to be adapting one of the best parts of the book (the Lakeside arc) and featured a slew of new and exciting cast members, so there was still much to be hopeful about. And, having seen the first four episodes, I’d say that hope is fulfilled. The third season of American Gods feels simultaneously familiar and new—it’s identifiably the same show we’ve fallen in love with but it’s bursting with new energy and momentum. It’s not perfect, but it’s a promising start. (4.5 out of 5 wands)

(NOTE: This review strives to be as spoiler free as possible. There may be mentions to information officially revealed in trailers and promotional material, but no major plot points will be discussed.)

American Gods – Season Three
Following his discovery last season that Mr. Wednesday is his father, Shadow attempts to break away and assert himself as his own man. As he settles into life in Lakeside, he uncovers a dark secret while exploring questions of his own divinity. Guided on this spiritual journey by the gods of his black ancestors, the Orishas, Shadow must decide exactly who he is—a god seeking veneration or a man in service of the “we.”

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NEWS: “American Gods” Season 3 Trailer

After a nearly two-year hiatus, American Gods returns to Starz in just over a month, and with the show premiering so soon, it’s about time for the promotional train to leave the station. Well, as of today, that train has officially left the station as the season’s official trailer has been released. Starring Ricky Whittle, Ian McShane, Emily Browning, Yetide Badaki, Bruce Langley, Omid Abtahi, Demore Browns, and Ashley Reyes, American Gods Season 3 is the first to be headed by new showrunner Charles H. Eglee and sees Shadow hiding in the small Wisconsin town of Lakeside from the Gods—and his destiny. Take a look at the trailer below:

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REVIEW: “American Gods” S02E08 – Moon Shadow

American Gods Season 2 2019I honestly don’t know what I was expecting from this second season finale of American Gods but I can pretty confidently say it wasn’t this. And I mean that in the absolute best way humanly possible. The summary provided for the episode was just vague enough that all anybody really knew when going into this episode was that many of our characters would be reeling from the events that happened at the end of the previous episode and that Mr. World and New Media would launch some kind of attack on the nation at large. Aside from that, it was really anybody’s guess. There were certain things that could be inferred based on a basic knowledge of the novel and from events from earlier in the show’s history, but much of this finale was genuinely surprising and very satisfying. (Spoilers for the season 2 finale of American Gods, as well as the novel, follow!)

Episode 2×08: Moon Shadow (Written by Aditi Brennan Kapil and Jim Danger Gray, directed by Christopher J. Byrne)
In the aftermath of Sweeney’s (Pablo Schreiber) death, Wednesday (Ian McShane) has disappeared, and Shadow (Ricky Whittle) is tormented by the night’s events. Those that remain witness the power of New Media (Kahyun Kim) as she is unleashed, and the nation is enveloped in a state of panic brought on by Mr. World (Crispin Glover), who cunningly illustrates the power of fear and belief.

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REVIEW: “American Gods” S02E07 – Treasure of the Sun

American Gods Season 2 2019I’m on record as not loving last season’s A Prayer for Mad Sweeney. It’s not that it was a bad episode or anything, but it was the penultimate episode of the season and, instead of focusing on setting up the finale in any meaningful way, it spent all of its time on a flashback sequence that was only tangentially connected to one of the characters. It was the story about how Mad Sweeney came to America – but the character didn’t actually appear in the flashbacks until the very end of the episode. Instead, it was basically thirty minutes of the story of Essie McGowan – an interesting story but the definition of padding out an episode. Had this not been the penultimate episode of the season, I might not have been as disappointed by it, but since it was, I really didn’t dig it. So, hearing that the penultimate episode of season two was going to be another one that primarily focused on Mad Sweeney’s backstory, I was a bit skeptical about it. I went in expecting it to be another episode full of padding that didn’t really set up the finale at all. Boy, I was wrong. This episode perfectly balances the flashbacks and the present-day scenes, making sure the flashbacks actually seem related to what’s happening in the present day scenes – and then using those present-day scenes to raise the stakes for the finale in surprising and exciting ways. (MAJOR spoilers follow)

Episode 2×07: Treasure of the Sun (Written by Heather Bellson, directed by Paco Cabezas)
In Cairo, Mr. Wednesday (Ian McShane) entrusts Shadow (Ricky Whittle) with the Gungnir spear. Mad Sweeney (Pablo Schreiber), plagued by the cries of Banshees, recalls his journey through the ages as he awaits his promised battle. Once again, he warns Shadow about Wednesday. Meanwhile, Laura (Emily Browning) receives sage advice from Mama-Ji (Sakina Jaffrey), and Bilquis (Yetide Badaki) finds an audience.

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REVIEW: “Hellboy” (2019)

HellboyI love the Guillermo del Toro Hellboy movies. Like, really love them. They’re so damn stylish and well made and well-acted. So, with that in mind, it was always gonna be hard for any Hellboy film not made by del Toro (or starring Ron Perlman as Hellboy) to truly succeed for me. That being said, I really didn’t except this remake of Hellboy to be so unenjoyable. It can’t seem to figure out what it is – it’s not really a new take on the character as it’s basically the same tone and look as the del Toro films but it’s not a continuation of those films, either. It’s not an origin story, but it kind of is one at the same time. It’s just a really big mess of a movie – and it’s a shame because there were some really good moments in the film.

Hellboy is back, and he’s on fire. From the pages of Mike Mignola’s seminal work, this action packed story sees the legendary half-demon superhero (David Harbour, “Stranger Things”) called to the English countryside to battle a trio of rampaging giants. There he discovers The Blood Queen, Nimue (Milla Jovovich, Resident Evil series), a resurrected ancient sorceress thirsting to avenge a past betrayal. Suddenly caught in a clash between the supernatural and the human, Hellboy is now hell-bent on stopping Nimue without triggering the end of the world.
(Written by Christopher Golden, Andrew Cosby, Mike Mignola; directed by Neil Marshall)

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REVIEW: “American Gods” S02E06 – Donar the Great

American Gods Season 2 2019The moment I heard that Rachel Talalay would be directing an episode of the second season of American Gods, I grew really excited. I loved Talalay’s work on Doctor Who during the Peter Capaldi years, so I was extremely excited to see how her style would be applied to the world of American Gods. I’m happy to report that this episode totally feels like an episode that’s directed by Rachel Talalay – and I mean that in the best possible way. She has a distinct style and it’s very much on display here – while still staying true to the style of American Gods as a series. Add to all of that the fact that much of this episode takes place in a 1930s burlesque run by Mr. Wednesday, himself, and you have an episode that’s equal parts delightful, deeply emotional, and visually sumptuous. (This review features spoilers!)

Episode 2×06: Donar the Great (Written by Adria Lang, Directed by Rachel Talalay)
Shadow (Ricky Whittle) and Mr. Wednesday (Ian McShane) seek out Dvalin (Jeremy Raymond) to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great (Derek Theler). Meanwhile, Mr. World (Crispin Glover) and New Media (Kahyun Kim) harness the power of her worshippers to prepare for the coming storm.

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REVIEW: “American Gods” S02E05 – “The Ways of the Dead”

AGS2_205 Mr Nancy (Orlando Bloom)Season two of American Gods seems to be establishing a pattern in which one episode moves the plot forward quite a bit while the next episode slows things down for a more introspective look at the characters. This episode is an example of the former. It’s another episode where a whole lot happens, but it also leaves plenty of room for some truly beautiful character moments. If you’ve been waiting for this second season of American Gods to reach the heights of its first, I think you’ll be very pleased, indeed, with this episode. It’s an absolutely stellar one – and it might be the most visually impressive episode of the season – aside from the premiere, of course.

Episode 2×05: The Ways of the Dead (Written by Rodney Barnes, directed by Salli Richardson-Whitfield)
Steeped in Cairo’s history, Shadow (Ricky Whittle) learns the ways of the dead with the help of Mr. Ibis (Demore Barnes) and Mr. Nancy (Orlando Jones). In New Orleans, Mad Sweeney (Pablo Schreiber) introduces Laura (Emily Browning) to old friends who share their world of voodoo healing. Mr. Wednesday (Ian McShane) embarks on a road trip with Salim (Omid Abtahi) and the Jinn (Mousa Kraish), and they have a challenging discussion about faith. Bilquis (Yetide Badaki) discovers an opportunity to draw new worshippers that might give her the power to break free of Mr. World (Crispin Glover).

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REVIEW: “American Gods” S02E04 – The Greatest Story Ever Told

American Gods Season 2 2019American Gods continues its second season with another very good episode. While last week’s episode moved the plot along at a pretty speedy pace, this week’s episode slowed things down a bit more with a more introspective episode, filled to the brim with conversations about religion and faith, as well as renewal. Like I said, it was a pretty good episode. (There will be spoilers ahead!)

Episode 2×04: The Greatest Story Ever Told (Written by Peter Calloway and Aditi Brennan Kapil, directed by Stacie Passon)
While Shadow (Ricky Whittle) and Mr. Wednesday (Ian McShane) take a secret meeting in St. Louis, Bilquis (Yetide Badaki) arrives at the funeral home in Cairo, where she engages in a debate with Mr. Nancy (Orlando Jones) and Mr. Ibis (Demore Barnes). Laura (Emily Browning) rejoins Mad Sweeney (Pablo Schreiber), and Tech Boy (Bruce Langley) pays a visit to his first worshipper (Andrew Koji).

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