It’s difficult to write weekly reviews of a serialized TV show. When writing a review, you typically want to be able to examine all aspects of the thing you’re reviewing. For a TV show or a film, you want to look at the acting, directing, and writing. That last element is particularly difficult when you’re covering a show that airs week-to-week as many of the episodes don’t have a self-contained narrative that can be evaluated; instead, you hope that what gets set up in earlier episodes is paid off in later ones. This is very true for American Gods—a show which has often been criticized for its slow-paced narrative. So, in that light, I don’t think it’s such a great idea to review each episode of the show the way I’d review an entire story. Instead, I am going to simply talk about what I liked and didn’t like in each episode, with an emphasis on what I hope to see the show do going forward. For this week’s episode, “Serious Moonlight,” there’s a lot to like. Sure, the episode still acts primarily as a setup for the rest of the season, but the individual events of the episode are pretty delightful—from finally getting a good glimpse at Lakeside to journeying to Chicago for a Slavic celebration. There’s a lot to like about this week’s episode and a lot to look forward to. (4 out of 5 wands.)
NOTE: This review will feature spoilers for American Gods S03E02. Read at your own risk.
American Gods S03E02 – “Serious Moonlight” (written by Moise Verneau, directed by Julian Holmes) Shadow (Ricky Whittle) explores his oddly welcoming new town before heading to Chicago for a gathering of the Old Gods on Koliada, an ancient Slavic festival. At the Koliada, Wednesday (Ian McShane) reconnects with his oldest friend, and Salim (Omid Abtahi) mourns the unexpected end of his relationship with The Jinn. Shadow returns to Lakeside to find the town rocked by the disappearance of a teenage girl—and discovers that he himself is a suspect.
American Gods is one of my favorite TV shows. Its quality isn’t always consistent and there seems to be a lot of turnover in front of, and behind, the camera, but there’s nothing else like it on TV and I find myself returning to it time and time again. Its source material being so fantastic helps a lot, of course, but I still find much to enjoy in Starz’s TV adaptation. So, naturally, I was beyond excited to see what they’d do with season three. With another round of cast and crew shakeups, season three had a lot working against it. But it was said to be adapting one of the best parts of the book (the Lakeside arc) and featured a slew of new and exciting cast members, so there was still much to be hopeful about. And, having seen the first four episodes, I’d say that hope is fulfilled. The third season of American Gods feels simultaneously familiar and new—it’s identifiably the same show we’ve fallen in love with but it’s bursting with new energy and momentum. It’s not perfect, but it’s a promising start. (4.5 out of 5 wands)
(NOTE: This review strives to be as spoiler free as possible. There may be mentions to information officially revealed in trailers and promotional material, but no major plot points will be discussed.)
American Gods – Season Three Following his discovery last season that Mr. Wednesday is his father, Shadow attempts to break away and assert himself as his own man. As he settles into life in Lakeside, he uncovers a dark secret while exploring questions of his own divinity. Guided on this spiritual journey by the gods of his black ancestors, the Orishas, Shadow must decide exactly who he is—a god seeking veneration or a man in service of the “we.”
It’s been nearly two years since the first season of American Gods aired its final episode and a lot has happened behind the scenes. In November of 2017, original executive producers (and showrunners) Bryan Fuller and Michael Green left the show after reported disputes related to the budgeting of the season. From there, Jesse Alexander was hired as showrunner and, with the help of Neil Gaiman, retooled the second season of the show a lot, tossing out the six scripts that Fuller and Green had written. For a while, everything seemed to be going fine until reports emerged in September of 2018 that Alexander had been fired from the show and the finale had gone through seven different drafts and everything was in disarray. Gaiman and various members of the cast and crew have disputed these reports, but, nonetheless, to say that the show has been mired by behind-the-scenes drama would be an understatement. Many were worried the second season of the show would never see the light of day, and if it did, that there would be a noticeable drop in quality from the first season. Well, it’s March 10, 2019, and the first episode of the second season of American Gods has premiered on Starz and I’m happy to report that there is no noticeable drop in quality and the show’s just as good as ever. (NOTE: Spoilers for episode 2×01 follow!)
Episode 201: The House on the Rock (written by Jesse Alexander & Neil Gaiman, directed by Christopher J. Byrne)
Following the epic showdown at Easter’s party, Mr. Wednesday (Ian McShane) continues his quest to pitch the case for war to the Old Gods with Shadow (Ricky Whittle), Laura (Emily Browning) and Mad Sweeney (Pablo Schreiber) in tow. Meanwhile, Mr. World (Crispin Glover) plans revenge and Technical Boy (Bruce Langley) goes on the hunt for Media. First stop — the House on the Rock, where Shadow is taken “backstage.”
The second episode of STARZ’s new show American Gods has been uploaded to their website, and I have just watched it, so, it’s time to review it! This week’s episode was written by Michael Green and Bryan Fuller and was directed by David Slade. (It’s worth noting that this week’s Coming to America segment was directed by Guillermo Navaro.) In The Secret of Spoons, Shadow (Ricky Whittle) experiences a number of odd events as he and Mr. Wednesday (Ian McShane) begin their quest to recruit the Old Gods for the coming battle. He and Shadow travel to Chicago where Shadow agrees to a very high-stakes game of chess with the old Slavic god, Czernobog (Peter Stormare). This review will contain spoilers, so if you’ve yet to see the episode, don’t read the review! The short and sweet of it is: it’s a really good episode. It builds on everything that made the first episode good and pushes the show forward. Now, if you continue reading this, I’m assuming you’ve seen the episode. Last chance to turn back! (more…)