As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)
American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton)
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)
I honestly don’t know what I was expecting from this second season finale of American Gods but I can pretty confidently say it wasn’t this. And I mean that in the absolute best way humanly possible. The summary provided for the episode was just vague enough that all anybody really knew when going into this episode was that many of our characters would be reeling from the events that happened at the end of the previous episode and that Mr. World and New Media would launch some kind of attack on the nation at large. Aside from that, it was really anybody’s guess. There were certain things that could be inferred based on a basic knowledge of the novel and from events from earlier in the show’s history, but much of this finale was genuinely surprising and very satisfying. (Spoilers for the season 2 finale of American Gods, as well as the novel, follow!)
The moment I heard that Rachel Talalay would be directing an episode of the second season of American Gods, I grew really excited. I loved Talalay’s work on Doctor Who during the Peter Capaldi years, so I was extremely excited to see how her style would be applied to the world of American Gods. I’m happy to report that this episode totally feels like an episode that’s directed by Rachel Talalay – and I mean that in the best possible way. She has a distinct style and it’s very much on display here – while still staying true to the style of American Gods as a series. Add to all of that the fact that much of this episode takes place in a 1930s burlesque run by Mr. Wednesday, himself, and you have an episode that’s equal parts delightful, deeply emotional, and visually sumptuous. (This review features spoilers!) 
American Gods continues its second season with another very good episode. While last week’s episode moved the plot along at a pretty speedy pace, this week’s episode slowed things down a bit more with a more introspective episode, filled to the brim with conversations about religion and faith, as well as renewal. Like I said, it was a pretty good episode. (There will be spoilers ahead!)
First, American Gods was an award-winning novel by Neil Gaiman. Then, it lingered in development hell for a decade – first as a film, then as a TV series – only to finally be picked up by Starz and given its first season in 2017 (and currently airing its second). Lastly, it was adapted by Dark Horse Comics – and P. Craig Russell and Scott Hampton – as a comic book. American Gods is a story that lends itself very well to the medium of comics as it’s a very visual book, with characters and locales that are large than life. It’s an adaptation that many fans have desired for a long time – given Gaiman’s beginnings in the world of comics with The Sandman – so, with two (of three) volumes of the American Gods comic now complete, how is this adaptation holding up? Answer: very well.
It’s been nearly two years since the first season of American Gods aired its final episode and a lot has happened behind the scenes. In November of 2017, original executive producers (and showrunners) Bryan Fuller and Michael Green left the show after reported disputes related to the budgeting of the season. From there, Jesse Alexander was hired as showrunner and, with the help of Neil Gaiman, retooled the second season of the show a lot, tossing out the six scripts that Fuller and Green had written. For a while, everything seemed to be going fine until reports emerged in September of 2018 that Alexander had been fired from the show and the finale had gone through seven different drafts and everything was in disarray. Gaiman and various members of the cast and crew have disputed these reports, but, nonetheless, to say that the show has been mired by behind-the-scenes drama would be an understatement. Many were worried the second season of the show would never see the light of day, and if it did, that there would be a noticeable drop in quality from the first season. Well, it’s March 10, 2019, and the first episode of the second season of American Gods has premiered on Starz and I’m happy to report that there is no noticeable drop in quality and the show’s just as good as ever. (NOTE: Spoilers for episode 2×01 follow!)
Season two of American Gods has had a pretty tough time getting to our screens. Originally renewed shortly after the first season began airing, season two suffered numerous production woes – first, the loss of its original two showrunners, Michael Green and Bryan Fuller; then the hiring and subsequent (reported) sacking of new showrunner Jesse Alexander; and, finally, countless delays to the show actually arriving on our screens. For a while, it seemed as though American Gods would never return to TV again or, if it did, it would return in a state that was dramatically less spectacular than its original season was. Well, thankfully, season two of American Gods officially premieres on STARZ this Sunday, March 10. STARZ has provided critics with the first two episodes of the season – and I have seen them – and I am happy to report that the show has, indeed, returned – and it’s returned without a significant drop in quality! (This review will be as spoiler-free as possible. Full, spoiler-filled reviews of each episode will be available on the Sundays that they air.) 
Well, we were bound to encounter a less than stellar episode eventually, and A Prayer for Mad Sweeney is that episode. It’s certainly not bad; in fact, it’s very enjoyable and if it were placed anywhere else besides as the penultimate episode of the season, it would raise from less-than-stellar to good. The problem is that this episode is essentially one long detour from the main plotline right before the season finale. It’s a great story that’s well told, but placing the episode this close to the finale was a mistake. Written by Maria Melnik (and Michael Green and Bryan Fuller) and directed by Adam Kane, A Prayer for Mad Sweeney tells the story of how Mad Sweeney came to America. After her reunion with Shadow (Ricky Whittle) ends far too quickly, Laura (Emily Browning) turns to an unlikely travel companion to find her way back to life, and back to Shadow. Mad Sweeney’s (Pablo Schreiber) long, winding, and often tragic past is explored. (As always, this episode will feature spoilers. You have been warned.) 
At the end of A Murder of Gods, Laura tells Salim that life is great. And, to be honest, that’s really indicative of this episode. Life – and all that one can do in life – is great. And this episode is great, too. Written by Seamus Kevin Fahey, Bryan Fuller, and Michael Green and directed by Adam Kane, A Murder of Gods picks up shortly after last week’s Lemon Scented You left off. On the run after the New Gods’ show of force, Shadow (Ricky Whittle) and Mr. Wednesday (Ian McShane) seek safe haven with one of Mr. Wednesday’s oldest friends, Vulcan (Corbin Bernsen), God of the Fire and the Forge. (As always, this review contains spoilers! So, if you haven’t seen the episode yet, you’ll probably want to see it before you read any further.) 