And with that, another season of American Gods comes to a close. Tonight’s episode caps off what’s been the most consistent season of American Gods so far—and what an episode it is. If last week’s episode felt more like a traditional season finale, then this week’s episode acts as a beautiful coda to the season, bringing many of the character arcs to a conclusion while throwing the narrative door wide open for the show to go in any number of directions. It raises more questions than it answers, but that doesn’t make it any less entertaining. It straddles a nice line between faithfulness to the book and faithfulness to what the TV adaptation has become and I feel it works very well—even if there are some developments I’m not entirely sold on just yet. (4.5 out of 5 wands.)
NOTE: This review features spoilers for episode 3×10 of American Gods. Read at your own risk.
American Gods: Episode 3×10: “Tears of the Wrath-Bearing Tree” Written by: Laura Pusey and Ryan Spencer Directed by: Russell Lee Fine Teetering on the edge of war and peace, the gods gather to mourn a loss. Bilquis’ divine journey brings her to an unexpected revelation, while Shadow finally embraces a destiny that could bring him either greatness or death.
It’s been a few weeks since I’ve reviewed an American Gods episode—but that’s not because they’ve been bad. Episode seven felt the victim of quick edits (which were needed to remove Marilyn Manson from the episode) but largely served as setup (albeit good setup) for the rest of the season. Episode eight was extremely beautiful when it focused on Salim’s plotline, but then the stuff with Tyr, Wednesday, and Shadow felt a bit under-baked. The same remains true for this week’s episode. On the surface, it feels a lot like a season finale, wrapping up many of the season’s ongoing plotlines while setting up future ones. But it also reveals one of the season’s biggest problems: in its effort to juggle so many plotlines, it’s forgotten which ones are more important and needed more focus, resulting in a moment that should’ve been a big, explosive reveal landing with more of a thud. Still, most of the episode works very well. (4 out of 5 wands.)
NOTE: This review contains spoilers for episode 3×09. Read at your own risk.
American Gods 3×09: “The Lake Effect” Written by: Laura Pusey and Damian Kindler Directed by: Metin Hüseyin Shadow has to decide the price he’s willing to pay for his idyllic Lakeside life. As Laura and her new ally close in on her target, Wednesday has to persuade Czernobog that it’s time to make peace with their enemies.
While last week’s episode of American Gods saw quite a lot of stuff happen, things slowed down some this week. In “Conscience of the King,” we finally get some answers about Wednesday (Ian McShane) and Demeter’s (Blythe Danner) past, Technical Boy (Bruce Langley) confronts Mr. World (Danny Trejo) about his endless glitching, Laura (Emily Browning) and Salim (Omid Abtahi) struggle to find Wednesday, and Shadow (Ricky Whittle) spends some quality time in Lakeside with Marguerite (Lela Loren) and her family. It’s a quieter episode, but one with a focus on the characters and their future. As usual, though, the show may have tried to cram a few too many things into its fifty-minute runtime. It’s a great episode, but some parts feel woefully underexplored. (4 out of 5 wands.)
(NOTE: This review contains spoilers for episode 3×06 of American Gods. Read at your own risk.)
American Gods S03E06: “Conscience of the King” Written by: Aric Avelino Directed by: Mark Tinker Despite his past following him to Lakeside, Shadow (Ricky Whittle) makes himself at home and builds relationships with the town’s residents. Laura (Emily Browning) and Salim (Omid Abtahi) continue to hunt for Wednesday (Ian McShane), who attempts one final gambit to win over Demeter (Blythe Danner).
A lot happens in this week’s episode of American Gods. So much, in fact, that it feels like the episode is comprised of two different episodes that have been forced together. The first is the conclusion to the previous episode’s Bilquis (Yetide Basaki) arc; the second is a heist-themed episode seeing Shadow (Ricky Whittle) and Cordelia (Ashley Reyes) finding dirt on Hutchinson (Sebastian Spence), Demeter’s (Blythe Danner) conservator. The combination of these two storylines creates a tonally weird experience, with the first half of the episode being emotional and philosophical and the second half being more comedic. This doesn’t result in a bad episode, though, just a somewhat uneven one. Still, there’s a lot of exciting highs to be found here. (4 out of 5 wands.)
(NOTE: This review contains spoilers for episode 3×05 of American Gods. Read at your own risk.)
American Gods S03E05 – “Sister Rising” Written by: Damian Kindler Directed by: Nick Copus Shadow (Ricky Whittle) explores notions of purpose, destiny and identity with a newly enlightened Bilquis (Yetide Badaki). Elsewhere, Technical Boy (Bruce Langley) struggles with an identity crisis of his own. In his efforts to free Demeter (Blythe Danner), Wednesday (Ian McShane) asks a reluctant Shadow to assist in a new con.
Last week’s episode may not have been my favorite episodes of American Gods, but this week’s episode is a marked improvement. “The Unseen” shows American Gods firing on all cylinders. The plot continues to progress, most of the characters are given something meaty and entertaining to play with, and, best of all, the episode manages to balance all of these elements perfectly. Almost every complaint I’ve had for the past few episodes is addressed here, and I can’t say enough positive things about this week’s episode. With any luck, there’ll be more episodes like this one in the future. (4.5 out of 5 wands.)
NOTE: This review contains spoilers for American Gods S03E04. Read at your own risk.
American Gods S03E04 – “The Unseen” Written by: Nick Gillie, directed by: Eva Sørhaug Shadow (Ricky Whittle) and Technical Boy (Bruce Langley) team up to search for Bilquis (Yetide Badaki), who finds herself captive and in the midst of a crisis of identity. While visiting the local chapter of notorious biker gang Lords of Valhalla, Wednesday (Ian McShane) runs into a familiar face, which puts him in great peril. In purgatory, Laura (Emily Browning) learns about her own destiny and the powerful enemies determined to prevent her from fulfilling it.
It’s difficult to write weekly reviews of a serialized TV show. When writing a review, you typically want to be able to examine all aspects of the thing you’re reviewing. For a TV show or a film, you want to look at the acting, directing, and writing. That last element is particularly difficult when you’re covering a show that airs week-to-week as many of the episodes don’t have a self-contained narrative that can be evaluated; instead, you hope that what gets set up in earlier episodes is paid off in later ones. This is very true for American Gods—a show which has often been criticized for its slow-paced narrative. So, in that light, I don’t think it’s such a great idea to review each episode of the show the way I’d review an entire story. Instead, I am going to simply talk about what I liked and didn’t like in each episode, with an emphasis on what I hope to see the show do going forward. For this week’s episode, “Serious Moonlight,” there’s a lot to like. Sure, the episode still acts primarily as a setup for the rest of the season, but the individual events of the episode are pretty delightful—from finally getting a good glimpse at Lakeside to journeying to Chicago for a Slavic celebration. There’s a lot to like about this week’s episode and a lot to look forward to. (4 out of 5 wands.)
NOTE: This review will feature spoilers for American Gods S03E02. Read at your own risk.
American Gods S03E02 – “Serious Moonlight” (written by Moise Verneau, directed by Julian Holmes) Shadow (Ricky Whittle) explores his oddly welcoming new town before heading to Chicago for a gathering of the Old Gods on Koliada, an ancient Slavic festival. At the Koliada, Wednesday (Ian McShane) reconnects with his oldest friend, and Salim (Omid Abtahi) mourns the unexpected end of his relationship with The Jinn. Shadow returns to Lakeside to find the town rocked by the disappearance of a teenage girl—and discovers that he himself is a suspect.
After a nearly two-year hiatus, American Gods returns to Starz in just over a month, and with the show premiering so soon, it’s about time for the promotional train to leave the station. Well, as of today, that train has officially left the station as the season’s official trailer has been released. Starring Ricky Whittle, Ian McShane, Emily Browning, Yetide Badaki, Bruce Langley, Omid Abtahi, Demore Browns, and Ashley Reyes, American Gods Season 3 is the first to be headed by new showrunner Charles H. Eglee and sees Shadow hiding in the small Wisconsin town of Lakeside from the Gods—and his destiny. Take a look at the trailer below:
It’s been about a year and a half since the second season of Starz’s adaptation of Neil Gaiman’s American Gods ended. In the time since, a new showrunner has been appointed, some cast members have come and gone, and a pandemic has brought much of the film and TV industry to a complete standstill. But, as the saying goes, the show must go on – and go on it has, with much of the upcoming season’s post-production work happening quietly and remotely throughout the last several months. But finally, after a long wait, American Gods leapt onto the New York Comic Con scene with plenty of news, announcements and reveals about the upcoming season – including new key art and a trailer!
As evidenced by my weekly coverage of the American Gods TV series when it airs, I adore the book, originally written by Neil Gaiman. It’s one of those books that’s super weird and truly hard to explain and honestly just needs to be experienced. But, sometimes it can be hard to find a swatch of time with reach to read a 600+ page novel. Which is where visual adaptations come in. Obviously, they can, and should, never be replacements for reading the original text, but they can often be a great way of experiencing a story you might otherwise not have the time to experience. Unfortunately, Starz’s television adaptation continues to both stray from the source material and be plagued by behind-the-scenes troubles. Luckily, Dark Horse Comics’ has an adaptation of their own. Helmed by P. Craig Russell, these three volumes have been a very faithful adaptation of the novel and an utter joy to read as they’ve released. Now, with the publication of the third and final volume of the adaptation, it’s nice to have a fully-completed, semi-visual adaptation of the novel – if you consider a graphic novel to be a visual adaptation; I do. (Mild spoilers for both the original novel and the graphic novel.)
American Gods Volume 3: “The Moment of the Storm” (by Neil Gaiman, adapted by P. Craig Russell, illustrated by Scott Hampton)
The new and old gods agree to meet in the center of America to exchange the body of the old gods’ fallen leader–heading towards to the inevitable god war in this final arc to the bestselling comic series! (Collects American Gods Volume 3: The Moment of the Storm #1-#9.)
I honestly don’t know what I was expecting from this second season finale of American Gods but I can pretty confidently say it wasn’t this. And I mean that in the absolute best way humanly possible. The summary provided for the episode was just vague enough that all anybody really knew when going into this episode was that many of our characters would be reeling from the events that happened at the end of the previous episode and that Mr. World and New Media would launch some kind of attack on the nation at large. Aside from that, it was really anybody’s guess. There were certain things that could be inferred based on a basic knowledge of the novel and from events from earlier in the show’s history, but much of this finale was genuinely surprising and very satisfying. (Spoilers for the season 2 finale of American Gods, as well as the novel, follow!)
Episode 2×08: Moon Shadow (Written by Aditi Brennan Kapil and Jim Danger Gray, directed by Christopher J. Byrne) In the aftermath of Sweeney’s (Pablo Schreiber) death, Wednesday (Ian McShane) has disappeared, and Shadow (Ricky Whittle) is tormented by the night’s events. Those that remain witness the power of New Media (Kahyun Kim) as she is unleashed, and the nation is enveloped in a state of panic brought on by Mr. World (Crispin Glover), who cunningly illustrates the power of fear and belief.