It’s been about a year and a half since the second season of Starz’s adaptation of Neil Gaiman’s American Gods ended. In the time since, a new showrunner has been appointed, some cast members have come and gone, and a pandemic has brought much of the film and TV industry to a complete standstill. But, as the saying goes, the show must go on – and go on it has, with much of the upcoming season’s post-production work happening quietly and remotely throughout the last several months. But finally, after a long wait, American Gods leapt onto the New York Comic Con scene with plenty of news, announcements and reveals about the upcoming season – including new key art and a trailer!(more…)
I honestly don’t know what I was expecting from this second season finale of American Gods but I can pretty confidently say it wasn’t this. And I mean that in the absolute best way humanly possible. The summary provided for the episode was just vague enough that all anybody really knew when going into this episode was that many of our characters would be reeling from the events that happened at the end of the previous episode and that Mr. World and New Media would launch some kind of attack on the nation at large. Aside from that, it was really anybody’s guess. There were certain things that could be inferred based on a basic knowledge of the novel and from events from earlier in the show’s history, but much of this finale was genuinely surprising and very satisfying. (Spoilers for the season 2 finale of American Gods, as well as the novel, follow!)
Episode 2×08: Moon Shadow (Written by Aditi Brennan Kapil and Jim Danger Gray, directed by Christopher J. Byrne)
In the aftermath of Sweeney’s (Pablo Schreiber) death, Wednesday (Ian McShane) has disappeared, and Shadow (Ricky Whittle) is tormented by the night’s events. Those that remain witness the power of New Media (Kahyun Kim) as she is unleashed, and the nation is enveloped in a state of panic brought on by Mr. World (Crispin Glover), who cunningly illustrates the power of fear and belief.
I’m on record as not loving last season’s A Prayer for Mad Sweeney. It’s not that it was a bad episode or anything, but it was the penultimate episode of the season and, instead of focusing on setting up the finale in any meaningful way, it spent all of its time on a flashback sequence that was only tangentially connected to one of the characters. It was the story about how Mad Sweeney came to America – but the character didn’t actually appear in the flashbacks until the very end of the episode. Instead, it was basically thirty minutes of the story of Essie McGowan – an interesting story but the definition of padding out an episode. Had this not been the penultimate episode of the season, I might not have been as disappointed by it, but since it was, I really didn’t dig it. So, hearing that the penultimate episode of season two was going to be another one that primarily focused on Mad Sweeney’s backstory, I was a bit skeptical about it. I went in expecting it to be another episode full of padding that didn’t really set up the finale at all. Boy, I was wrong. This episode perfectly balances the flashbacks and the present-day scenes, making sure the flashbacks actually seem related to what’s happening in the present day scenes – and then using those present-day scenes to raise the stakes for the finale in surprising and exciting ways. (MAJOR spoilers follow)
Episode 2×07: Treasure of the Sun (Written by Heather Bellson, directed by Paco Cabezas)
In Cairo, Mr. Wednesday (Ian McShane) entrusts Shadow (Ricky Whittle) with the Gungnir spear. Mad Sweeney (Pablo Schreiber), plagued by the cries of Banshees, recalls his journey through the ages as he awaits his promised battle. Once again, he warns Shadow about Wednesday. Meanwhile, Laura (Emily Browning) receives sage advice from Mama-Ji (Sakina Jaffrey), and Bilquis (Yetide Badaki) finds an audience.
Season two of American Gods seems to be establishing a pattern in which one episode moves the plot forward quite a bit while the next episode slows things down for a more introspective look at the characters. This episode is an example of the former. It’s another episode where a whole lot happens, but it also leaves plenty of room for some truly beautiful character moments. If you’ve been waiting for this second season of American Gods to reach the heights of its first, I think you’ll be very pleased, indeed, with this episode. It’s an absolutely stellar one – and it might be the most visually impressive episode of the season – aside from the premiere, of course.
Episode 2×05: The Ways of the Dead (Written by Rodney Barnes, directed by Salli Richardson-Whitfield)
Steeped in Cairo’s history, Shadow (Ricky Whittle) learns the ways of the dead with the help of Mr. Ibis (Demore Barnes) and Mr. Nancy (Orlando Jones). In New Orleans, Mad Sweeney (Pablo Schreiber) introduces Laura (Emily Browning) to old friends who share their world of voodoo healing. Mr. Wednesday (Ian McShane) embarks on a road trip with Salim (Omid Abtahi) and the Jinn (Mousa Kraish), and they have a challenging discussion about faith. Bilquis (Yetide Badaki) discovers an opportunity to draw new worshippers that might give her the power to break free of Mr. World (Crispin Glover).
American Gods continues its second season with another very good episode. While last week’s episode moved the plot along at a pretty speedy pace, this week’s episode slowed things down a bit more with a more introspective episode, filled to the brim with conversations about religion and faith, as well as renewal. Like I said, it was a pretty good episode. (There will be spoilers ahead!)
Episode 2×04: The Greatest Story Ever Told (Written by Peter Calloway and Aditi Brennan Kapil, directed by Stacie Passon)
While Shadow (Ricky Whittle) and Mr. Wednesday (Ian McShane) take a secret meeting in St. Louis, Bilquis (Yetide Badaki) arrives at the funeral home in Cairo, where she engages in a debate with Mr. Nancy (Orlando Jones) and Mr. Ibis (Demore Barnes). Laura (Emily Browning) rejoins Mad Sweeney (Pablo Schreiber), and Tech Boy (Bruce Langley) pays a visit to his first worshipper (Andrew Koji).
I’d say this episode pretty much confirms those rumors about Gaiman being unhappy that season one of American Gods departed a bit from the events of the book as nearly half of this episode is stuff that didn’t happen in the book. This isn’t a bad thing at all; in fact, I like that the show is continuing to branch out from the source material. There is so much stuff in American Gods that wasn’t explored in the novel but can be explored in the TV show, so I am very happy with the show taking the occasional detour from the book. That being said, is this detour worth the time spent on it? Yeah, I’d say so. (Spoilers for episode 2×02!)
Episode 2×02: The Beguiling Man (written by Tyler Dinucci & Andres Fischer-Centeno, directed by Frederick E.O. Toye)
Promising vengeance for the death of a beloved old god, Mr. Wednesday (Ian McShane) begins preparation for a great battle. Meanwhile Laura (Emily Browning) and Mad Sweeney (Pablo Schreiber) chase Shadow’s (Ricky Whittle) diminishing light after his disappears. The Jinn (Mousa Kraish) and Salim (Omid Abtahi) set out to retrieve the Gungnir spear, and Shadow encounters an associate, Mr. Town (Dean Winters), of Mr. World (Crispin Glover).
It’s been nearly two years since the first season of American Gods aired its final episode and a lot has happened behind the scenes. In November of 2017, original executive producers (and showrunners) Bryan Fuller and Michael Green left the show after reported disputes related to the budgeting of the season. From there, Jesse Alexander was hired as showrunner and, with the help of Neil Gaiman, retooled the second season of the show a lot, tossing out the six scripts that Fuller and Green had written. For a while, everything seemed to be going fine until reports emerged in September of 2018 that Alexander had been fired from the show and the finale had gone through seven different drafts and everything was in disarray. Gaiman and various members of the cast and crew have disputed these reports, but, nonetheless, to say that the show has been mired by behind-the-scenes drama would be an understatement. Many were worried the second season of the show would never see the light of day, and if it did, that there would be a noticeable drop in quality from the first season. Well, it’s March 10, 2019, and the first episode of the second season of American Gods has premiered on Starz and I’m happy to report that there is no noticeable drop in quality and the show’s just as good as ever. (NOTE: Spoilers for episode 2×01 follow!)
Episode 201: The House on the Rock (written by Jesse Alexander & Neil Gaiman, directed by Christopher J. Byrne)
Following the epic showdown at Easter’s party, Mr. Wednesday (Ian McShane) continues his quest to pitch the case for war to the Old Gods with Shadow (Ricky Whittle), Laura (Emily Browning) and Mad Sweeney (Pablo Schreiber) in tow. Meanwhile, Mr. World (Crispin Glover) plans revenge and Technical Boy (Bruce Langley) goes on the hunt for Media. First stop — the House on the Rock, where Shadow is taken “backstage.”
After last week’s less than stellar episode, American Gods is back with another strong, engaging episode. And just in time, too, as it’s the season finale. And, boy, it’s quite an epic one. All the various plot threads of the season come together in one big cluster as it all leads to the house of the goddess Easter. In Come to Jesus, written by Bekah Brunstetter, Bryan Fuller, and Michael Green and directed by Floria Sigismondi, it’s the eve of war and Mr. Wednesday (Ian McShane) must recruit one more Old God: Ostara, ne Easter, Goddess of the Dawn (Kristen Chenoweth), but winning her over will require making a good impression, and that is where Mr. Nancy (Orlando Jones) comes in. (As always, this review will contain spoilers, so read ahead at your own risk.) (more…)
The third episode of STARZ’s American Gods has just been uploaded to the STARZ website, and I have just finished watching it, so it’s time to continue reviewing what’s quickly become my new favorite show currently on TV. This week’s episode was written by Bryan Fuller and Michael Green and was directed by David Slade (Guillermo Navarro directed the Salim and Jinn scene). In Head Full of Snow, Shadow begins to question his decision to work for Mr. Wednesday after all that happened at the end of last week’s episode and the discovery of Wednesday’s plan to rob a bank. As if all that wasn’t enough, Shadow makes a startling discovery when he returns to his hotel room, one that might change his view of things. As always, this review will contain spoilers, so watch the episode before reading this review! (more…)
The second episode of STARZ’s new show American Gods has been uploaded to their website, and I have just watched it, so, it’s time to review it! This week’s episode was written by Michael Green and Bryan Fuller and was directed by David Slade. (It’s worth noting that this week’s Coming to America segment was directed by Guillermo Navaro.) In The Secret of Spoons, Shadow (Ricky Whittle) experiences a number of odd events as he and Mr. Wednesday (Ian McShane) begin their quest to recruit the Old Gods for the coming battle. He and Shadow travel to Chicago where Shadow agrees to a very high-stakes game of chess with the old Slavic god, Czernobog (Peter Stormare). This review will contain spoilers, so if you’ve yet to see the episode, don’t read the review! The short and sweet of it is: it’s a really good episode. It builds on everything that made the first episode good and pushes the show forward. Now, if you continue reading this, I’m assuming you’ve seen the episode. Last chance to turn back! (more…)