The third season of American Gods came to quite an explosive ending last week, with Shadow holding Wednesday’s vigil on the World Tree. It’s an ending that was well prepared for, concluding a season that spent ample time building up Shadow’s struggles with his divinity, his desire for power, and the cyclical nature of him trying to escape Wednesday’s shadow, only to be drawn further into it. On the whole, it was the most consistent season of American Gods to date. While it might not have reached the same heights of past seasons, it maintained a level of quality that ensured the show never reached the same lows of past seasons. Now, with the future of the show in flux, it seems like a good time to revisit the third season, looking at what worked and what didn’t.
NOTE: There will be full spoilers for all three seasons of American Gods. Read at your own risk.
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I honestly don’t know what I was expecting from this second season finale of American Gods but I can pretty confidently say it wasn’t this. And I mean that in the absolute best way humanly possible. The summary provided for the episode was just vague enough that all anybody really knew when going into this episode was that many of our characters would be reeling from the events that happened at the end of the previous episode and that Mr. World and New Media would launch some kind of attack on the nation at large. Aside from that, it was really anybody’s guess. There were certain things that could be inferred based on a basic knowledge of the novel and from events from earlier in the show’s history, but much of this finale was genuinely surprising and very satisfying. (Spoilers for the season 2 finale of American Gods, as well as the novel, follow!)
The moment I heard that Rachel Talalay would be directing an episode of the second season of American Gods, I grew really excited. I loved Talalay’s work on Doctor Who during the Peter Capaldi years, so I was extremely excited to see how her style would be applied to the world of American Gods. I’m happy to report that this episode totally feels like an episode that’s directed by Rachel Talalay – and I mean that in the best possible way. She has a distinct style and it’s very much on display here – while still staying true to the style of American Gods as a series. Add to all of that the fact that much of this episode takes place in a 1930s burlesque run by Mr. Wednesday, himself, and you have an episode that’s equal parts delightful, deeply emotional, and visually sumptuous. (This review features spoilers!) 
American Gods continues its second season with another very good episode. While last week’s episode moved the plot along at a pretty speedy pace, this week’s episode slowed things down a bit more with a more introspective episode, filled to the brim with conversations about religion and faith, as well as renewal. Like I said, it was a pretty good episode. (There will be spoilers ahead!)
Man, this episode is exactly what I wanted to see coming out of last week’s episode. While, on the whole, I liked last week’s episode quite a bit, I did feel like it didn’t progress the overall plot forward enough, instead focusing most of its time developing Shadow’s backstory some. Muninn, thankfully, does the exact opposite; quite a lot happens in this episode and much of it is really exciting. We’re introduced to New Media, Sam Blackcrow, and Argus and a whole lot of pieces are moved around the metaphorical chess board as the season continues down its current path. I really, really, really dug this episode. A lot. (NOTE: THERE ARE SPOILERS FOR THE EPISODE WITHIN THIS REVIEW!)
Thoroughly Modern Reviewer 