I am beginning to notice a trend with these books featuring the Thirteenth Doctor: I am liking them more than I liked a lot of the episodes in her first season. Perhaps it’s the fact that the novels have a bit more time to fully tell the stories they are wanting to tell. Perhaps it’s because these writers have an amazing grasp on these characters and the kinds of Doctor Who stories that work well in prose-form. Whatever the case, The Secret in Vault 13 is another excellent Doctor Who novel.
The Doctor has never faced a challenge quite like this.
A sinister school where graduation means death . . .
A monstrous mystery lurking beneath a quiet London street . . .
A desperate plea for help delivered by . . . Hang on. A potted plant?The Doctor has been summoned. The galaxy is in terrible danger, and only a Time Lord can save it. But to do so, she must break into the ancient Galactic Seed Vault. And at its heart lies a secret: Vault 13. The Vault has remained unopened for millions of years and is located on a remote and frozen world–from which nobody has ever returned alive. . . .
Can the Doctor and her friends Yaz, Ryan, and Graham uncover the shocking secret in Vault 13?
H.G. Wells’ The War of the Worlds has always been a better premise than it has been a story. The premise is just so interesting and malleable that it can be adapted and readapted into any number of different permutations. It’s this ability, more than the content of the actual story, that has allowed the novel to stand the test of time. Most of the well-known adaptations of the novel bear strikingly little in common with it – Orson Welles’ radio drama moves the action to America in the 1930s, and the two major film versions do the same thing, just in different time periods. One of the most well-known adaptations – that also skews pretty closely to the content of the original novel – was Jeff Wayne’s musical adaptation of the story. First released as a concept album in the 1970s, his adaptation has seen massive popularity in multiple worldwide tours. On the fortieth anniversary of the original release of that adaptation, Audible has released a new adaptation of Jeff Wayne’s musical – an audio drama featuring music from the musical and a new script. Is it as good as the musical? Well, I’m not sure I’d quite go that far, but it is pretty darn enjoyable.
I love a good sci-fi book, that much is well known. But what about a sci-fi book that puts forth the idea that all the mythological creatures from Earth’s history (fairies, pixies, werewolves, vampires, etc) are actually alien species exiled to our planet as punishment for crimes made on their own planets? Well, a book like that would be right up my wheelhouse. That’s exactly the kind of book that Dennis Meredith’s Mythicals is. It’s also a very good one, too.
With every new season of Doctor Who comes a new set of tie-in novels featuring the current Doctor. As season 11, the first season to feature Jodie Whittaker as the Thirteenth Doctor, just recently premiered, it’s time for the tie-in books to be released. The first of these, The Good Doctor, was released October 26 and was written by the New-to-Who author, Juno Dawson. It’s a novel that explores the impact the Doctor’s visits can have on a world and how religions might spring forth from them. It’s a pretty darn good book.
I’ve been a fan of Welcome to Night Vale, the podcast cocreated by Joseph Fink – author of this novel, Alice Isn’t Dead – and Jeffrey Cranor since around about 2013. It’s a lovely little podcast that perfectly mixes together a whole bunch of genres into its own little piece of brilliance. When it was announced that Fink and Cranor would launch an entire podcasting network, named “Night Vale Presents”, with a brand new podcast written by Joseph Fink, I was immediately interested. And then… I never got around to listening to it. It had a cool premise and seemed really intriguing and spooky, but I just never quite found the time. Then, it was announced earlier this year that Joseph Fink was going to turn that podcast, Alice Isn’t Dead, into a book that, essentially, told the same story as the podcast and I figured I’d just wait for the book to come out and experience the story in that medium. Months passed and I’ve now read the book and, I gotta tell ya, it’s really, really good.
I’m on the record as not being a particularly big fan of the musical Dear Evan Hansen. I always found Evan to be a super unlikable character (what with the whole lying to a grieving family for the entirety of the musical thing) and so that made it a bit hard to fully connect with the, admittedly interesting, plot. But my bigger problem with the musical was the songs. I just didn’t like them. They didn’t work for me. They didn’t feel like they were serving the story and they just sorta brought everything down. So, when I saw that Hachette Book Group was publishing a novelization of the musical, I figured I’d give it a shot. I did like the plot of the musical, and novels often make even the most unlikable character sympathetic in ways that more visual mediums aren’t able to. I’m happy to report that while Val Emmich’s novelization of the musical still has that one pretty big flaw in relation to Evan as a character, the novel is far more enjoyable than the musical is.
The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, was one of the only books given to me as assigned reading in high school that I actually enjoyed. It’s a wonderfully macabre Gothic novella that explores the duality of man within a really interesting sci-fi scenario. I enjoyed the book so much in high school that it actually led to me watching the fantastic BBC series Jekyll (a show that actually ended up being a really interesting sequel to the original story). So, naturally, when I saw that Anthony O’Neill’s Dr. Jekyll & Mr. Seek, a sequel to the original Jekyll & Hyde, I was immediately interested. The question is: how good is this book? Is it a worthy sequel to such an amazing original? The short answer is: no, not really. But it’s more complicated than that.
A book about giant robots from space that mysteriously appear out of nowhere in 64 cities all around the world written by Hank Green, one-half of one of my favorite YouTube channels? Sign me up! An Absolutely Remarkable Thing is the debut novel from Hank Green, co-creator of the YouTube channel Vlogbrothers and the brother of best-selling YA novelist John Green. It’s a book about more than giant alien robot statues invading the Earth. It’s a book about how fame corrupts us, the dangers of radicalization, and what makes us human. It’s also really, really good.
In news that should surprise absolutely no one, Mystery Science Theater 3000 makes for a really funny, really enjoyable, and really good comic. Written by a team of writers that includes series creator Joel Hodgson, Mystery Science Theater 3000: The Comic features Jonah Heston, Crow T. Robot, and Tom Servo being forced into the pages of public domain comics by Kinga Forrester and her lackey, Max. To survive these trips into those comics, Jonah and the ‘bots must riff their way through them.
Thoroughly Modern Reviewer 