Three and a half years after the release of the maligned theatrical cut of Justice League, Zack Snyder’s original cut of the film is almost here. It’s been a long time coming but thanks to the support of many fans and the desperation of a streaming service in need of new content, the world can finally see Snyder’s full take on the Justice League. The biggest question on everyone’s minds is whether this new cut is better than the theatrical cut. The answer is both simple and complicated. In many, if not most, ways, Zack Snyder’s Justice League is miles better than the theatrical cut. However, even with all the extra content and context, this new cut provides, several of the theatrical cut’s problems remain. And they’re joined by some new problems exclusive to this version. It’s not a bad movie or anything—it often borders on being a good one. But it’s a too-long film that suffers from bad pacing, a lack of focus, and characters that still feel more like archetypes than three-dimensional people. Long story short, it’ll please those who adore Snyder’s movies, annoy those who hate them, and leave the rest of us in a middle ground of partial pleasure and partial displeasure. (3.5 out of 5 wands.)
NOTE: This review will generally be spoiler free. There may be references to plot points that are shared between both cuts of the film, but most of the newer stuff will be hinted at instead of spoiled.
Continue readingZack Snyder’s Justice League
(written by Zack Snyder and Chris Terrio; directed by Zack Snyder)
Batman (Ben Affleck) and Wonder Woman (Gal Gadot) enlist a team capable of protecting the world from the impending threat of Steppenwolf (Ciarán Hinds) and his Parademon army, who are scouring the universe for three hidden Mother Boxes that would enable Steppenwolf to transcend worlds, lay waste to all enemies, and restore his good standing with his master, Darkseid (Ray Porter). Though most of Batman and Wonder Woman’s initial efforts are met with resistance, they ultimately recruit Aquaman (Jason Momoa), Cyborg (Ray Fisher), and The Flash (Ezra Miller). But in order to help preserve the future of mankind, first they must each overcome their own demons.After Steppenwolf secures two of the boxes buried deep within Themyscira and Atlantis, the superheroes are forced to take advantage of Cyborg’s unique connection to the one remaining. Harnessing the box’s capabilities to resurrect a final team member (Henry Cavill), they inadvertently provide Steppenwolf with an opportunity to obtain it – setting him up for imminent domination. With DeSaad and Darkseid waiting in the wings and posing catastrophic threats of their own, can this unique band of heroes dismantle the Mother Boxes before Steppenwolf’s synchronization is complete?
Birds of Prey is one of those comic properties that know very little about. While I’ve always been more of a DC fan, and Batman has always been my favorite of the DC heroes, I’ve rarely ventured too far outside of his main title. Of course, I’ve seen some of his various animated films and shows, so I’m familiar with characters like Harley Quinn and Renee Montoya, but I’ve never been introduced to Huntress or Black Canary. So, going into this movie I wasn’t really sure what to expect. The DCEU has a historically uneven track record, with only Wonder Woman and Shazam being particularly good and this film is technically a sequel to the atrocious 2016 Suicide Squad film, so there was certainly no guarantee of quality here. Couple that with the slightly-unusual way the film was promoted and it became quite hard to predict just what kind of film Birds of Prey would be. Luckily, the film is an utter delight from start to finish and ranks among the best entries of the DCEU to date. (Mild spoilers follow!) 
Thoroughly Modern Reviewer 