QUICKIE REVIEW: “The Falcon and The Winter Soldier” Episodes 1-3

I didn’t think I’d like this show. At all. The trailers made it look indistinguishable from the rest of the MCU’s normal fare. But, honestly, I’m surprised at how much I’m enjoying this show. It’s not as creative and risky as WandaVision, but The Falcon and The Winter Soldier is no less fun. If you told me to imagine a somewhat standard MCU story, I’d probably reply with something that sounded similar to this. To be fair, that’s not necessarily a bad thing. I’ve seen other reviewers describe Falcon and the Winter Soldier as reminiscent of the second Captain America film, and they’re right. This show is a character-driven political thriller. Its plot is kind of weak, but the character moments are fairly strong. This is the most character development Sam and Bucky have ever seen, and fans of them should be pretty pleased by how the characters are handled—Bucky in therapy was something I didn’t know I needed to see until I saw it. The way the show explores Bucky and Sam—their backstories, their trauma, and who they want to be—is a pretty compelling reason to watch the show, and the show mostly gets their characterizations right (though it stumbles a bit in the third episode).

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“American Gods” Season 3: What Worked, What Didn’t, and What’s Next?

The third season of American Gods came to quite an explosive ending last week, with Shadow holding Wednesday’s vigil on the World Tree. It’s an ending that was well prepared for, concluding a season that spent ample time building up Shadow’s struggles with his divinity, his desire for power, and the cyclical nature of him trying to escape Wednesday’s shadow, only to be drawn further into it. On the whole, it was the most consistent season of American Gods to date. While it might not have reached the same heights of past seasons, it maintained a level of quality that ensured the show never reached the same lows of past seasons. Now, with the future of the show in flux, it seems like a good time to revisit the third season, looking at what worked and what didn’t.

NOTE: There will be full spoilers for all three seasons of American Gods. Read at your own risk.

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REVIEW: “American Gods” S03E10 – “Tears of the Wrath-Bearing Tree”

And with that, another season of American Gods comes to a close. Tonight’s episode caps off what’s been the most consistent season of American Gods so far—and what an episode it is. If last week’s episode felt more like a traditional season finale, then this week’s episode acts as a beautiful coda to the season, bringing many of the character arcs to a conclusion while throwing the narrative door wide open for the show to go in any number of directions. It raises more questions than it answers, but that doesn’t make it any less entertaining. It straddles a nice line between faithfulness to the book and faithfulness to what the TV adaptation has become and I feel it works very well—even if there are some developments I’m not entirely sold on just yet. (4.5 out of 5 wands.) 

NOTE: This review features spoilers for episode 3×10 of American Gods. Read at your own risk.

American Gods: Episode 3×10: “Tears of the Wrath-Bearing Tree”
Written by: Laura Pusey and Ryan Spencer
Directed by: Russell Lee Fine

Teetering on the edge of war and peace, the gods gather to mourn a loss. Bilquis’ divine journey brings her to an unexpected revelation, while Shadow finally embraces a destiny that could bring him either greatness or death.

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REVIEW: “American Gods” S03E09 – “The Lake Effect”

It’s been a few weeks since I’ve reviewed an American Gods episode—but that’s not because they’ve been bad. Episode seven felt the victim of quick edits (which were needed to remove Marilyn Manson from the episode) but largely served as setup (albeit good setup) for the rest of the season. Episode eight was extremely beautiful when it focused on Salim’s plotline, but then the stuff with Tyr, Wednesday, and Shadow felt a bit under-baked. The same remains true for this week’s episode. On the surface, it feels a lot like a season finale, wrapping up many of the season’s ongoing plotlines while setting up future ones. But it also reveals one of the season’s biggest problems: in its effort to juggle so many plotlines, it’s forgotten which ones are more important and needed more focus, resulting in a moment that should’ve been a big, explosive reveal landing with more of a thud. Still, most of the episode works very well. (4 out of 5 wands.)

NOTE: This review contains spoilers for episode 3×09. Read at your own risk.

American Gods 3×09: “The Lake Effect”
Written by: Laura Pusey and Damian Kindler
Directed by: Metin Hüseyin

Shadow has to decide the price he’s willing to pay for his idyllic Lakeside life. As Laura and her new ally close in on her target, Wednesday has to persuade Czernobog that it’s time to make peace with their enemies.

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Was the “WandaVision” finale disappointing?

On the whole, I was pleasantly surprised by WandaVision. Of all the Disney+ MCU shows, WandaVision was the one that seemed most interesting. But I never expected to like it as much as I did. Was it perfect? No, but it took a lot longer for it to devolve into the more typical MCU fare than I’d expected. And, underneath all of that guff, was a compelling and moving story about grief—the kind of character-driven narrative that the MCU films aren’t equipped to deliver. For me, the character work balances out any problems I had with the show’s overarching narrative, but others seem to disagree quite heartily. The question of the week appears to be: was the WandaVision finale disappointing? For me, the answer is both yes and no. Allow me to explain.

NOTE: Full spoilers for the entirety of WandaVision’s first season.

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REVIEW: “American Gods” S03E06 – “Conscience of the King”

While last week’s episode of American Gods saw quite a lot of stuff happen, things slowed down some this week. In “Conscience of the King,” we finally get some answers about Wednesday (Ian McShane) and Demeter’s (Blythe Danner) past, Technical Boy (Bruce Langley) confronts Mr. World (Danny Trejo) about his endless glitching, Laura (Emily Browning) and Salim (Omid Abtahi) struggle to find Wednesday, and Shadow (Ricky Whittle) spends some quality time in Lakeside with Marguerite (Lela Loren) and her family. It’s a quieter episode, but one with a focus on the characters and their future. As usual, though, the show may have tried to cram a few too many things into its fifty-minute runtime. It’s a great episode, but some parts feel woefully underexplored. (4 out of 5 wands.)

(NOTE: This review contains spoilers for episode 3×06 of American Gods. Read at your own risk.)

American Gods S03E06: “Conscience of the King”
Written by: Aric Avelino
Directed by: Mark Tinker
Despite his past following him to Lakeside, Shadow (Ricky Whittle) makes himself at home and builds relationships with the town’s residents. Laura (Emily Browning) and Salim (Omid Abtahi) continue to hunt for Wednesday (Ian McShane), who attempts one final gambit to win over Demeter (Blythe Danner).

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REVIEW: “American Gods” S03E05 – “Sister Rising”

A lot happens in this week’s episode of American Gods. So much, in fact, that it feels like the episode is comprised of two different episodes that have been forced together. The first is the conclusion to the previous episode’s Bilquis (Yetide Basaki) arc; the second is a heist-themed episode seeing Shadow (Ricky Whittle) and Cordelia (Ashley Reyes) finding dirt on Hutchinson (Sebastian Spence), Demeter’s (Blythe Danner) conservator. The combination of these two storylines creates a tonally weird experience, with the first half of the episode being emotional and philosophical and the second half being more comedic. This doesn’t result in a bad episode, though, just a somewhat uneven one. Still, there’s a lot of exciting highs to be found here. (4 out of 5 wands.)

(NOTE: This review contains spoilers for episode 3×05 of American Gods. Read at your own risk.)

American Gods S03E05 – “Sister Rising”
Written by: Damian Kindler
Directed by: Nick Copus

Shadow (Ricky Whittle) explores notions of purpose, destiny and identity with a newly enlightened Bilquis (Yetide Badaki). Elsewhere, Technical Boy (Bruce Langley) struggles with an identity crisis of his own. In his efforts to free Demeter (Blythe Danner), Wednesday (Ian McShane) asks a reluctant Shadow to assist in a new con.

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REVIEW: “American Gods” S03E04 – “The Unseen”

Last week’s episode may not have been my favorite episodes of American Gods, but this week’s episode is a marked improvement. “The Unseen” shows American Gods firing on all cylinders. The plot continues to progress, most of the characters are given something meaty and entertaining to play with, and, best of all, the episode manages to balance all of these elements perfectly. Almost every complaint I’ve had for the past few episodes is addressed here, and I can’t say enough positive things about this week’s episode. With any luck, there’ll be more episodes like this one in the future. (4.5 out of 5 wands.)

NOTE: This review contains spoilers for American Gods S03E04. Read at your own risk.

American Gods S03E04 – “The Unseen”
Written by: Nick Gillie, directed by: Eva Sørhaug
Shadow (Ricky Whittle) and Technical Boy (Bruce Langley) team up to search for Bilquis (Yetide Badaki), who finds herself captive and in the midst of a crisis of identity. While visiting the local chapter of notorious biker gang Lords of Valhalla, Wednesday (Ian McShane) runs into a familiar face, which puts him in great peril. In purgatory, Laura (Emily Browning) learns about her own destiny and the powerful enemies determined to prevent her from fulfilling it.

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REVIEW: SyFy’s “Resident Alien” Never Manages to Take Off

Who doesn’t love a good fish out of water comedy? There’s just so much joy to be mined out of watching a character from one environment have to navigate the ins and the outs of a totally new and alien environment. This trope is especially successful in sci-fi settings, where either a human has to adapt to an alien culture or vice versa. It’s this trope that first attracted me to SyFy’s Resident Alien, a TV adaptation of the Dark Horse Comics series of the same name. Here, Alan Tudyk plays an alien who’s crash-landed in a small Colorado town and is forced to blend in with the local townsfolk as a quirky doctor, Harry Vanderspeigle, while searching for the remnants of his ship and the device he intends to use to destroy the world. It’s one of those premises that seems destined to become a classic sci-fi fish out of water story. Unfortunately, Resident Alien never quite manages to take off in its first seven episodes. It’s not a bad show, just a wildly uneven one. Its plot is unfocused, it struggles to balance its comedy with its drama, and many of the characters feel underdeveloped, at best, and paper thin and annoying, at worst. There’s plenty of potential here, but there’s a lot of work to be done before this show is as good as its premise is. (3 out of 5 wands.)

NOTE: This review is based off of the first seven episodes. It will be as spoiler free as possible.

Resident Alien (created by Chris Sheridan)
Based on the Dark Horse comic, SYFY’s RESIDENT ALIEN follows Harry, an alien played by Alan Tudyk that crash lands on Earth and passes himself off as a small-town human doctor. Arriving with a secret mission to kill all humans, Harry starts off living a simple life… but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does so, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”

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REVIEW – “American Gods” S03E03 – “Ashes and Demons”

No TV show can be perfect. Even the best-made ones stumble from time-to-time. Plotlines get fumbled, character arcs don’t pan out, whatever—every show has an episode that isn’t stellar. Unfortunately, this week’s episode of American Gods is one such episode. It’s not that “Ashes and Demons” is bad or anything. It’s still fairly solid. But it’s the episode that’s most emblematic of my complaints regarding season 3. It’s an episode filled with things that I liked, but it’s also one that never manages to come together as a satisfying whole. The editing, primarily, is what lets this episode down and results in it feeling like a collection of unrelated scenes with no sense of purpose or flow. But still—on their own, those scenes are pretty good. And there’s a lot to like about the episode. (3.5 out of 5 wands) 

NOTE: This review features spoilers. Read at your own risk.

American Gods – S03E03 – “Ashes and Demons”
Written by Anne Kenney, Directed by Thomas Carter
As the search for the missing girl continues, Shadow (Ricky Whittle) dreams of Bilquis (Yetide Badaki), a hint that she too may be in danger. Wednesday (Ian McShane) discovers the whereabouts of his old love, the Greek goddess Demeter (Blythe Danner), and resolves to free her from the grip of an unscrupulous antagonist. Meanwhile, an impatient Laura (Emily Browning) is forced to confront her troubled past in purgatory.

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