REVIEW: “American Gods” S03E04 – “The Unseen”

Last week’s episode may not have been my favorite episodes of American Gods, but this week’s episode is a marked improvement. “The Unseen” shows American Gods firing on all cylinders. The plot continues to progress, most of the characters are given something meaty and entertaining to play with, and, best of all, the episode manages to balance all of these elements perfectly. Almost every complaint I’ve had for the past few episodes is addressed here, and I can’t say enough positive things about this week’s episode. With any luck, there’ll be more episodes like this one in the future. (4.5 out of 5 wands.)

NOTE: This review contains spoilers for American Gods S03E04. Read at your own risk.

American Gods S03E04 – “The Unseen”
Written by: Nick Gillie, directed by: Eva Sørhaug
Shadow (Ricky Whittle) and Technical Boy (Bruce Langley) team up to search for Bilquis (Yetide Badaki), who finds herself captive and in the midst of a crisis of identity. While visiting the local chapter of notorious biker gang Lords of Valhalla, Wednesday (Ian McShane) runs into a familiar face, which puts him in great peril. In purgatory, Laura (Emily Browning) learns about her own destiny and the powerful enemies determined to prevent her from fulfilling it.

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REVIEW – “American Gods” S03E03 – “Ashes and Demons”

No TV show can be perfect. Even the best-made ones stumble from time-to-time. Plotlines get fumbled, character arcs don’t pan out, whatever—every show has an episode that isn’t stellar. Unfortunately, this week’s episode of American Gods is one such episode. It’s not that “Ashes and Demons” is bad or anything. It’s still fairly solid. But it’s the episode that’s most emblematic of my complaints regarding season 3. It’s an episode filled with things that I liked, but it’s also one that never manages to come together as a satisfying whole. The editing, primarily, is what lets this episode down and results in it feeling like a collection of unrelated scenes with no sense of purpose or flow. But still—on their own, those scenes are pretty good. And there’s a lot to like about the episode. (3.5 out of 5 wands) 

NOTE: This review features spoilers. Read at your own risk.

American Gods – S03E03 – “Ashes and Demons”
Written by Anne Kenney, Directed by Thomas Carter
As the search for the missing girl continues, Shadow (Ricky Whittle) dreams of Bilquis (Yetide Badaki), a hint that she too may be in danger. Wednesday (Ian McShane) discovers the whereabouts of his old love, the Greek goddess Demeter (Blythe Danner), and resolves to free her from the grip of an unscrupulous antagonist. Meanwhile, an impatient Laura (Emily Browning) is forced to confront her troubled past in purgatory.

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REVIEW: “American Gods” S03E02 – Serious Moonlight

It’s difficult to write weekly reviews of a serialized TV show. When writing a review, you typically want to be able to examine all aspects of the thing you’re reviewing. For a TV show or a film, you want to look at the acting, directing, and writing. That last element is particularly difficult when you’re covering a show that airs week-to-week as many of the episodes don’t have a self-contained narrative that can be evaluated; instead, you hope that what gets set up in earlier episodes is paid off in later ones. This is very true for American Gods—a show which has often been criticized for its slow-paced narrative. So, in that light, I don’t think it’s such a great idea to review each episode of the show the way I’d review an entire story. Instead, I am going to simply talk about what I liked and didn’t like in each episode, with an emphasis on what I hope to see the show do going forward. For this week’s episode, “Serious Moonlight,” there’s a lot to like. Sure, the episode still acts primarily as a setup for the rest of the season, but the individual events of the episode are pretty delightful—from finally getting a good glimpse at Lakeside to journeying to Chicago for a Slavic celebration. There’s a lot to like about this week’s episode and a lot to look forward to. (4 out of 5 wands.)

NOTE: This review will feature spoilers for American Gods S03E02. Read at your own risk.

American Gods S03E02 – “Serious Moonlight”
(written by Moise Verneau, directed by Julian Holmes)
Shadow (Ricky Whittle) explores his oddly welcoming new town before heading to Chicago for a gathering of the Old Gods on Koliada, an ancient Slavic festival. At the Koliada, Wednesday (Ian McShane) reconnects with his oldest friend, and Salim (Omid Abtahi) mourns the unexpected end of his relationship with The Jinn. Shadow returns to Lakeside to find the town rocked by the disappearance of a teenage girl—and discovers that he himself is a suspect.

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REVIEW: American Gods S03E01 – A Winter’s Tale

After a nearly two-year break, American Gods is back on our TV screens—and not a moment too soon. And, as is customary for the show, a lot’s happened in those two years. There have been more shakeups in front of, and behind, the camera, leading to the departure of actors like Orlando Jones, Kahyun Kim, and Mousa Kraish. However, unlike the previous season, it appears that the making of season three was a far smoother affair—an assumption that is borne out on screen. Despite everything that may have happened behind the scenes, the season premiere of American Gods is great. It does everything a premiere should do—establishes where the characters are as the season begins and where they’re headed, lays the groundwork for future episodes, and energizes audiences for the season to come. While the premiere sometimes feels like a pilot episode for a new show, it remains distinctly American Gods-esque and is genuinely fun and exciting to watch. (4.5 out of 5 wands.)

(NOTE: This review contains full spoilers for the episode. Read at your own risk.)

American Gods S03E01 – “A Winter’s Tale” (written by David Paul Francis, directed by Jon Amiel)
After months apart, Wednesday reappears in Shadow’s life, resolved to drag him back into his divine war effort. A meeting with the god Wisakedjak leaves Shadow with a prophecy about his destiny—a destiny that seems determined to bring him to the idyllic, snowy town of Lakeside, Wisconsin.

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REVIEW: “American Gods” Season 3 (Spoiler Free)

American Gods is one of my favorite TV shows. Its quality isn’t always consistent and there seems to be a lot of turnover in front of, and behind, the camera, but there’s nothing else like it on TV and I find myself returning to it time and time again. Its source material being so fantastic helps a lot, of course, but I still find much to enjoy in Starz’s TV adaptation. So, naturally, I was beyond excited to see what they’d do with season three. With another round of cast and crew shakeups, season three had a lot working against it. But it was said to be adapting one of the best parts of the book (the Lakeside arc) and featured a slew of new and exciting cast members, so there was still much to be hopeful about. And, having seen the first four episodes, I’d say that hope is fulfilled. The third season of American Gods feels simultaneously familiar and new—it’s identifiably the same show we’ve fallen in love with but it’s bursting with new energy and momentum. It’s not perfect, but it’s a promising start. (4.5 out of 5 wands)

(NOTE: This review strives to be as spoiler free as possible. There may be mentions to information officially revealed in trailers and promotional material, but no major plot points will be discussed.)

American Gods – Season Three
Following his discovery last season that Mr. Wednesday is his father, Shadow attempts to break away and assert himself as his own man. As he settles into life in Lakeside, he uncovers a dark secret while exploring questions of his own divinity. Guided on this spiritual journey by the gods of his black ancestors, the Orishas, Shadow must decide exactly who he is—a god seeking veneration or a man in service of the “we.”

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NEWS: “American Gods” Season 3 Trailer

After a nearly two-year hiatus, American Gods returns to Starz in just over a month, and with the show premiering so soon, it’s about time for the promotional train to leave the station. Well, as of today, that train has officially left the station as the season’s official trailer has been released. Starring Ricky Whittle, Ian McShane, Emily Browning, Yetide Badaki, Bruce Langley, Omid Abtahi, Demore Browns, and Ashley Reyes, American Gods Season 3 is the first to be headed by new showrunner Charles H. Eglee and sees Shadow hiding in the small Wisconsin town of Lakeside from the Gods—and his destiny. Take a look at the trailer below:

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REVIEW: “Doctor Who – Adventures in Lockdown”

The pandemic has been exceptionally hard on the entertainment industry. It’s been difficult for everyone, but industries that rely on large groups of people gathering together to do or watch something have been hit particularly hard. Still, many individual pieces of entertainment found creative and innovative ways to continue making content during this time. Doctor Who might have found one of the more fun ways of doing things—publishing short stories and videos created by people involved in the making of the show. What started as a series of short stories posted on the Doctor Who website has turned into an anthology of 16 stories published in support of the Children in Need charity. Doctor Who: Adventures in Lockdown is not only a fun read for a good cause, but an example of how creative and varied the show can be. (4.5 out of 5 wands)

Doctor Who: Adventures in Lockdown (by Chris Chibnall, Steven Moffat, Russel T. Davies, Neil Gaiman, Joy Wilkinson, Vinay Patel, Pete McTighe, Paul Cornell, and Mark Gatiss)
While staying home was a vital safety measure in 2020, the freedom of the TARDIS remained a dream that drew many – allowing them to roam the cosmos in search of distraction, reassurance and adventure. Now some of the finest TV Doctor Who writers come together with gifted illustrators in this very special short story collection in support of BBC Children in Need.

Current and former showrunners – Chris Chibnall Russell T Davies and Steven Moffat – present exciting adventures for the Doctor conceived in confinement, alongside brand new fiction from Neil Gaiman, Mark Gatiss and Vinay Patel. Also featuring work from Chris Riddell, Joy Wilkinson, Paul Cornell, Sonia Leong, Sophie Cowdrey, Mike Collins and many more, Adventures in Lockdown is a book for any Doctor Who fan in your life, stories that will send your heart spinning wildly through time and space…

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NEWS: “American Gods” Season 3 Trailer (and all other NYCC teases)

It’s been about a year and a half since the second season of Starz’s adaptation of Neil Gaiman’s American Gods ended. In the time since, a new showrunner has been appointed, some cast members have come and gone, and a pandemic has brought much of the film and TV industry to a complete standstill. But, as the saying goes, the show must go on – and go on it has, with much of the upcoming season’s post-production work happening quietly and remotely throughout the last several months. But finally, after a long wait, American Gods leapt onto the New York Comic Con scene with plenty of news, announcements and reveals about the upcoming season – including new key art and a trailer!

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REVIEW: Audible’s “The Sandman”

Making an audio adaptation of The Sandman seems like a great idea. There’s a lot of ways to convey fantasy settings using just sound and it feels like the perfect medium for The Sandman. I mean, it’s a series about the power of stories and what better way to experience the story than to close your eyes and let the sounds wash over you, right? And, in all honesty, that’s basically what Audible’s adaptation of The Sandman is – though, I’d argue it skews a bit closer to an audiobook than a true audio drama, but for most people, that’ll be just fine. For me, I enjoyed the adaptation but I wish it embraced the power of audio dramas a bit more than it does and relied less on narration to explain the “missing” visuals. (4 out of 5 wands.)

(NOTE: Mild spoilers may follow.)

The Sandman (written by Neil Gaiman, adapted by Dirk Maggs)
When The Sandman, also known as Lord Morpheus—the immortal king of dreams, stories and the imagination—is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence. As the multi-threaded story unspools, The Sandman descends into Hell to confront Lucifer (Michael Sheen), chases rogue nightmares who have escaped his realm, and crosses paths with an array of characters from DC comic books, ancient myths, and real-world history, including: Inmates of Gotham City’s Arkham Asylum, Doctor Destiny, the muse Calliope, the three Fates, William Shakespeare (Arthur Darvill), and many more.

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SCRIPT REVIEW: “Sandman” by Ted Elliot and Terry Rossio

I don’t normally review screenplays – and I especially don’t normally review screenplays that were never produced. But I am making an exception here. Neil Gaiman’s The Sandman has had a long road to being adapted for another medium. A film version languished in development hell for 20-some years before finally getting turned into an upcoming Netflix TV series and an Audible audio drama. One of the writing teams attached to the film was Ted Elliot and Terry Rossio, most famous for writing Shrek and the Pirates of the Caribbean series. In 1996, they wrote a draft of a Sandman film. That draft is publicly available for reading on their website, Wordplayer. It is for this reason that I feel comfortable reading and reviewing the script – the writers have put it out there and, at that point, it’s fair game to be looked at. And, in all fairness, I actually think their attempt at adapting The Sandman is a relatively good one. Obviously, those comics are better suited for a TV series, but as far as film adaptations go, it’s pretty solid. (3.5 out of 5 wands.)

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