Here’s the thing about the Men in Black movies: none of them are really that good. None of them are bad, either, but they’re nothing particularly special. They’ve always been harmless summer blockbusters that were more concerned with being a comedic, visual treat than telling a particularly compelling story. The first three films always succeeded based on the chemistry of their stars – Will Smith and Tommy Lee Jones. And that was okay. Men in Black never needed to be some pinnacle of storytelling; they were just these enjoyable action movies. All of that remains true for Men in Black: International, the latest sequel/reboot in the Men in Black franchise. The film features a pretty basic, predictable plot, some enjoyable jokes, some serviceable action, and largely succeeds based on the chemistry of its two stars – Chris Hemsworth and Tessa Thompson. (Mild spoilers ahead.)
Men in Black: International (written by Art Macrum and Matt Holloway, directed by F. Gary Gray)
The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.
I love Neil Gaiman’s books. Obviously. I talk about them all the time. I write religiously about the American Gods TV series. One of the first Gaiman novels I ever read was his collaboration with Terry Pratchett (of Discworld fame), Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch. It was one of those books that felt akin to Douglas Adams’ novels and it was a book that I really loved. Naturally, I’d heard rumors of it being turned into a film for years, though nothing ever seemed to come of it until Amazon Prime and BBC announced they were co-producing a six-episode adaptation, written and executive produced by Gaiman, himself. I’m a big fan of authors getting to adapt their own stories for various mediums – though, often, many authors don’t do such a great job with those adaptations as they don’t understand the constraints of whichever medium the story is being adapted for. Gaiman, however, has plenty of experience writing for film, TV, comics, and prose, so if any author could successfully translate their novel into a visual medium, it would be Neil Gaiman. Thankfully, that’s exactly what he did with this adaptation, too. These six episodes of Good Omens are so delightfully accurate to the novel, so immensely entertaining, and so well put together that it is just so joyous to watch. This is one of those shows that I might revisit yearly just for the hell of it. (Mild spoilers for both the novel and the show ahead!)
Good Omens (written by Neil Gaiman, directed by Douglas Mackinnon)
Aziraphale (Michael Sheen) and Crowley (David Tennant), of Heaven and Hell respectively, have grown rather fond of the Earth. So it’s terrible news that it’s about to end. The armies of Good and Evil are amassing. The Four Horsemen are ready to ride. Everything is going according to the Divine Plan…except that someone seems to have misplaced the Antichrist. Can our heroes find him and stop Armageddon before it’s too late?
Stranger Things is returning to screens this summer for its third season and it seems that Netflix is pulling out all the stops to promote it. With multiple novels and comic mini-series, the Stranger Things universe just seems to be growing and growing. And, here’s the thing: these Stranger Things novels are really turning out to be pretty enjoyable reads. I loved the first one, Suspicious Minds (written by Gwenda Bond) and I quite enjoyed this second one, Darkness on the Edge of Town. It’s not quite as spectacular as the first one – and it doesn’t quite reveal anything as shocking or interesting as that book – but it ends up being a pretty solid crime novel with a Stranger Things twist. (Mild spoilers for the novel follow.)
“Stranger Things: Darkness on the Edge of Town” by Adam Christopher Christmas, Hawkins, 1984. All Chief Jim Hopper wants is to enjoy a quiet first Christmas with Eleven, but his adopted daughter has other plans. Over Hopper’s protests, she pulls a cardboard box marked “New York” out of the basement—and the tough questions begin. Why did Hopper leave Hawkins all those years ago? What does “Vietnam” mean? And why has he never talked about New York?
Although he’d rather face a horde of demogorgons than talk about his own past, Hopper knows that he can’t deny the truth any longer. And so begins the story of the incident in New York—the last big case before everything changed. . . .
Summer, New York City, 1977. Hopper is starting over after returning home from Vietnam. A young daughter, a caring wife, and a new beat as an NYPD detective make it easy to slip back into life as a civilian. But after shadowy federal agents suddenly show up and seize the files about a series of brutal, unsolved murders, Hopper takes matters into his own hands, risking everything to discover the truth.
Soon Hopper is undercover among New York’s notorious street gangs. But just as he’s about to crack the case, a blackout rolls across the boroughs, plunging Hopper into a darkness deeper than any he’s faced before.
I’m really picky about the kinds of science fiction and fantasy books I like. I like stories that have a well-defined world while also not requiring an encyclopedia to understand that world. I like stories with well-defined characters who help guide the reader through this other world. So, when Gregory Tasoulas reached out to offer a review copy of his book The Journals of Incabad Reyl for me to review, I thought I’d give it a shot. It seemed right up my alley and, on the whole, I’m not disappointed. It’s not really the kind of sci-fi/fantasy story I’d read, but it did end up being pretty good.
In a different Universe where electricity is the defining driving force of all natural existence, and life exists on floating islands called troves, Incabad Reyl is the greatest scientist of his time. It was his research on the 12 electrons that gave the Equation of fractal dynamics, the Equation that became the basis of Horizon’s modern technology. The Equation that brought about a better understanding of the echomagnetic fields of the 12 permanent Storms and ushered Horizon into an era of technological advancement based on its abundant electrical forces.
But his Equation was flawed and incomplete…
And so, decades after his famous research that put him on a pedestal as Horizon’s greatest scientific mind, Professor Reyl embarks on a clandestine adventure to find what he calls the Master Equation. An equation that will define the elusive variables of the Horizon’s volatile and ever-changing echomagnetic fields. Or so everybody thinks.
His only ally a cryptic Oracle from the trove Ocheron, Lieutenant Auburn Thorn.
Together, the two men leave the trove Accadia, one of the ten Cradles of human civilization and travel to the distant and unexplored trove Tarn, where they venture deep into the uncharted jungle. With the help of Auburn’s oracular abilities, they discover an ancient technomagical building of unknown origins.
While the superficial harmony between the ten Cradles of humanity unravels around them, the two will have to face unforeseen adversities and betrayals, in a race to save humanity’s future.
Season two of American Gods has had a pretty tough time getting to our screens. Originally renewed shortly after the first season began airing, season two suffered numerous production woes – first, the loss of its original two showrunners, Michael Green and Bryan Fuller; then the hiring and subsequent (reported) sacking of new showrunner Jesse Alexander; and, finally, countless delays to the show actually arriving on our screens. For a while, it seemed as though American Gods would never return to TV again or, if it did, it would return in a state that was dramatically less spectacular than its original season was. Well, thankfully, season two of American Gods officially premieres on STARZ this Sunday, March 10. STARZ has provided critics with the first two episodes of the season – and I have seen them – and I am happy to report that the show has, indeed, returned – and it’s returned without a significant drop in quality! (This review will be as spoiler-free as possible. Full, spoiler-filled reviews of each episode will be available on the Sundays that they air.)
Starring Ricky Whittle as Shadow Moon and Ian McShane as Mr. Wednesday, “American Gods” is a one-hour drama adapted from Neil Gaiman’s best-selling novel about a war brewing between Old Gods and New Gods: the traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. We were forged in God’s image, but the Gods are also made in ours — and in Season Two the battle moves inexorably toward crisis point as the destinies of gods and men collide. While Mr. World (Crispin Glover) plots revenge for the attack against him in Season One, Shadow throws in his lot with Wednesday’s attempt to convince the Old Gods of the case for full-out war, with Laura (Emily Browning) and Mad Sweeney (Pablo Schreiber) in tow. A council at the House on the Rock explodes into chaos, sending deities both Old and New on quests across America that will converge on Cairo, Illinois: forcing Shadow to carve out a place as a believer in this strange new world of living gods — a dark world where change demands commitment, and faith requires terrible sacrifice.
I love a good sci-fi book, that much is well known. But what about a sci-fi book that puts forth the idea that all the mythological creatures from Earth’s history (fairies, pixies, werewolves, vampires, etc) are actually alien species exiled to our planet as punishment for crimes made on their own planets? Well, a book like that would be right up my wheelhouse. That’s exactly the kind of book that Dennis Meredith’s Mythicals is. It’s also a very good one, too.
Drunken journalist Jack March can’t believe his bleary eyes when he stumbles onto a winged fairy! She vaults away into the night sky, and his unbelievable—and unbelieved—encounter leads to a stunning revelation that all the creatures of myth and legend are real!
Fairies, pixies, trolls, werewolves, ogres, vampires, angels, elves, bigfoot—all are alien exiles to the planet. For their crimes, these “mythicals” are serving out banishment disguised in flesh-suits enabling them to live among the planet’s natives.
Jack reveals their secret to the world, along with a horrendous discovery: they have decided that the native “terminal species” must be eradicated before it ruins its home planet’s ecology.
In this riveting scifi/fairy tale, Jack joins with sympathetic fairies, pixies, and ogres to attempt to save the planet from the mythicals, as well as the mysterious alien cabal known as the Pilgrims.
Every new Doctor has to have a story set in the present day, a story set in the future/on an alien planet, and a story set in the past to start off their first season. We’ve had the present day story and we’ve had the futuristic/alien planet story, so it was time for our first trip into the past with this new TARDIS team. And where does the TARDIS end up taking our plucky heroes? None other than Montgomery Alabama, 1955. The day before Rosa Parks’ famous bus protest. Obviously, this is a rather touchy story for Doctor Who to try and tackle, so the biggest question is whether or not the show handled it well. In short: it absolutely did. (NOTE: There will be full spoilers ahead, so read with caution.)
Episode 1103: Rosa (written by Malorie Blackman and Chris Chibnall and directed by Mark Tonderai)
Montgomery, Alabama. 1955. The Doctor (Jodie Whittaker) and her friends find themselves in the Deep South of America. As they encounter a seamstress by the name of Rosa Parks (Vinette Robinson), they begin to wonder whether someone is attempting to change history.
How do you follow up from an excellent season premiere of Doctor Who? With a dangerous romp across an alien planet and an excellent mystery, of course! Picking up pretty much where the previous episode ended, The Ghost Monument takes the 13th Doctor (Jodie Whittaker) and her new friends, Graham (Bradley Walsh), Ryan (Tosin Cole), and Yaz (Mandip Gill) to their first alien world together. Stranded without the TARDIS, will the team be able to survive their first foray on an alien planet? (THERE WILL BE SPOILERS IN THIS REVIEW)
1102: The Ghost Monument (written by Chris Chibnall and directed by Mark Tonderai)
Still reeling from their first encounter, can the Doctor and her new friends stay alive long enough in a hostile alien environment to solve the mystery of Desolation? And just who are Angstrom (Susan Lynch) and Epzo (Shaun Dooley)?
The Doctor and her new friends have barely had a chance to recover from their first adventure together before they are plunged into another – which will take Graham, Ryan and Yasmin on their first journey to an alien planet. The unlikely travelling companions are faced with a struggle for survival as they try to solve the mystery at the heart of this strange, dangerous new world.
The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, was one of the only books given to me as assigned reading in high school that I actually enjoyed. It’s a wonderfully macabre Gothic novella that explores the duality of man within a really interesting sci-fi scenario. I enjoyed the book so much in high school that it actually led to me watching the fantastic BBC series Jekyll (a show that actually ended up being a really interesting sequel to the original story). So, naturally, when I saw that Anthony O’Neill’s Dr. Jekyll & Mr. Seek, a sequel to the original Jekyll & Hyde, I was immediately interested. The question is: how good is this book? Is it a worthy sequel to such an amazing original? The short answer is: no, not really. But it’s more complicated than that.
In this dark, atmospheric sequel to Robert Louis Stevenson’s timeless classic, the strange case continues with the return of Dr. Jekyll . . .
Seven years after the death of Edward Hyde, a stylish gentleman shows up in foggy London claiming to be Dr. Henry Jekyll. Only Mr. Utterson, Jekyll’s faithful lawyer and confidant, knows that he must be an impostor―because Jekyll was Hyde.
But as the man goes about charming Jekyll’s friends and reclaiming the estate, and as the bodies of potential challengers start piling up, Utterson is left fearing for his life . . . and questioning his own sanity.
This brilliantly imagined and beautifully written sequel to one of literature’s greatest masterpieces perfectly complements, as well as subverts, Stevenson’s gothic classic. And where the original was concerned with the duality of man, the sequel deals with the possibility of identity theft of the most audacious kind. Constantly threading on the blurred lines between reality and fantasy, madness and reason, self-serving delusions and brutal truths, Dr. Jekyll and Mr. Seek honors the original Stevenson with a thrilling new conclusion.
A book about giant robots from space that mysteriously appear out of nowhere in 64 cities all around the world written by Hank Green, one-half of one of my favorite YouTube channels? Sign me up! An Absolutely Remarkable Thing is the debut novel from Hank Green, co-creator of the YouTube channel Vlogbrothers and the brother of best-selling YA novelist John Green. It’s a book about more than giant alien robot statues invading the Earth. It’s a book about how fame corrupts us, the dangers of radicalization, and what makes us human. It’s also really, really good.
The Carls just appeared. Coming home from work at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship–like a ten-foot-tall Transformer wearing a suit of samurai armor–April and her friend Andy make a video with it, which Andy uploads to YouTube. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world–everywhere from Beijing to Buenos Aires–and April, as their first documentarian, finds herself at the center of an intense international media spotlight.
Now April has to deal with the pressure on her relationships, her identity, and her safety that this new position brings, all while being on the front lines of the quest to find out not just what the Carls are, but what they want from us.
Compulsively entertaining and powerfully relevant, An Absolutely Remarkable Thing grapples with big themes, including how the social internet is changing fame, rhetoric, and radicalization; how our culture deals with fear and uncertainty; and how vilification and adoration spring from the same dehumanization that follows a life in the public eye.