Some Thoughts on “The Greatest Showman” Soundtrack, “A Christmas Story Live!”, and Pasek and Paul

pasekpaul7473rtsmallIt never truly feels like Christmas for me unless there’s some kind of musical event in either the television or film world. Whether it’s a new movie musical for Hollywood or another one of those live musicals on TV (via NBC or FOX), a big part of my Christmas tradition nowadays is a new musical to watch and enjoy right before the big holiday. This year was no exception, bringing two musicals to my eyeballs. FOX just aired A Christmas Story Live! this past weekend (with a book by Robert Cary and Jonathan Tolins and music and lyrics by the songwriting duo Pasek and Paul) and 20th Century Fox is releasing a new movie musical about P.T. Barnum (of Barnum and Bailey Circus fame) directed by Michael Gracey, with a screenplay by Jenny Bicks and Bill Condon and music and lyrics by Pasek and Paul. You might have noticed a theme there with both of this year’s big, new musical offerings: they both feature the music of Benj Pasek and Justin Paul. Fresh off their recent success with Broadway’s Dear Evan Hansen, Pasek and Paul have written original lyrics and music for The Greatest Showman as well as composing a new song for the live telecast of their 2012 Broadway musical A Christmas Story. (Also of note: one of last year’s big musical offerings, La La Land, also featured the lyrics of Pasek and Paul.) So with Pasek and Paul taking over my screens in both of the big new filmed musical offerings, I thought it worthwhile to give my thoughts on the soundtrack for The Greatest Showman (I haven’t seen the movie yet), FOX’s telecast of A Christmas Story Live!, and my general thoughts on the music of Pasek and Paul.  Continue reading

If Only the Force Was With this Film (“Star Wars: The Last Jedi” review)

mv5bmjq1mzcxnjg4n15bml5banbnxkftztgwnzgwmjy4mzi-_v1_sy1000_cr006751000_al_I mean, it’s not the worst Star Wars film ever made nor is it the best. It’s better than Rogue One was, at least, though I didn’t much care for Rogue One, to be honest. It’s on the same level as The Force Awakens was, for me. Written and directed by Rian Johnson, Star Wars: The Last Jedi is the eighth entry in the main series of Star Wars films. Picking up from where The Force Awakens left off, Star Wars: The Last Jedi follows the fledgling Resistance, led by General Leia Organa (Carrie Fisher), as they continue to wage war against the evil First Order, led by Supreme Leader Snoke (Andy Serkis) and his apprentice, Kylo Ren (Adam Driver). Scavenger Rey (Daisy Ridley) seeks help from Jedi Master (and hermit) Luke Skywalker (Mark Hamill) while First Order defector Finn (John Boyega) and low-level Resistance fighter Rose Tico (Kelly Marie Tran) embark on a secret mission to aid the Resistance. (Mild spoilers follow)  Continue reading

History is More Magical Than You Think (“Harry Potter: A History of Magic book/BBC Documentary REVIEW) 

Harry-Potter-A-History-of-Magic-CoverI’m only a month late in talking about this, but what’s a month or two between friends? Two books, a BBC Two documentary, and an entire museum exhibit. These are the latest developments in the Harry Potter universe (as of October 2017) as the British Library launches its look into the real-life history of magic and how it intercepts J.K. Rowling’s Wizarding World. As a fan of both the Wizarding World and really great museum exhibits, I have to say that this excited me. I haven’t been able to go to the actual museum exhibit (as it’s in London and I am not), but I have read the official book of the exhibit: Harry Potter: A History of Magic and see the accompanying BBC Two Documentary. And it’s fab. Harry Potter: A History of Magic explores the intersection of history and fantasy. It’s common knowledge that much of J.K. Rowling’s world-building in the Wizarding World series originates from real history and myth, but just how much of it was real? Harry Potter: A History of Magic seeks to answer that question, and answer it, it does – with lots of panache. Continue reading

Time To Wait for the Ultimate Cut of Justice League – Because It’s Clear There is One (“Justice League” (2017) REVIEW)

mv5bndgwnjmwnjm1ov5bml5banbnxkftztgwnja2njk5mzi-_v1_Man, I desperately wanted to like this. I will go to my grave defending Batman v Superman (particularly the Ultimate Edition, where the story actually made sense), but Justice League is, unfortunately, a bit of a mess. A fairly enjoyable – at times – mess, but a mess, nonetheless, and I’m not sure whose fault it is. Directed by Zack Snyder (with substantial reshoots and editing supervised by Joss Whedon) and written by Chris Terrio and Joss Whedon, Justice League is the DCEU’s equivalent of 2012’s The Avengers (also directed by Whedon). It brings the mightiest DC superheroes – Batman (Ben Affleck), Wonder Woman (Gal Gadot), The Flash (Ezra Miller), Aquaman (Jason Momoa), Cyborg (Ray Fisher), and Superman (Henry Cavill) – together for the first time as they team up to defend the earth from an intergalactic – and multi-dimensional? – threat: Steppenwolf (Ciarán Hinds). (Mild spoilers ahead)  Continue reading

The Next Fantastic Beasts Film Will Explore “The Crimes of Grindelwald”

FNBST2_First_Look_3000x1800-R01We finally have a title for the second film in the Fantastic Beasts series: Fantastic Beasts: The Crimes of Grindelwald. That, alone, is a lot to unpack. But Warner Brothers marketing, never being one to skimp out on goodies for fans, also unveiled a new promo image for the film featuring our first look at the new and returning characters! And, oh boy, it’s a doozy. I wish WB had released a trailer today (it would have made smart marketing sense; Justice League, another WB film, releases in theaters this weekend and it would only make sense for WB to attach the trailer for next year’s blockbuster for the studio with this year’s blockbuster for the studio, but, alas, I do not head the marketing team). Either way, finally having a title and a first look at the cast is a really nice thing and I’m eager to break it all down. Continue reading

REVIEW: Thor Ragnarok

mv5bmjmyndkzmzi1of5bml5banbnxkftztgwodcxodg5mji-_v1_sy1000_cr006741000_al_Better late than never, I suppose. At least Thor: Ragnarok ended up being the best Thor film that Marvel has produced thus far. Directed by Taika Waititi and written by Eric Pearson, Craig Kyle, and Christopher Yost, Thor: Ragnarok follows our favorite God of Thunder, Thor (Chris Hemsworth), as he faces off against his sister, Hela (Cate Blanchett), and the imminent threat of Ragnarok: the ultimate destruction of Asgard. Thor’s world is about to explode. His devious brother, Loki (Tom Hiddleston), has taken over Asgard, the powerful Hela has emerged to steal the throne for herself and Thor is imprisoned on the other side of the universe. To escape captivity and save his home from imminent destruction, Thor must first win a deadly alien contest by defeating his former ally and fellow Avenger – The Incredible Hulk (Mark Ruffalo). (As always, spoilers may follow)  Continue reading

Disney Just Doesn’t Know When to Stop: A New Star Wars Trilogy from Rian Johnson AND a New Live Action Star Wars TV Series for Disney’s Streaming Service

1200px-star_wars_logo-svgSigh. In case anybody really had hopes that Disney wouldn’t turn Star Wars into an oversaturated MCU-style franchise of movies and TV series, consider those hopes dashed.

Today, Disney announced an all-new trilogy of Star Wars films from Rian Johnson. This new trilogy will be complete unconnected to the Skywalker Saga films (aka the main “Episodes”) and will be in addition to the seemingly endless onslaught of stand-alone Star Wars films (which really didn’t get off to a great start with the utterly mediocre Rogue One and doesn’t look to be getting any better with the utter catastrophe that was the production of Solo, what with the firing of Phil Lord and Christopher Miller as the directors of the film and the reshooting of essentially the entire movie).

And, if that wasn’t enough, it was also announced that Disney would be premiering a live-action Star Wars TV series on their upcoming streaming platform (think along the lines of CBS All Access) in 2019.

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REVIEW: Star Wars: The Last Jedi (Trailer #2)

Just a bit ago, a new trailer for the upcoming Star Wars: The Last Jedi dropped, and I have some thoughts about it. Directed by Rian Johnson, Star Wars: The Last Jedi continues the story began in JJ Abram’s Star Wars: The Force Awakens. Picking up where The Force Awakens left off, The Last Jedi finds Rey (Daisy Ridley) having just found Luke Skywalker (Mark Hamill) on the planet Ahch-To. With Rey having taken her first steps into the larger Star Wars universe, The Last Jedi follows her as she continues her journey alongside Finn (John Boyega), Poe (Oscar Isaac), and General Leia Organa (Carrie Fisher). As always, further details on the plot are under lock and key, though this trailer seems to provide some more information on that front.  Continue reading

REVIEW: Blade Runner 2049 (Spoiler free)

mv5bnza1njg4nzyxov5bml5banbnxkftztgwodk5nju3mzi-_v1_sy1000_cr006741000_al_It’s certainly a Blade Runner film. I’m gonna go out on a limb and say it’s even better than the first. May the internet mob spare my life. Directed by Denis Villeneuve and written by Hampton Fancher and Michael Green, Blade Runner 2049 picks up thirty years after the first film. In those thirty years, the original Nexus brand of Replicants rebelled and a caused a massive blackout that led to the prohibition of al Replicants and the bankruptcy of the Tyrell Corporation. In swept Niander Wallace (Jared Leto), purchasing the remains of the Tyrell Corporation. Wallace invented a new line of Replicants, ensuring they would always obey their masters. Eventually, he got the prohibition lifted and things returned to the way they were. As Blade Runner: 2049 opens, Officer K (Ryan Gosling), a Blade Runner (who is also a Replicant) is on a mission to retire a rogue Replicant, Sapper Morton (Dave Bautista), and uncovers evidence of a conspiracy that stretches all the way back to the events of the first film and its titular Blade Runner, Rick Deckard (Harrison Ford). (Very mild spoilers may follow)  Continue reading

The Art of Adaptation – A Thoroughly Modern Essay

We’ve all seen good adaptations of things we love and we’ve all seen bad ones. But what, exactly, makes an adaptation good? For the past… pretty much forever… Hollywood, in particular, has been adapting anything it could get its hands on. From books, to tv, to theatre, to video games, Hollywood loves adaptations. The problem is that the adaptations are often not very good at all. You see this with books, like Eragon and the Percy Jackson series and TV shows like Dark Shadows and Video Games like Assassin’s Creed and musicals like RENT and even anime like Death Note and Ghost in the Shell.

The question becomes, why are there so many lousy adaptations? Especially when most of them are based on properties that are really well made in their original mediums? Where is the disconnect?

Contrary to popular belief, there really is an art to adaptation. There are four key things that a good adaptation must adhere to. Respect for the source material and characters, not being a slave to the source material, knowing what to change and what to keep, and telling a story in the most cohesive and interesting way that utilizes the best of what the specific medium has to offer.

Bad adaptations, usually get at least one of those key things wrong, if not more than one of them. So, let’s explore them more in depth and see if we can’t figure out how to go about making a good adaptation.

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